https://www.dailywire.com/news/exclusive-actor-zachary-levi-makes-big-endorsement-ahead-of-midterms

Full interview: https://www.billboard.com/music/features/rachel-chinouriri-new-album-olivia-rodrigo-interview-1236359821/

Four people were killed, including three children and one teacher, and two others were wounded in a mass shooting at Silver Rail Elementary School in Bend, Oregon. The children were 5, 8, and 11 years old. While details are still emerging, one thing remains clear: This country is failing its children.

Schools should be beacons of safety - not where kids and educators are forced to experience the terror of gun violence while trying to learn and work. This carnage is preventable, and yet we keep allowing it to happen.

We do not have to live like this. Our children should not be dying like this.

Grown ups argue about what to do to keep kids safe at school - stricter gun control or better mental health services - we need to stop arguing & do both - people say it might not work but what if it does? Why not try everything possible to keep our precious kids safe? We owe it to our children.

It’s our responsibility to keep kids safe. 💔 How can we just keep continuing to fail them?"

It was her ability to be incredibly mysterious, so dark with a vibe that sucked you in immediately, and then this haunting simple angelic tone … The feeling she gives with her voice when she sings is so pure and genuine … She’s not trying to be sexy ... She just is … She can’t help it … She has always been god to me. She’s not just a singer, she is an entertainer in people’s eyes. Not only do adults feel her presence in such a spellbound way … She’s able to captivate the hearts of children as well !!! I was so young, and she spoke to my heart and soul like no one else … I have no idea why I’m writing this, but I do believe people like her are here for a reason … Just her smile alone changed the world forever ... She’s my girl crush this month …"

It was definitely there. It's why we spent so long in preparation for the film. We did sort of a whole pass on the script with a linguist from Palestine because the dialogue, what people say, it's different than how people talk today.

And then there was the pass with the fine dialect that was correct, and then actors all working with dialect coaches. But all those details were important because there's been so much work done on the 30s in terms of academia, historians, and there's a lot of material out there. But I had never, ever seen Palestine in a fiction film in the 30s.

So we wanted all of it. We were all of us obsessed with everything, all the details in it, even the stuff that's off frame, that's not even on the screen were correct. And also, we're working in fiction and we're working today.

So there's freedom in reinterpreting things. There's the poetic license of telling a story, but also having the responsibility to be true and authentic to what it is and where it's coming from. And again, it's why I talk so much about the crew being Palestinian and how important that is, because those details matter.