r/boxoffice • • 1h ago

💯 Critic/Audience Score 'Klara And The Sun' Review Thread

• Upvotes

I will continue to update this post as reviews come in.

Rotten Tomatoes: Rotten

Critics Consensus: N/A

Critics Score Number of Reviews Average of Rated Reviews
All Critics 29% 35 4.50/10
Top Critics 0% 9

Metacritic: 29 (15 Reviews)

Sample Reviews:

Ryan Lattanzio, IndieWire D - For a movie filled with self-driving cars and powered by artificial intelligence, this “Klara” goes nowhere but straight into the sun of disaster, and without intelligence of any kind.

David Rooney, The Hollywood Reporter - Led by a misused Jenna Ortega and Amy Adams, Taika Waititi’s clanging dud has the distinction of being indisputably the worst screen adaptation of a novel by Nobel Prize laureate Kazuo Ishiguro.

Nick Schager, The Daily Beast - A wannabe-inspiring fable that proves its maker’s preternatural gift for noxious sentimentality.

David Robb, Slant Magazine 1.5/4 - It’s a faithful adaptation that nevertheless strips away everything insightful and affecting from Kazuo Ishiguro’s novel.

David Jenkins, Little White Lies 1/5 - This potentially rich subject matter is squandered by Waititi who has a juvenile habit of undercutting any hint at profundity with a jolt of silly humour or a comic rug pull.

Clarisse Loughrey, Independent (UK) 2/5 - The book was about who we fundamentally are, now and tomorrow. The film is about the power of love and friendship. That seems like quite the downgrade.

Peter Bradshaw, Guardian 1/5 - Taika Waititi detonates an explosion of postmodern quirkiness and ironic dorkiness in this unbearably mannered, unspeakably acted film.

Tim Robey, Daily Telegraph (UK) 1/5 - Ishiguro’s thoughts on the ever-evolving relationship between technology and humanity are tossed away like so much thematic confetti. It’s hard to fathom what Waititi thought he was doing in playing things for laughs.

Kevin Maher, The Times (UK) 1/5 - It’s a hopeless film, slippery and mendacious, full of gross Hallmark sentiment, and has been bettered by a myriad of previous robot companion flicks.

SYNOPSIS:

Based on the bestselling novel from Nobel Prize-winner Kazuo Ishiguro and written and directed by Academy-Award® winner Taika Waititi (Jojo Rabbit), Klara and the Sun introduces audiences to Klara (Jenna Ortega), an Artificial Friend who wants nothing more than to find the perfect home. When Klara meets Josie (Mia Tharia), each immediately senses a kindred spirit in the other. Josie has a fraught relationship with her mother (Amy Adams) and they’ve suffered great loss, but Klara’s innocent wonder and unwavering loyalty begin to heal the family and bring light to Josie’s complicated world.

CAST:

  • Jenna Ortega as Klara
  • Amy Adams as Chrissie
  • Mia Tharia as Josie
  • Aran Murphy as Rick
  • Steve Buscemi as Capaldi
  • Natasha Lyonne as Store Manager

DIRECTED BY: Taika Waititi

SCREENPLAY BY: Taika Waititi, Dahvi Waller

BASED ON THE BOOK BY: Kazuo Ishiguro

PRODUCED BY: David Heyman, Garrett Basch, Taika Waititi

EXECUTIVE PRODUCERS: Gary Barber, Alex G. Scott, Jeffrey Clifford, Rosie Alison, Kazuo Ishiguro

DIRECTOR OF PHOTOGRAPHY: Mike Berlucchi

PRODUCTION DESIGNER: Ra Vincent

EDITED BY: Tom Eagles, Adam Gough

COSTUME DESIGNER: Mayes C. Rubeo

MUSIC BY: Michael Giacchino

CASTING BY: Francine Maisler

RUNTIME: 116 Minutes

RELEASE DATE: October 23, 2026


r/boxoffice • • 23h ago

Worldwide r/BoxOffice Long Range Forecast: 'The Hunger Games: Sunrise on the Reaping' and 'I Play Rocky'

24 Upvotes

Before you comment, read these two rules:

1. Please provide specific numbers for your predictions. Don't do things like "It'll make less than this or that" or "double this movie or half this movie". We want a real prediction in concrete figures.

