Thursday - 9:55 P.M.
"John, come check this out."
His coworker turned his phone around. A local news article filled the screen.
Three more murders were reported overnight.
John stepped closer.
One victim had been strangled.
Another had died from multiple gunshot wounds.
The last had been stabbed.
His eyes lingered on the final report.
He slipped his own phone from his pocket and searched for the article himself. As he scrolled through similar reports, a pattern emerged.
Five stabbing deaths.
Just this month.
The comment section was already flooded with theories.
'There's no way these aren't connected.'
'Didn't something similar happen last year?'
'Police are covering something up.'
John read a few more before locking his phone.
"Hello? Earth to John."
He looked up.
"Hand over your register. I already locked the doors. I'm trying to get home."
John gave a small nod and slid the register across the counter.
"I'm good to go then?" John asked as he gathered his belongings.
His coworker gave a quick nod. "Yep. Get the hell outta here."
John let out a small laugh. "Yeah, whatever. See you Tuesday."
"Later."
John pushed through the front doors and stepped into the cool night air, letting them close behind him as he headed toward home.
John made his way across the parking lot toward the bus stop. The recent murders weren't really on his mind. His job was only a two-minute walk from the stop, and once he got off the bus, it was another five-minute walk home. He'd made the trip countless times before without a problem.
He finally made it home.
Stopping just outside the front door, John glanced down the hallway before looking in both directions. Satisfied that no one was around-and more importantly, that no one had followed him-he reached for the doorknob and quietly stepped inside.
He made his way down the hallway and noticed the bedroom door was slightly open.
He peeked inside.
A man sat at his gaming setup, completely absorbed in the match. John figured he had the day off. Whenever he wasn't working, there was a good chance he'd be in his room trying to grind a few more levels.
The volume in his headset was loud enough that John could faintly hear bursts of gunfire, followed by the all-too-familiar sound of the character dying.
He never once looked away from the screen, responding only with the occasional groan of frustration whenever he died.
Leaving the bedroom door as it was, John continued down the hallway to the bathroom.
He shut the door behind him, slipped out of his work shirt, and stuffed it into his bag. After a moment of rummaging through the next compartment, he finally found what he was looking for.
He found it.
John carefully pulled it from the bag.
A mask.
It was pale, almost completely featureless at first glance, with dark eye sockets and a smooth, expressionless mouth. There was something unsettling about how ordinary it looked. No elaborate markings. No exaggerated grin. Just a blank face staring back at him.
This would be perfect...
He knew this would be great.
John turned it over in his hands before slipping it on.
He looked at himself in the mirror.
The mask was eerily odd. There was nothing particularly special about it, yet the eyes were exactly how he wanted them. He couldn't even see his own eyes staring back at him.
From the outside, the mask appeared completely opaque, almost like a simple two-way mirror. But from the inside, a thin, dark fabric covered the eye holes, dark enough to hide his eyes while still being clear enough for him to see through easily.
But it wasn't time to admire it.
John exited the bathroom and made his way toward the kitchen. His hand gently slid across the countertop as he walked, eventually stopping beside the silverware drawer.
He paused for a moment before pulling it open.
The action works, especially because this is where the "he isn't used to the mask yet" idea finally pays off. I'd make the sequence a little more chaotic and physical. The door hitting him should feel like a genuine surprise, and the chest kick should immediately put him on the defensive.
I'd also keep the knife disposal clear: he's deliberately removing the knives from the kitchen, but doesn't take one for himself. That makes the scissors choice feel intentional rather than accidental at this point.
He noticed the knives and carefully grabbed each one, tossing them into the garbage along with the forks. Finally, his hand stopped on a pair of scissors.
He picked them up.
His footsteps were almost silent as he made his way back down the hallway. He stopped outside the man's cracked bedroom door.
He peeked inside.
The chair was empty.
John raised a brow beneath the mask.
He leaned closer, trying to get a better angle.
Pain suddenly shot across his face.
The door slammed into him without warning.
