So, this is probably going to sound really stupid and silly, but I’m currently working on an alternative AU for GTA 5. Where in this world, there’s anthropomorphic characters and such.

Now, my question is, if a character is an aeromorph (plane furry) how would they be used? How would an aeromorph be treated, etc? Would they be mainly used in military/commercial airlines? Would there be aeromorph’s just chilling in the street like anyone else?

Lemme know what you think!

My oc, Koda, IS A WEIRD DUDE. Not creepy weird..just...weird. He's horrible at reading social situations, commonly saids weird, metaphoric stuff that makes 0 sense, has a weird cadence of saying words, and does odd rituals/ routines A LOT (disappearing for hours on end amd coming back home with junk). Everyone treats him differently but he doesn't want to change. He actually likes himself a lot.

So, I'm wondering how do I write some of the strange things he saids. I have his behavior of constantly needing to collect things and draw/write/compose things when he feels misunderstood (that also don't make sense), but I don't know how to make him say strange things. Like I said, the way he talks is extremely odd, weirdly metaphoric, and he usually brings up colors, objects, places, ideas, and other more upsetting topics when talking.

I inspired him heavily off of the character Mozart from the one act play 'Amadeus', Whiteout from WOF, a bit off of Bo from signs, and heavily off of Yue from an AO3 work called 'Sweet Rot' (PLEASE CHECK OUT THAT STORY IT'S ACTUALLY SO SO SO PEAK).

Like I say, he says strange, and often absurb and upsetting things. Other times their metaphoric, and sometimes the things he saids are a mix of both.

He's just supposed to be an odd character in all, and I need to know how to come up with the things he saids. I know why he saids them; I just need ideas on how to write it and what to write.

Please help me reddit.

I am a new writer and I was thinking about a side character concept. I don't have anyone that knows I am trying to write a story so I gave the concept to AI for feedback and told it to rate honestly and it fried the hell out of the character and me. It honestly hurt bad even though it was AI. His character concept is about a wealthy, unsatisfied man that protects his loved ones to prove his self worth. His goal to protect them keeps him unsatisfied because to truly prove that he protected them is only by keeping them safe for as long as they live. I can't even bring myself to expand his character because It is hard to even focus after its criticism. Please be honest about the concept and be free to criticise it. It will help me to expand this or completely think of a new one.

Update: Thanks to everyone who read or responded! I realized a little after posting that I was thinking about the characters wrong, and asked both myself and you all the wrong question as a result. Despite the story being a mystery, I wasn't thinking about the characters as detectives. The question I should try to answer was "Why would a detective solve mysteries?" I'm far more confident in this question, and I think it's an upper-level question I need to answer about the characters before I work on their more specific goals or motives.

I think people were picking up on this before I did, so thank you!

______

Original post:

I'm working on a mystery novel set in a gothic fantasy world. There are two primary characters, a brother and a sister. They generally work as a team, and at present I have not plotted any scenes with them seperately. This is their first mystery, and they're both 12-13.

I have her brother figured out just fine (his goal is to solve the mystery, his motive is curiosity). I've thought about cutting her, but the story is fairly sparse on characters, and I'd like him to both have someone to interact with on a regular basis (most of it is a bottle episode), and someone I can use to compare and contrast development with. Also, the story feels incomplete without her.

Ideally, I want them to seem superficially similar, but be able to act as foils or in opposition if need be, without overt friction. I don't want to write a second-act breakup or plot-mandated friendship failure.

Any assistance would be appreciated.

Okay so! I have this side[?] character named Neema in the game I'm working on. She's a Black sex worker of Swahali descent. She's chill, the type of person who would invite you over to drink wine and watch a shitty b movie, and she has an interest in botany/gardening...and that's about it.

This would be kind of okay? If she didn't get killed off, that is. Because she gets killed off, her being so underdeveloped would make it feel like fridging which is yk. An objectively Bad Thing.

She also serves an important role in the story, namely calling out that the deuteragonist is being abused and that his situation isn't normal, and being a lifeline to the area's Black culture for two people who are completely disconnected from it for different reasons. So again, she should probably have more development.

The issue is, I don't really have any ideas for her. So any questions or suggestions would be greatly appreciated. Thank you!

(for context, my story has a lot of superhero elements and supernatural powers explored)

compared to my male characters and main character, i feel like i'm unintentionally being a little biased for my male characters. they have backstories, interesting personalities and designs, while my female characters currently have been a little.. eh.

i'm just wondering if there's anything i could do for my female characters rather than making them a filler character in my cast, because i know they have a lot of potential to explore. my characters as listed. .

girl #1: owns the main group's management building, wealthy family, family actually has brief ties with the city's most prominent gang, and she is also a widely loved tennis player in her "superhero" identity

girl #2: cares for her younger brother deeply, super responsible, lost passion for dancing because of overworking herself to take care of her family comfortably

girl #3: her "power" is taking over half of her brain, and often considered to either be shy and calm, or rapid and a tad bit deranged. i have the most ideas for her arc being based around finding a humanity and balance on both "sides"

if you have any ideas or plotlines i could write for them, i'd be thrilled!