2. Given that a lot of parent comments do not even bother to give predictions, we are establishing a new rule. The parent comment must provide a prediction with specific numbers. The rest of the replies to the comment do not have to make a prediction, but the parent comment absolutely has to. Any parent comment without a prediction will be eliminated.

Welcome to the newest edition of r/BoxOffice Long Range Forecast.

We're making long range predictions for films, 4 weeks out from their premieres. You will predict the opening weekend, domestic total and worldwide gross of these films. These predictions will be open for 48 hours and the results will be polled to form a consensus and posted the next week.

So let's meet the two films for the week and analyze each pro and con.

The Hunger Games: Sunrise on the Reaping

The film is directed by Francis Lawrence (all Hunger Games films except the first, Constantine, I Am Legend, The Long Walk) from a screenplay by Billy Ray (The Hunger Games) and Michael Lesslie (The Hunger Games: The Ballad of Songbirds & Snakes). Based on the novel Sunrise on the Reaping by Suzanne Collins, it serves as both a sequel to The Hunger Games: The Ballad of Songbirds & Snakes and a prequel to The Hunger Games. It stars Joseph Zada, Jesse Plemons, Ralph Fiennes, Glenn Close, Kieran Culkin, Elle Fanning, Mckenna Grace, Maya Hawke, Whitney Peak, and Kelvin Harrison Jr. Taking place 24 years before the first film, 16-year-old Haymitch Abernathy is selected to compete in the 50th Hunger Games. Every 25th edition of the games, known as a Quarter Quell, adds a special twist to the annual Hunger Games rules. For the 50th Hunger Games, each district of Panem must send twice the number of tributes to the Capitol, who will fight to the death in a televised spectacle.

I Play Rocky

The film is directed by Peter Farrelly (Green Book, There's Something About Mary, Dumb and Dumber) and written by Peter Gamble. It stars Anthony Ippolito, AnnaSophia Robb, Toby Kebbell, P. J. Byrne, Stephan James, Jay Duplass, Robert Morgan, Tracy Letts, and Matt Dillon. The film follows a struggling, unknown Sylvester Stallone as he writes the screenplay for Rocky in just a few days. Refusing lucrative buyouts from studio executives, he wagers his entire career on a strict ultimatum: he will only sell the script if he is allowed to star in the lead role.

NOTE: This starts limited release on November 6, but we're moving the prediction to today, as it's when it hits wide release.

Now that you met this week's new releases, let's look at some pros and cons.

PROS

  • The Hunger Games is Lionsgate's most popular franchise, with the five films amassing $3.3 billion worldwide. It has maintained a lenghty popularity, more impressive than other YA adaptations. The film might be a prequel like Ballad, but it focuses on a much more interesting character (Haymitch) and it promises to deliver spectacle and political intrigue, two things that have made this franchise so beloved. It's evidenced by the book sales, where it opened much higher than any of the other books. It's also packed with so many stars, including recent Oscar nominees like Jesse Plemons, Ralph Fiennes, Glenn Close, Kieran Culkin and Elle Fanning. Lionsgate is going all big on the film, as they begin a very extensive marketing campaign.

  • Rocky is one of cinema's most iconic and beloved films, so a film documenting the making of that story could be interesting. While people may frown upon "movies about making movies", the underdog aspect is actually the selling point: the story of Stallone trying to make the film happen is a great story to tell. Reactions across social media have been very positive, with Anthony Ippolito singled out. Reviews are positive out of TIFF (84% RT), and it is reported that the film had some of the best reactions at the festival, where it placed runner-up.