John stumbled backward, one hand immediately flying to his mask. Before he could recover, a sharp pain struck his chest.
He hadn't even realized the door had been thrown open.
The man had kicked him square in the chest, sending him stumbling backward toward the wall. His back slammed against it, and his hand instinctively reached out to catch himself.
Then he saw the bat.
The man stepped out of the bedroom and swung with everything he had.
John ducked.
The bat cut through the air where his head had been only a moment before.
He quickly backed away, scissors still clenched in his hand.
Apparently, the man had caught on.
The choreography is solid. The important thing here is that John is the one who initiates the attack, but the victim's bat gives him a significant advantage. That makes John's eventual injury feel earned rather than convenient.
I'd tighten the movement so each action leads naturally into the next:
The man and John stood facing each other in the hallway, both gripping their weapons.
John moved first.
He dashed forward, scissors raised, aiming for the man's torso. But the bat gave the man a clear advantage. He lifted it over his head and brought it down with a forceful swing.
John narrowly sidestepped it.
Before he could counter, the man drove his shoulder into him, tackling him backward and sending both of them into the kitchen.
John stumbled, barely keeping his footing.
The man raised the bat again.
John waited.
As the swing came, he ducked underneath it and slipped behind him.
The scissors drove into the man's shoulder, breaking through the skin and stopping halfway in.
The man let out a sharp groan and twisted around.
He still had enough strength to swing.
The bat slammed into John's midsection.
The air left his lungs as he dropped to his knees.
I think this is the right moment for the first Axicia kill to become **messy and improvised**. In particular, the victim almost winning makes John's eventual escape feel much more believable.
I'd tighten the sequence and make the police interruption abrupt. Also, I wouldn't have John simply "punch" the window unless the story establishes that it's something he can realistically do; the important thing is that he's desperate enough to escape through it.
The bat came down again.
This time, it struck the back of John's head.
His body went limp and collapsed onto the floor.
"Dumbass..." the man muttered, breathing heavily. "That's what you get."
He reached for the scissors lodged in his shoulder.
His fingers wrapped around the handle.
Then his leg buckled.
John had driven his fist into his shin with everything he had left.
The man stumbled backward, losing his balance.
John surged to his feet and tackled him to the ground.
He ripped the scissors from the man's shoulder.
The man barely had time to react before John's head slammed into his skull, dazing him.
Then the scissors came down.
Once.
Twice.
Again.
Until-
**BANG!**
The front door flew open.
"Police!"
John froze.
His head snapped toward the hallway.
He must have called them before the fight.
John looked down at the body beneath him.
Then at the front door.
There was no time.
He scrambled to his feet and ran for the nearest window. His fist smashed through the glass, sending shards scattering across the floor.
Two officers rushed into the apartment just as John climbed through.
For a split second, they caught sight of the pale mask.
Then he disappeared into the night.
The officers rushed to the window and looked down.
Nothing.
He was gone.
One officer turned back toward the apartment.
His eyes fell on the body lying motionless on the floor.
The room went silent.
The following morning...
A news reporter stood outside the apartment building, several police vehicles visible behind her.
"Police have confirmed that last night's break-in was anything but random."
"The victim, a man in his mid-twenties, was found inside his apartment after officers responded to reports of a disturbance. Investigators say the victim suffered multiple stab wounds, several of which caused extensive damage to his internal organs."
The reporter paused before continuing.
"Authorities now believe the attack may be connected to at least seven other murders reported across the area this year."
A picture appeared on the screen beside her.
"The suspect is believed to be the same individual responsible for those attacks. Witness accounts and evidence recovered from previous crime scenes have led investigators to believe the killer uses a pair of scissors as their primary weapon."
The image changed.
A crude recreation of a pale mask appeared on screen.
"And perhaps most notably, the suspect has been seen wearing a distinctive mask during the attacks."
The reporter looked directly into the camera.
"Police have yet to identify the individual behind the mask. However, investigators are already referring to the suspect by a name that has begun circulating among the public."
Axicia