r/headphones • u/ThatsPurttyGood101 • 8h ago
Review Fiio FT15 vs FT7
I want preface this review/vs post with a link to my original review of the FT7 and a link to the possibility that I have a "good unit" of a possible FT7 silent revision.
So lets get the little things out of the way before talking about the sound. Both headphones come in identical packing with mostly the same accessories, including the same case, cable, and adapters. The only difference is the pads and the headphones themselves. FT7 includes sheepskin and fabric pads, while the FT15 has pleather, and velour/suede pads (not the same alcantara pads as the FT7-A shocking)
Comfort is nearly the same, but the clamp force is weaker on the FT15 making them a bit mor comfortable.
I will also say that though purely subjective, the FT15 looks way better. Matte finish all around and more uniform colors.
Now time for the sound comparison. Please bare with me as my thoughts are kinda all over the place.
First let's talk bass. FT15 has more bass presence, FT7 feels more tight and controlled. The FT15 does get lower and deeper into the bass, stays more linear without rolling off vs the FT7. FT15 is more dynamic and punchy which is kinda surprising but I guess it makes sense.
Mid range these sound similar, but key differences are that FT7 has a much wider soundstage. In my initial impression I thought the mid range was recessed on the FT15, but after more listening, I don't think it's necessarily recessed, just obviously elevated bass and treble presentation make it seem like such. Imaging is great on both, but FT7 takes the win, placing the vocalist pin point center stage while the FT15 kinda just has them generally in front of you (Test track used, "I Miss You" - ARMNHMR, Trella).
Now for treble. I generally enjoy bright headphones (most hifimans, moondrop venus, monolith m1060, ect) and I would consider both of these to be on the brighter side of neutral, HOWEVER after a while I did notice a glaring issue. The song, "Get Your Wish" by Porter Robinson, is amazing for testing dynamic range as the song basically has none. So headphones with great dynamic range make the song sound phenomenal even though it's already a fantastic song. However, the FT15 is the first time I actively disliked the song, as it was incredibly sibilant. It was very scratchy and ear piercing for me which was a real shame. Again, I usually like bright headphones but that was unnecessarily painful. Other than that, I would say both of these headphones had spectacular detail retrieval.
So yea. Not sure where I'm left with these. My goal was to A/B test these, keep one and sell/return the other, but I don't know which to pick. I really like the bass and looks on the FT15 but I don't know if that's enough to for me to justify getting rid of my "end game". The FT7 is just too good. I think I'll continue listening through the weekend and make a choice come Monday.
If you have any questions, feel free to leave them and I'll do my best to answer them!
Key Test tracks used:
CLOUDY STORIES - OddKidOut, artemis orion, San Holo. Used for "spaciousness" and soundstage due to the echo effect.
I Miss You - ARMNHMR, Trella. Soundstage and imaging test. I find some headphones can put the vocalist pin point dead center, or other times just "in front of you in that general direction".
places to be - Fred Again..., Anderson .Paak, CHIKA. Dynamic range test specifically for punchiness and low end boom.
Get Your Wish - Porter Robinson. Another Dynamic Range test noted in the post, thats nonexistant on some headphones but decent on others. But I guess now also for testing sibilance.
Snow - Masked Man, emysprout. Sub bass test. The drop is almost entirely below 80hz. The rumble is a good way for me to gauge headphone subbass.
Nescience - Galdive. Just a beautiful song that really pushes headphones to show off their strengths.
Everything To Me - Porter Robinson. Around 2:44, Porter gets closer to the microphone, and there's only 1 guitar playing. Over the next minute, you hear more guitars appear in very pin point areas.