r/DaystromInstitute • u/RuthlessNate56 • 18m ago
“taH pagh taHbe…” - Speculation on Early Human-Klingon Contact and the Origins of Wil'yam Sheq'spir
Good day, fellow Daystrom researchers. I would like to put forth a hypothetical scenario to explain some interesting and unexplained cross-cultural exchanges in early Human-Klingon relations.
“You have not experienced Shakespeare until you have read him in the original Klingon."
Following the explosion of Qo’noS’s moon, Praxis, in 2293, an attempt at peace talks with the Federation was made. While an escort mission of the Klingon Empire’s Chancellor Gorkon to Earth by Federation Starfleet Captains James T. Kirk and Spock later that year is more well known for the assassination of Gorkon that occurred the next day, a curious quote arose out of the first meeting between Gorkon, Kirk, and Spock left many who came across it scratching their heads.
Why is it that a Klingon head of state, only 142 years after first contact with humanity, claimed one of humanity's most celebrated writers as a product of his own culture? Was it a simple joke from the chancellor, who was noted for his rather un-Klingon dry wit?
I think not, based on Gorkon’s Chief of Staff (and one of the conspirators in Gorkon's assassination) noted penchant to quote Shakespeare. In fact, over the course of the events surrounding the meeting, the assassination, and the investigation of the plot by the crew of the Enterprise (NCC-1701-A), Chang was noted to have quoted from Hamlet, Julius Caesar, The Merchant of Venice, and The Tempest. This was a man who had greatly loved the works of Shakespeare, which were by a writer from a species he felt a particular animosity toward, a sentiment common amongst late 23rd century Klingons that fought the Federation in the Klingon War of the 2250s and the various border skirmishes between Starfleet and the Empire following that conflict.
It seems within the realm of possibility, in this researcher’s opinion, that Chang genuinely believed in the mythology of “Wil’yam Sheq'spir,” the Klingon playwright.
“taH pagh taHbe…”
“To be or not to be…” - Hamlet, Act 3, Scene 1 by William Shakespeare. Or, as literally translated from The Tragedy of Khamlet, Son of the Emperor of Qo'noS by Wil’yam Sheq’spir, “To continue or not to continue…”
With spotty records on the subject of how Klingons came to adopt Shakespeare as one of their own, or if they truly did, we delve into the realm of speculation. Many would choose not to continue in this line of questioning, but I couldn't help myself.
Humanity's official first contact with the Klingon Empire occurred in the Broken Bow incident of 2151, when Captain Jonathan Archer and the crew of the United Earth Starfleet ship, Enterprise (NX-01), returned the stranded Klingon courrier, Klaang, to Qo’noS.
Historians of galactic history have noted over the years that “First” contact is not always the first contact.
The Borg - Officially, the Federation’s first contact with the Borg occurred in 2365. However, records show that species known to the Federation, such as the El-Aurians, were aware of the Borg as early as 2293.
Starfleet even authorized a clandestine research mission into rumors of the Borg in the 2250s, resulting in the first assimilation of humans by the Borg (Magnus, Erin, and Annika Hansen/Seven of Nine).
The Ferengi - While the USS Enterprise (NCC-1701-D) officially made contact in 2364, hostile incidents occurred between Starfleet ships and Ferengi marauders in the 2350s.
Researchers examining the logs of Archer’s Enterprise (NX-01) noted an incident in 2151 where a small group of Ferengi pirates attempted to hijack Archer’s ship, well outside of the area of space the Ferengi were known to operate at the time. However, the hijackers never revealed themselves as Ferengi during these events. Archer’s crew noted them as an unknown species at the time.
Even more curious was the name “Ferengi” appearing in then-classified documents surrounding the “Roswell incident” of 1947, in the old Earth nation-state, the United States. Later research found logs by Constable Odo of the Starfleet outpost, Deep Space 9, reporting a time travel incident involving himself and three Ferengi nationals. However, records of that incident are spotty as those involved were not Federation citizens and not subject to investigation by the Federation's Department of Temporal Investigation.
What do these have to do with Klingons and Shakespeare? These examples illustrate how first contact can be a murky thing.
Humanity had been ranging out into the galaxy for decades prior to 2151, in colony ships, cargo ships, and early exploratory missions. Due to the length of interstellar travel at low warp speed and lack of long range subspace networks that enabled easy access to large media libraries, human travellers at the time carried their own personal libraries with them.
With all of that out of the way, here is my hypothesis on the series of events that led to the invention of Wil’yam Sheq'spir.
In the early-to-mid 22nd century, merchants on a United Earth cargo ship or independent merchant vessel made contact with a member of the Klingon merchant caste that had ranged well out of known Klingon territory at the time. A member of the merchant caste seems the most likely, as early contact between humans and members of the Klingon warrior caste almost universally resulted in distrust, hostility, or outright violence.
After crossing initial language barriers, either via extended contact or a third-party interpreter, an exchange of media occurred between these human and Klingon parties.
The Klingon(s) receiving the media stumbled upon Shakespeare’s plays. The themes of these plays struck a chord with the Klingons reading them. Klingons have a long, rich history of stage plays and opera.
These Klingon(s) saw an opportunity, with minimal rewrites, these plays could be adapted through a lens of Klingon culture and history. Earth’s own art history shows adaptations of Shakespeare into different versions, such as 20th century filmmaker Akira Kurosawa’s feudal Japanese-themed adaptations of MacBeth and King Lear into Throne of Blood and Ran, respectively.
These plays were then published to Klingon media under the rather uninspired pseudonym, Wil’yam Sheq'spir. The first name and surname suggests someone outside of the warrior caste as the “author”.
The plays gained in popularity over the next century, eventually leading to even members of Klingon leadership believing the story of Shakespeare's plays being a Klingon invention.
A Total Eclipse of the Heart
Another curious byproduct of this early culture exchange between humans and Klingons is the curious popularity of Klingon covers of 20th century Earth “power ballads.” A notable example is Bonnie Tyler's 1983 song, “Total Eclipse of the Heart.” A Klingon-language cover of this song was popular in karaoke bars and media stations across the Alpha Quadrant in the 2260s, well before the more extensive cultural exchanges between the Federation and Klingon Empire that began in the 24th century. Like Wil’yam Sheq'spir, the exact origins of these translated works is unknown. I see this as further evidence of early Klingon-Human contact and cultural exchange resulting in human media being translated and passed off as a Klingon work.
Perhaps future researchers will uncover records that tell us more about these early exchanges. For now, this is all speculation on my part. Still, this seems a likely scenario to explain this curious Klingon-Human cultural phenomenon.
(Author's Note: Thanks to any of you who read and enjoyed my dumbass ADHD thought process that kept me awake after watching Strange New Worlds, S04E03, "Human Best Friend".)