CONS

  • The inherent disadvantage to prequels is the fact that people know the outcome before even watching the film. We all know Haymitch (and other characters) will survive, and we know the games will still continue despite the calls for rebellion. There can be a great story to tell, but people can also feel like it's redundant. Ballad was a success, but $348 million worldwide is only barely half of what the prior lowest-grossing film (Mockingjay – Part 2) did. Sunrise should fare much better, given it includes a beloved fan favorite and a much more interesting event, but it'd be wise to be cautious about outgrossing any of the mainline titles. And for its sake, it better perform better than Ballad; the budget is reportedly $200 million, which is a franchise record. Ballad numbers are not acceptable, it must do far, far better.

  • The "movies about movies" genre hasn't been lighting the box office on fire over the past few years. When was the last big one? Once Upon a Time in Hollywood? Are audiences so loving of Rocky that they'll want to watch a film about how it came to be? Amazon MGM needs to make sure the older demographic, the ones who grew up with Rocky, fully connect with the film to help it spread the word of mouth.

  • The big con for both: none are really expected to be the main event of the weekend. Because on November 19, the highly-anticipated Grand Theft Auto VI is finally hitting stores, and all signs point to some record-breaking numbers for a video game. Perhaps not really a con, as people can find time to watch films and also play, but still a point worth considering.

And here's the past results.

Movie Release Date Distributor Domestic Debut Domestic Total Worldwide Total
Clayface October 23 Warner Bros. $23,984,000 $58,529,166 $106,520,833
Wildwood October 23 Fathom $15,389,473 $46,473,684 $88,200,000
Klara and the Sun October 23 Sony $6,502,777 $15,777,777 $33,122,222
Ali G: Who Iz I? October 23 Amazon MGM $3,946,666 $8,714,285 $18,535,714
Godzilla Minus Zero November 6 Toho $37,222,222 $98,883,333 $244,352,941
The Cat in the Hat November 6 Warner Bros. $31,378,947 $101,710,526 $208,333,333
Wild Horse Nine November 6 Searchlight $4,793,750 $15,518,750 $44,340,000
Ghost Soldier November 11 Sony $3,703,333 (3-day) $5.479,166 (5-day) $10,791,666 $19,145,833
Ebenezer November 13 Paramount $18,450,000 $60,718,750 $137,968,750
How to Rob a Bank November 13 Amazon MGM $9,788,235 $26,352,941 $49,823,529

Next week, we're predicting Hexed and Focker-In-Law.

So what are your predictions for these films?


r/boxoffice • • 46m ago

France Clayface climbing and at 3.5 on allicone with 139 reviews. The highest scored dcu film ever.

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• Upvotes

Not sure why a post with only 25 reviews was able to be posted. In comparison to backrooms 3.1 and resident evil is 3.9. Clayface is still climbing up after starting at 2.8 went to 3.1 and now at 3.5 It can be expected to keep going up.

full comps

Superman - 3.0
Supergirl - 2.5
Resident Evil - 3.8
Evil Dead Burn - 3.4
The Mummy - 3.0
Obsession - 3.9
Other Mommy - 1.8


r/boxoffice • • 2h ago

South Korea South Korea: Clayface debuted yesterday at #3 with just shy of 19K (including earlier screening) admissions or around $132K USD vs Superman (93K admissions) and Supergirl (34K admissions)

89 Upvotes

r/boxoffice • • 4h ago

Italy ITALY: Clayface debuts at #7 with €36,924 on its opening day, averaging just €246 across 150 cinemas.

136 Upvotes

r/boxoffice • • 19h ago

Domestic ‘You Can See Everything’ Could Beat DC’s ‘Clayface’ ($20-25M) at the Box Office With Staggering $20 Million to $25 Million

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1.1k Upvotes

r/boxoffice • • 12h ago

Domestic EmpireCity - Clayface opening pointing at low $20m's, good number for the budget.