Hi guys! Made this throw away account to keep my anonymity but, I really need some help writing this character. I don't really know how to explain this so please bare with me.

So, to give a brief synopsis, I have this character who in her 20's was a big Super Villain who in her private life has stated she never wanted kids or to give herself up to the "motherly life" both name and body, but she ends up getting pregnant and her family disowns her when they find out (both about her pregnancy and her supervillain job) so she has to get married and give up her name and goes through with the pregnancy.

The child down the line finds out that he was never wanted and because he was born his mother had to basically give up her entire life. He feels really guilty about it and beats himself up about it everytime he sees her, but the woman has never told the son this for this exact reason. She doesn't hate him, he loves him more than anything but doesn't know how to go about actually talking to him about this without making things worse.

And that's kinda where I'm stumped and need help. I don't want her to be one of those female characters where she has to give up her autonomy to be "just a mom now"...if that makes sense?

Like that female character in a sitcom who's starts out by being this big independent feminist icon, whose like a doctor or lawyer or something who never wanted to settle down but by the next season, she's pregnant and only talks about "How great being a mommy is!" and we never see her again. Idk what this type of character is called but whatever it is, I dont want her to be like that!

I want her to admit that she's never wanted to settle down and have kids, but because of circumstances in her life she does. And she regrets it deeply, she wishes she could go back out there and be her own person again but she can't anymore. But I have NO IDEA how to write her after this!!!!

An idea that I had was that her and her husband do a "Switcharoo", where at first he was the breadwinner and she was the homemaker, but later on they found that she would be happier being the breadwinner and he would be happier being the homemaker, so in a way she's regained her autonomy and independence? But then I'm still stuck on how to write this without feeling like some sort of cop out and how to address the son who feels like he's at fault for making them both so unhappy, especially the mom.

Again, neither the mom or dad beat their son up about this, if anything, they're both extremely happy that he's here and will do anything for him. But the son knows that since he was born, nothing good has come from it.

So with all that being said, any tips on how to finish writing this?

Born to a humble peasant family within the Duchies, Principalities, and Counties of the Holy Realm of Thesalis, the devout Jeanne Claire was widely known for her beauty despite her low social standing. Many suitors would come from far and wide to take her hand in marriage, noble lords, aristocrats, and mighty generals among them, all expecting her to marry into status. But in spite of this, she chose to marry a simple farmer, a man she loved dearly and with whom she had grown up. He had no wealth, but she was happy with the only thing he could give her, his devotion and undying love.

She had never been particularly devout in her youth, but her husband would always ask her to join him in the regular local religious ceremonies performed by Holy Order, and she would always humor him and oblige. Her views of the Holy Order were primarily formed from how her husband viewed the Order, an organization acting as an instrument for goodness and Justice.

But tragedy would strike during the Aenderian plague, as her husband fell ill and passed, leaving her widowed. But instead of resigning herself to grief and tragedy, Jeanne would devote her life to the Church of the Holy Order. Joining their ranks, she would become a formidable holy warrior under the guidance of her mentor, Count Tirus of Thesalis. Through her service, she would earn a reputation as an iron-fisted leader, yet unwaveringly loyal in both faith and command.

She would rise to prominence during the Crusades against the Beastmen of Deron, where her stoic leadership and grim, unwavering faith inspired the men under her command. It was during this time that she would be granted the monikers “The Black Bishop” by her fellow holy men, a name that would follow her for the rest of her life.

In time, Count Tirus would ascend to become the leader of the Holy Order, and Jeanne, as his right-hand woman, would rise alongside him. While this granted her great influence and authority, it also confined her within the bureaucracy of the Order, preventing her from acting as she once had on the battlefield. Despite this, Jeanne adapted to her new role. During her time in this position, she would begin to witness rampant corruption and suffering within the Order and among its followers that she believed could not be possible.

For years, she sought the root of this evil, eventually uncovering evidence of a deeper, heretical corruption within the Order itself. What she would discover would shock her, her own mentor, Tirus, was not only complicit, but merely the most recent figure in a long line of leaders perpetuating this corruption for generations. The Order had been tainted for far longer than she had ever believed.

Unable to accept this betrayal and blasphemy against Idea of the Order her that husband made her believe, Jeanne would confront Tirus, and afterward, flee the Holy City. From there, she would spark a reformation that would erupt into a civil war within the Holy Order, waging a long campaign against Tirus and his followers in an effort to cleanse the institution of its corruption. This conflict would become one of the greatest trials of her life.

After years of war, the Schism of the Holy Order would reach its climax in the Siege of the Holy City, where Jeanne Claire would ultimately defeat and dethrone Tirus, who she would personally exile weeks later. Many historians agree that he found a life for himself in Denossis to the east as either a merchant or a farmer.

Following her victory, to prevent another tyrant from rising as her former mentor had, she would establish a new governing council to lead the Order, ascending the College of the Faithful from an advisory position, replacing the Grandmaster as the sole leader of the Order. As a member of this newly formed council, Jeanne would continue to serve the Order and its faithful until the day of her passing.

