Season 4 gets off to a spectacular start with the introduction of Lois Lane. Her arrival is so well done. Within the first five minutes, you already understand who she is and what her dynamic with the other characters will be. Her first meeting with Clark is iconic. He asks who she is, she turns around and says, “Lois Lane,” and then we get Somebody Save Me, the title card, and the opening credits. Genius. Absolutely genius.
Erica Durance is fantastic, and I love Lois’s relationships with everyone, particularly Chloe. There’s a sweet, almost big-sister dynamic in the way Lois looks out for her, and we see that same protective side with Lucy in Lucy. But Lois and Clark are the real highlight. She’s refreshing because she treats Clark like an actual person, not someone who walks on water. She’s not pining for him, putting him on a pedestal, or constantly protecting him. She’s just Lois. And Clark gets to relax and stop taking himself so seriously around her. Their chemistry is lighter, funnier, and more mature, even when they’re bickering. You can feel the difference immediately.
And honestly, Lois makes the Clark/Lana situation more bearable simply by offering a much-needed alternative. I’d forgotten just how little time Clark and Lana actually spent dating in high school. Their relationship barely lasted a week in Season 2, followed by an entire season of will they, won’t they. By Season 4, we’re still doing this dance, now with Jason Teague in the mix. Jensen Ackles was a fantastic addition to the show, and Jason was one of its more interesting new characters. His involvement in the Stones of Knowledge storyline gave the season another compelling layer.
Speaking of which, the Stones storyline is exactly my kind of adventure. The international treasure hunt, ancient artifacts, mysterious inscriptions, dead languages, maps, and deciphering clues across different countries? Give me more of that! Lana being possessed by a dead witch is certainly a choice, but at least it gave Kristin Kreuk something different to work with, and that Shanghai fight sequence with Clark was fantastic.
And then there’s Lex. Seasons 1–3 are very much about him still trying to be good, or at least trying to convince himself that he can be. Season 4 feels like the turning point where that duality becomes much more pronounced. He does genuinely good things, but there’s an increasingly dark, calculating side to him that you can’t ignore. “Onyx” is such a damn great episode for this, particularly that ending with Lionel. After Transference, Lionel had seemed to be on a path toward redemption, but Lex brings that darkness out of him again. “We’re Luthors” says so much about where he’s headed. And that smile on Lex’s face at the end, spectacular, Michael Rosenbaum is phenomenal. You can practically see the darker Lex emerging.
I’m really looking forward to revisiting his descent. Seasons 1–3 feel like Lex fighting to remain good; Season 4 puts him firmly in the middle; Season 5 pushes him further toward the darkness, even though that internal conflict is still there. By Seasons 6–7, he feels much closer to the full-fledged villain he’s been destined to become. It’s fascinating watching the transition happen gradually rather than having him turn evil overnight.
My biggest frustration remains Clark and Lana. By the season finale, we’re back to the same exhausting cycle: they might get together, then they shouldn’t, then maybe they should after all. Clark loses his memories, wants Lana back, remembers everything, changes his mind… and somehow we’re still here. By the time they finally get together in the Season 5 premiere, I was already exhausted.
I think Clark and Lana could have worked better if the writers had committed to them earlier: let them date in Season 3, explore the relationship properly, and bring it to a meaningful conclusion around the 100th episode. Instead, the show kept stretching the same romantic tension long past its expiration date.
I rooted for them a little during the early high school years, but by Season 4, that ship had sailed for me. Lois and Clark simply have a different energy. Clark is a different person around Lois, and that’s what makes their dynamic so compelling.
Season 4 has its flaws, but Lois Lane’s introduction, Lex’s increasingly moral ambiguity, and the Stones as the overarching story of the season. Lois arrives and changes the entire atmosphere of Smallville.