I will continue to update this post as reviews come in.
Rotten Tomatoes: Certified Fresh
Critics Consensus: N/A
| Critics |
Score |
Number of Reviews |
Average of Rated Reviews |
| All Critics |
75% |
87 |
6.70/10 |
| Top Critics |
68% |
25 |
|
Metacritic: 59 (35 Reviews)
Sample Reviews:
Nikki Gemmell, The Australian 3/5 - What this James Watkins movie doesnât have is tone or personality. A distinct directorial stamp. Yes, big jump scares, but middling special effects and indifferent world building; this could be any city. This is not a seamless trio of DC Universe films.
Zaki Hasan, San Francisco Chronicle - âClayfaceâ is practiced pastiche, drawing on a tradition of sympathetic monstrosity stretching back to Mary Shelley. But as proof of concept for a DC Universe that can accommodate stories beyond the usual superhero spectacle, it largely works.
Tim Grierson, Screen International - The pictureâs combination of monster movie and love story ultimately suffers from a critical weakness: neither the presentation nor the tragic antihero is novel enough to sustain a full-length feature.
Mark Kennedy, Associated Press 3/4 - We may not have asked for it, but itâs a crowd-pleaser, mimicking its title characterâs ability to be a little something for everyone.
Sophie Butcher, Empire Magazine 3/5 - Remove its fleshy, liquescent mask, and youâll not find a lot of memorable meat underneath, but at least Clayfaceâs brutal exterior offers savage delights.
Brian Tallerico, RogerEbert.com 1.5/4 - A movie shouldnât spoon feed you its themes, but it also needs to put more than misshapen mush on your plate.
Brian Truitt, USA Today 2/4 - Director James Watkinsâ unnerving, frustrating thriller can only do so much melting Tom Rhys Harriesâ sharp features amid a bunch of creepy scenes and a severe lack of character development.
Clarisse Loughrey, Independent (UK) 3/5 - Rhys Harries does much of the heavy lifting here; the actor, in his first major lead role, works each scene with such wounded intensity that you could layer on a dozen more prosthetics and the performance would still leap out.
Caroline Siede, Decoding Everything - Clayface is full of memorable images without ever quite becoming a memorable movie.
Robbie Collin, Daily Telegraph (UK) 4/5 It cannot be overstated how much fun it is to soak up a film like this on what feels like its creatorsâ largely unhindered terms.
David Fear, Rolling Stone - The equivalent of eating a handful of Play-Dohâ˘, and twice as flavorless.
Barry Hertz, Globe and Mail - For a movie about a pile of sentient goo that can will itself to look like anyone or anything, there is a disheartening lack of self-awareness, or self-respect, when it comes to Clayfaceâs blatant cinematic cribbing.
Cary Darling, Houston Chronicle 4/5 - Watkins has created a more personal story that becomes surprisingly moving as Hagen wrestles with his newfound power, the compulsion for revenge and the desire to not be alone.
Johnny Oleksinski, New York Post 3/4 - Specifically this is body horror, similar to âThe Substanceâ with Demi Moore or an organs-galore David Cronenberg film. Itâs gross. In a fun way!
Benjamin Lee, Guardian 2/5 - Even as a similarly new way in, as a relatively standalone horror movie for those who wouldnât now rush toward a superhero caper, itâs a clumsily missed opportunity.
Ed Potton, The Times (UK) 3/5 - The British leads are impressive, Harries channelling Demi Moore in The Substance, Ackie the biotech renegade Elizabeth Holmes, and there is a knowing cameo from Rob Brydon as a smarmy talk show host.
Guy Lodge, Variety - Perhaps the characters and conflicts introduced here would pall if given the franchise treatment, but in the context of a single, genre-melding romp, theyâre fresh and ickily enjoyable.
Matt Singer, ScreenCrush 6/10 - An amusingly icky horror film that gets under your skin.
Jake Cole, Slant Magazine - James Watkins makes a virtue of the filmâs low-budget, visibly artificial CGI backdrops, emphasizing Gothamâs unreal nature.
Frank Scheck, The Hollywood Reporter - Clayface emerges as one of the yearâs big surprises. More a horror film than a comic book movie -- body horror, to be precise -- itâs also perfectly timed to cash in on the current mania of audiences looking for a scary good time.
Kate Erbland, IndieWire C+ - The uneven nature of the film, its plotting, its character motivations, and its aims only become bigger and bloodier as the film winds on. Malleable, sure, but this ambitious misfire can never conform to one shape, one final form, or one good idea.
William Bibbiani, TheWrap - A decent monster movie, with all the straightforward entertainment value that comes with telling a story about a wet pile of gelatinous flesh that kills people.
Linda Marric, HeyUGuys 4/5 - Clayface is a gamble that pays off, and a reminder that the best comic-book adaptations are often those that remember their original pulpy credentials.
Liz Shannon Miller, Consequence B - The scariest, freakiest movie ever made based on a DC Comics property (insert your own jokes here about Gene Hackman's Superman wig).
SYNOPSIS:
DC Studiosâ âClayfaceâ is a horror thriller from director James Watkins, starring Tom Rhys Harries in the title role of the cult favorite villain from Gothamâs rogues gallery.
Matt Hagenâs meteoric rise from Gotham street kid to Hollywood leading man is tragically cut short when a local crime bossâs actions leave him horribly disfigured. Abandoned by his team and with nothing left, Matt seeks out a cutting edge treatment that miraculously returns him to his former self⌠but also unexpectedly affects his grip on reality, spiraling him down a destructive path of all-consuming revenge.
CAST:
- Tom Rhys Harries as Matt Hagen / Clayface
- Naomi Ackie as Dr. Caitlin Corr
- David Dencik as Markos Szabo
- Max Minghella as John Borelli
- Eddie Marsan as Frank Fitzpatrick
- Nancy Carroll as Hildie Love
- Joshua James as Corey Bowery
DIRECTED BY: James Watkins
SCREENPLAY BY: Mike Flanagan, Hossein Amini
STORY BY: Mike Flanagan
BASED ON CHARACTERS FROM: DC
PRODUCED BY: Matt Reeves, Lynn Harris, James Gunn, Peter Safran
EXECUTIVE PRODUCERS: Michael E. Uslan, Chantal Nong Vo, Lars P. Winther, Paul Ritchie, Rafi Crohn, Trevor Macy
DIRECTOR OF PHOTOGRAPHY: Rob Hardy
PRODUCTION DESIGNER: James Price
EDITED BY: Jon Harris
COSTUME DESIGNER: Keith Madden
MUSIC BY: Volker Bertelmann
CASTING BY: Lucy Bevan, Katie Brydon
RUNTIME: 108 Minutes
RELEASE DATE: October 23, 2026