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291 Upvotes

r/boxoffice • • 6h ago

France France : Clayface opened outside the top 5 on its first day. The film is rated 12+. Supergirl had opened in 4th place.

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98 Upvotes

r/boxoffice • • 3h ago

📰 Industry News Neon Boards ‘NAZA’ to Expand Distribution for Documentary About Israel’s Military Strikes on Gaza - Co-directors Yuval Abraham and Rachel Szor's previous doc "No Other Land" was unable to find a U.S. distribution partner in 2024. Similarly, "NAZA" had been released independently, until now.

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46 Upvotes

r/boxoffice • • 16h ago

📠 Industry Analysis 'Clayface' vs. 'You Can See Everything': The Box Office Matchup No One Saw Coming - The DC horror film and the acclaimed A24 doc should be able to coexist, but which one will be No. 1 isn’t so clear anymore.

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289 Upvotes

r/boxoffice • • 19h ago

💰 Film Budget [Variety] 'Clayface' cost $44M to produce

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462 Upvotes

r/boxoffice • • 19h ago

💯 Critic/Audience Score 'Clayface' Review Thread

439 Upvotes

I will continue to update this post as reviews come in.

Rotten Tomatoes: Certified Fresh

Critics Consensus: N/A

Critics Score Number of Reviews Average of Rated Reviews
All Critics 75% 87 6.70/10
Top Critics 68% 25

Metacritic: 59 (35 Reviews)

Sample Reviews:

Nikki Gemmell, The Australian 3/5 - What this James Watkins movie doesn’t have is tone or personality. A distinct directorial stamp. Yes, big jump scares, but middling special effects and indifferent world building; this could be any city. This is not a seamless trio of DC Universe films.

Zaki Hasan, San Francisco Chronicle - “Clayface” is practiced pastiche, drawing on a tradition of sympathetic monstrosity stretching back to Mary Shelley. But as proof of concept for a DC Universe that can accommodate stories beyond the usual superhero spectacle, it largely works.

Tim Grierson, Screen International - The picture’s combination of monster movie and love story ultimately suffers from a critical weakness: neither the presentation nor the tragic antihero is novel enough to sustain a full-length feature.

Mark Kennedy, Associated Press 3/4 - We may not have asked for it, but it’s a crowd-pleaser, mimicking its title character’s ability to be a little something for everyone.

Sophie Butcher, Empire Magazine 3/5 - Remove its fleshy, liquescent mask, and you’ll not find a lot of memorable meat underneath, but at least Clayface’s brutal exterior offers savage delights.

Brian Tallerico, RogerEbert.com 1.5/4 - A movie shouldn’t spoon feed you its themes, but it also needs to put more than misshapen mush on your plate.

Brian Truitt, USA Today 2/4 - Director James Watkins’ unnerving, frustrating thriller can only do so much melting Tom Rhys Harries’ sharp features amid a bunch of creepy scenes and a severe lack of character development.

Clarisse Loughrey, Independent (UK) 3/5 - Rhys Harries does much of the heavy lifting here; the actor, in his first major lead role, works each scene with such wounded intensity that you could layer on a dozen more prosthetics and the performance would still leap out.

Caroline Siede, Decoding Everything - Clayface is full of memorable images without ever quite becoming a memorable movie.

Robbie Collin, Daily Telegraph (UK) 4/5 It cannot be overstated how much fun it is to soak up a film like this on what feels like its creators’ largely unhindered terms.

David Fear, Rolling Stone - The equivalent of eating a handful of Play-Doh™, and twice as flavorless.

Barry Hertz, Globe and Mail - For a movie about a pile of sentient goo that can will itself to look like anyone or anything, there is a disheartening lack of self-awareness, or self-respect, when it comes to Clayface’s blatant cinematic cribbing.

Cary Darling, Houston Chronicle 4/5 - Watkins has created a more personal story that becomes surprisingly moving as Hagen wrestles with his newfound power, the compulsion for revenge and the desire to not be alone.

