Still learning.

I’m totally into this new (to me) material, actually sought out comic book pro Viktor Farro at NYComicCon last week whose YouTube demo convinced me to switch brand and get more experimental - he does amazing work!

This is a one-armed, headless Terminator-style endoskeleton discovering a gigantic robotic head In a desert…I actually set up a still-life with a 3D printed head I have to draw this from life as much as possible.

I want to do more drawings reminiscent of the 1970s and 80s Sci-Fi magazine covers I admired as a kid.

I'm 21 now, and did this when I was 14.

THE ESTRANGED, my new independent comic is available right now on Kickstarter.

"After 13 years away, Heather returns to the hometown where she was once accused of murder. She's hoping to rebuild her life and reconnect with a lost love.

But when bodies start turning up, old suspicions resurface… and something sinister begins to awaken".

A sapphic horror thriller for mature readers.

32 pages of dark secrets, murder, lost love, and creeping dread.

✒️ Words by Jason McNamara

🖌️ Art by Matthieu Pereira

🎨 Colors by Dave Kemp

If you're into horror comics, dark mysteries, queer stories, and independent comics, I'd love for you to check it out and help spread the word!

Read more and back the campaign here:

https://www.kickstarter.com/projects/ramonesome/the-estranged-issue-one

Every pledge, share, and recommendation helps!

Thank you for supporting indie comics!

Hey everyone! I’m also a colorist from time to time and happy to share this comparison spread from the first pages from ‘The Children’s Friend’ by both the talented Fraser in the script and Brian Balondo in the art. 

Colorwork itself is a beautiful task I carry on with by accompanying those others who develop what I usually do foreground, that’s either illustrating commission work or writing self-owned projects. I wouldn’t say it’s easier but it’s actually helpful to gain a different perspective of what I do as an illustrator and also diminishes the ego a little by growing a side skill. 

Hopefully I’ll have many similar experiences in the future for I’m beyond grateful at this point to keep on encountering such nice teams to be part of. 

To see more previous projects, my portfolio and contact info are in the comments. 

Thanks! 

Grab a copy at my publishers website:
https://markosia.com/2026/10/16/grinding-against-the-marrow-out-now/

It’s Halloween. All the ghouls are out! We’re stuck in the small-minded town of Marrow with Soma, an all action, homeless Muslim of minimal words. Shes hunted by packs of mask-wearing youths, and corrupt cops. But she’s also got one particular skill that makes her formidable: parkour free running!

Drawn by my amazing artist Mauro De Falco! I’ve also had a quote from the incredible GARTH ENNIS who enjoys my work.

jacktober 10/16

Hi! I wanted to show the art by Matias De Vincenzo for my post-apocalyptic comic book, The Day Everything Changed Issue 2.

We are running a Kickstarter campaign Oct. 27-Nov. 24 for this issue. You can visit the prelaunch page and hit the "Notify me on launch" button to get an early bird discount as soon as the campaign starts. We will also have copies of Issue 1 incase you're just joining us.

Written by: Lane Fortenberry
Art by: Matias De Vincenzo
Letters by: Marina Leon

From the campaign: Experience the comic book adaptation of the hit post-apocalyptic audio drama that reached over 200,000 downloads from Riffage Media.

The Day Everything Changed #2 picks up right where #1 left off with John and Sarah's frightfully unexpected introduction of hardened mother Tessa and her daughter Olivia. The two broken families navigate trust, uncertainty, deadly scavengers and "Sick" in their search for a home among the apocalyptic ruins of Northeastern United States.

Dedicated listeners of the audio drama can expect new scenes, new dialogue and new action over four planned issues that will cover the first season of the show. Witness the complete visualization of the story that has only been told in an audio format. Haven't listened yet? Check it out wherever you get your podcasts.

The main of Ghost Rider was drawn in pencil on paper. I drew the background, the bike, as well as the flames and the rest of the spikes in photoshop, where I inked and colored the piece. All vintage colors and textures were done via Debaser by TrueGrit.

Loved the whole Barry Windsor-Smith series

Experimented with some watercolor as well.

I have been having a blast latley with the character of my comic but i must admit, that i find it frustrating that the moment i feel more comfortable drawing them is when i already finished drawing the comic....argh!

Anyway you can find more at: https://newfleshcomic.bigcartel.com/

I came across a indie comic called "Gonad The Ballbarian" and thought it was a killer concept and comic. So I did this fan piece inspired by Frank Frazetta's 'Death Dealer'

Mixed media on yellow paper. Last image is a quick sketch to get my ideas out.

Yule. Geol. Weihnachten. Winter Solstice. 
Before the soda drinking bears, before the bright red suit, and before the litany of saccharine films & music that saturate every holiday season, there was cold and night and fear.

The award-nominated collection of short horror comics returns to examine Yule, Winter Solstice, Jacob Marley, and a slew of other terrifying folklore from around the world, from well-known tales of the Mouse King to the lesser-known Kukeri, and all the bizarre traditions in between.

Don't stand idle, back YULE Vol 2 today! Just in time for spooky season, being delivered by Christmas. Whether as to extend the month of fright, or just to make your holy night even less so.

Contributing to this book is an all-star lineup of talent, with each team producing tight-and-terrorizing tales based on 16 different pieces of worldwide folklore:
Jacob Marley - Dillon Gilbertson & Zack Traum
Pére Fouettard - Lesly Julien & Minerva Fox
Werewolves - Ian Mondrick & Frederik Hornung 
Nisse - Fellhound & AHG
The Grither - Kat Baumann 
Mouse King - u/alairebowen
Yule Cat - Casper Binnett 
Joulupukki - Christa "Cabbage" Harader & Han Seelie
Carnival of Mumathones - Morrocco 
Kukeri - Sierra Barnes
Saint Knut's Day - David "DB" Andry & Desolina Greigo
Tschaggatta - Don Cardenas 
Sir Gawain and the Green Knight - Grant Stoye & Heather Vaughan
La Befana - Amy Chase & Alex Schlitz 
The Wreck of 1912 - Toren Chenault & Lauren Houser
Sluagh-Sidhe of Brug Na Boinne - Rae Allen  
Cover art by Val Halvorson 
Pinup by Pete Collins
Lettering & Book Design by u/tobenracicot 

----
Hi all! It's me again, but with a new Kickstarter. One I did not create, but am involved in! Gotta help spread the word of the newest gut wrenching volume of YULE.

❄You can get THE COMIC to read at your bone-side table! (Digital or physical)
❄Spooky PRINTS and POSTERS to adorn your dreadful hollow!
❄ORNAMENTS to hang upon your grotesque and mildly posessed holiday tree! (Exorcisms not included)
❄Even more ways to make the Yuletide GAY! And sad! Hooray!

Image credits for this post are as follows: Graphic by Fell Hound, Pete Collins, Zack Traum, Alaire Racicot (me!), Heather Vaughan, Casper Binnett, Morrocco, Kat Baumann, and Val Halvorson.

Check out YULE Vol 2 here! Thanks everyone!!

Hi there all! How’s your week going? 

I’ve actually been working on a sci-fi short film project for a while now along with CC Cynan, being the time to showcase my favourite storyboarding from it.  

I definitely appreciate the experience of exploring abandoned worlds where I’m summoned to illustrate isolation and desperate silence under my own criteria. 

Stay tuned for the frameshots’ black and white, for sci fi is ‘the’ match to noir. 

For more previous works, my portfolio and contact info are in the bio description.

Thanks!