Johnny Oleksinski, New York Post 3/4 - Specifically this is body horror, similar to “The Substance” with Demi Moore or an organs-galore David Cronenberg film. It’s gross. In a fun way!

Benjamin Lee, Guardian 2/5 - Even as a similarly new way in, as a relatively standalone horror movie for those who wouldn’t now rush toward a superhero caper, it’s a clumsily missed opportunity.

Ed Potton, The Times (UK) 3/5 - The British leads are impressive, Harries channelling Demi Moore in The Substance, Ackie the biotech renegade Elizabeth Holmes, and there is a knowing cameo from Rob Brydon as a smarmy talk show host.

Guy Lodge, Variety - Perhaps the characters and conflicts introduced here would pall if given the franchise treatment, but in the context of a single, genre-melding romp, they’re fresh and ickily enjoyable.

Matt Singer, ScreenCrush 6/10 - An amusingly icky horror film that gets under your skin.

Jake Cole, Slant Magazine - James Watkins makes a virtue of the film’s low-budget, visibly artificial CGI backdrops, emphasizing Gotham’s unreal nature.

Frank Scheck, The Hollywood Reporter - Clayface emerges as one of the year’s big surprises. More a horror film than a comic book movie -- body horror, to be precise -- it’s also perfectly timed to cash in on the current mania of audiences looking for a scary good time.

Kate Erbland, IndieWire C+ - The uneven nature of the film, its plotting, its character motivations, and its aims only become bigger and bloodier as the film winds on. Malleable, sure, but this ambitious misfire can never conform to one shape, one final form, or one good idea.

William Bibbiani, TheWrap - A decent monster movie, with all the straightforward entertainment value that comes with telling a story about a wet pile of gelatinous flesh that kills people.

Linda Marric, HeyUGuys 4/5 - Clayface is a gamble that pays off, and a reminder that the best comic-book adaptations are often those that remember their original pulpy credentials.

Liz Shannon Miller, Consequence B - The scariest, freakiest movie ever made based on a DC Comics property (insert your own jokes here about Gene Hackman's Superman wig).

SYNOPSIS:

DC Studios’ “Clayface” is a horror thriller from director James Watkins, starring Tom Rhys Harries in the title role of the cult favorite villain from Gotham’s rogues gallery.

Matt Hagen’s meteoric rise from Gotham street kid to Hollywood leading man is tragically cut short when a local crime boss’s actions leave him horribly disfigured. Abandoned by his team and with nothing left, Matt seeks out a cutting edge treatment that miraculously returns him to his former self… but also unexpectedly affects his grip on reality, spiraling him down a destructive path of all-consuming revenge.

CAST:

  • Tom Rhys Harries as Matt Hagen / Clayface
  • Naomi Ackie as Dr. Caitlin Corr
  • David Dencik as Markos Szabo
  • Max Minghella as John Borelli
  • Eddie Marsan as Frank Fitzpatrick
  • Nancy Carroll as Hildie Love
  • Joshua James as Corey Bowery

DIRECTED BY: James Watkins

SCREENPLAY BY: Mike Flanagan, Hossein Amini

STORY BY: Mike Flanagan

BASED ON CHARACTERS FROM: DC

PRODUCED BY: Matt Reeves, Lynn Harris, James Gunn, Peter Safran

EXECUTIVE PRODUCERS: Michael E. Uslan, Chantal Nong Vo, Lars P. Winther, Paul Ritchie, Rafi Crohn, Trevor Macy

DIRECTOR OF PHOTOGRAPHY: Rob Hardy

PRODUCTION DESIGNER: James Price

EDITED BY: Jon Harris

COSTUME DESIGNER: Keith Madden

MUSIC BY: Volker Bertelmann

CASTING BY: Lucy Bevan, Katie Brydon

RUNTIME: 108 Minutes

RELEASE DATE: October 23, 2026


r/boxoffice • • 13h ago

Domestic You Can See Everything Winning Wednesday With $2.3M; Can Elizabeth Holmes Melt Clayface In U.S.? DC Villain Eyes $45M+ WW

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153 Upvotes

r/boxoffice • • 10h ago

Domestic BOT Wednesday estimates - 10/21/2026

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68 Upvotes

r/boxoffice • • 20h ago

France Paris 2pm - Clayface so far attracted 652 visitors in France, below Superman (2,265), Supergirl (1,578), Catwoman (1,473). Its 3rd worst debut for DC movies since 2000 between Blue Beetle (600) and The Suicede Squad (715)

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345 Upvotes

Translation:

After Supergirl's blunder, will Clayface save the DCU's honor for the year 2026? At 2 p.m., James Watkins' horror mini-blockbuster attracted 652 spectators in Parisian theaters, beaten by Karma (1,233 admissions) and Island of Memories (1,068 admissions). Unfortunately, this is the third worst result for a DC Comics production in the 21st century, between The Suicide Squad (715 admissions) and Blue Beetle (600 admissions), far behind Supergirl (1,578 admissions). And it turns out that a certain logic is respected, since we are right at the level of another second-rate superheroic spin-off, Madame Web (632 admissions). In short, it's not joy...


r/boxoffice • • 19h ago

🔢 Theater Count This weekend's location count for A24's You Can See Everything is 2,655 locations

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315 Upvotes

r/boxoffice • • 25m ago

Domestic Puck Yeah! Heated Rivalry gets Limited Theatrical Run with Regal for Season 1

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• Upvotes

r/boxoffice • • 18h ago

💰 Film Budget [Variety] 'Wildwood' cost a substantial $100M to produce

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207 Upvotes

r/boxoffice • • 23h ago

Domestic A24's You Can See Everything grossed $2.63M on Tuesday (from 855 locations). Total domestic gross stands at $20.81M.

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499 Upvotes

r/boxoffice • • 3h ago

International Box Office France 14-20 octobre

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11 Upvotes

r/boxoffice • • 6h ago

Australia Street Fighter knocked out the competition in Australia, taking the top spot in its opening week with $2.92M. 🐨Verity is the No. 2 film in the weekly standings with $1.71M, bringing its total box office gross to $10.5M. 🦘Jailer 2 took the No. 3 spot in its opening week with $1.69M.

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17 Upvotes

r/boxoffice • • 19h ago

🔢 Theater Count According to Variety, 'Klara and the Sun' has a price tag of $20 million (co-financed between Sony and Spyglass). The screen count has been cut from 1,900+ to 850.

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158 Upvotes

r/boxoffice • • 18h ago

🎟️ Pre-Sales TheFlatLannister on BOT: I did look at YCSE at MTC3 yesterday. It is possible that it beats Clayface OW as YCSE Friday is only 19% behind Clayface and Saturday is 21% ahead of Clayface.

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136 Upvotes

r/boxoffice • • 22h ago

🎟️ Pre-Sales TheFlatLannister: 'Clayface' had good momentum Monday, but it stalled quite a bit with T-2 growth. It is now 62% behind Supergirl OW, so an improvement, however it has lost substantial ground to Resident Evil very quickly. projection: ~$3.5M preview - $18M-$20M OW

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269 Upvotes

A few MTC3 updates:

Clayface had good momentum Monday, but it stalled quite a bit with T-2 growth. It is now 62% behind Supergirl OW, so an improvement, however it has lost substantial ground to Resident Evil very quickly; now 71% behind RE OW. 82% behind Evil Dead Burn OW, so again lost substanial ground fast. It seems Clayface is trending a little better than a traditional CBM, but also it is not performing like a horror film. I feel Resident Evil may be the closest comp; so projection ~$3.5M preview - $18M-$20M OW


r/boxoffice • • 23h ago

United Kingdom & Ireland 'Dune: Part Three' Smashes BFI Imax Record With 33,000 Admissions Sold In First 24 Hours

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359 Upvotes