The Day Jeanne died was peaceful. Her attendants allege that she woke up early, like she usually did, but despite her age, she was still strong. Alongside her retinue, she discussed papers that still needed her perusal, future plans that would require further approval. Then later in the morning, she went for a walk in the Holy Order's Temple grounds. Later that day, she would be found dead, her final moments peacefully praying at the garden altar.

She was mourned for an entire year, with her remains on display for hundreds of thousands of people to view. A procession would be held to bring her to Thesalis, where she wished to be buried beside her husband in a small plot of land. But plans would change as the prince of her homeland refused to allow her a simple grave. On the land that was said to be where she and her husband had lived, a grand mausoleum was built where she and her husband would be laid to rest, and written beneath her name, in the ancient language used by the Holy Order, an inscription reads:

“God's Servant, who loved more than she thought she could.”

Thus, from humble beginnings, once known only for her beauty, Jeanne Claire became a stoic warrior who held to her ideals in the face of corruption. Millions of faithful will remember her for her actions, her faith, and her influence that shaped not only the Order, but perhaps history itself.

The Deron Beastmen Crusade

The Infamous Crusade against the beastmen of Deron, Jeanne Claire participated in this war under the command of Tirus and it was in this Crusade that Jeanne Claire gained glory and fame amongst the Holy Order. Declared after the first invasion of the beastmen against the border town of Blackridge, the Holy Order allied with the local Dwarven Axelords of Deron and the Orcs of the Oden-Klaw Clan to cleanse the land of the mutant beastmen.

Prominent Battles:

1. The First Battle of Blackridge
2. The Ambush at the Redleaf Pass
3. The Battle of Stone Hollow
4. The Battle of the Blackwood Crossing
   1. this is where Jeanne Claire first participated in the crusade after Tirus’ forces were redeployed from another battlefront. She earned the title “The Maiden of Blackwood” and obtained her legendary standard, a Branch of Blackwood, taken from the hollowed-out husk of a burnt tree she had clung to as she rallied the men under her command.
5. The Siege of Thornwatch Fortress
6. The Battle of the Bloodfields
   1. this is the battle where she gains the Title the Black Bishop after she personally led her rear-guard reform the shield line when a part of the Holy Order’s Forces began to rout. This act of leadership sparked a boost in morale and prevented more from running.
   2. When she had returned to the military camp, she was covered head to toe in beastmen blood, black as the night sky, the army hailed her as the Black Bishop.
   3. Due to her valor, Tirus elevates Jeanne to the rank of Bishop within the ranks of the Legion of the Divine Crusade after this battle.
7. The Battle of Horned Valley
8. The Fall of Grimhollow

Holy Relics of Jeanne Claire

• The Blackwood Branch of Jeanne Claire – her personally battle standard during the Beastmen Crusade at Deron. It disappeared from all records after the Crusade but was allegedly found after Jeanne Claire’s death. The supposed Blackwood branch is now found in her Mausoleum at Thesalis.
• The Statue of Jeanne Claire at the Gardens of the Temple – found at the very garden where she had passed, it depicts Jeanne as a young woman without scars, clad in her iconic Black Armor, holding a sword on one hand, and a Scroll on another. At her feet is a branch, her most famous symbol.
• The Silver Cross of Saint Jeanne – a pendant worn by the Saint, it was given to her by her late husband, later it was removed from its chain and the cross was embedded on her most iconic chestplate. It was supposedly also the last thing she held in her hands during her passing. It is now displayed at the Holy Temple.
• The Black Armors of Jeanne Claire - Jeanne Claire owned at least two sets of Armor at any given time. one was her battle armor, and the second, her ceremonial armor which she wore around her personal guard, shaped to accentuate her femininity, so that her followers and subordinates could easily recognize her.

The Prayer of Saint Jeanne Claire

Oh Maker, he who made all that is,

Please guide our hearts so that we may carry our burdens.

May the trials you send to test us strengthen our faith,

Grant us the resolve to follow our duty,

The courage to face our fears,

And when doubt enters our hearts,

May your everlasting grace banish them forever.

Jeanne Claire’s Husband

A Humble farmer from Thesalis, there is not much known about this man other than that he was Jeanne Claire’s late husband. Scholars and Historians have put forth numerous candidates within the Holy Order’s and Thesalis’ available records that could possibly have been her husband.

It was only said that he was a faithful man.

This must be the most fun way to analyze charactersk what I found out!

I need help conceptualizing the kind of evolution a "loser" character might undergo, without them ceasing to be a "loser" or switching over to the "good guys' side" (since no such side will exist). If anyone here has ever created a loser, a pitiful failure who kept banging their face against the wall, how did you write them?

Long story short, I have this story about a competition among young magic apprentices, in which the winner earns the title of witch.
Among the participants is Blum Blorein, a natural born loser, who has lost this competition for three consecutive years, who has lost every competition she ever participated in. She plays the role of the rival in the story, she appears frequently, antagonizes the MC, loses in a humiliating way and runs away while claiming it didn’t count. She is annoying, petty, high on herself and above everything a sore loser.
She struggles to win because the contest demands the forging of alliances and the use of betrayal; yet, she is too critical and judgmental to secure allies, while simultaneously being so naive that anyone can easily take advantage of her. Furthermore, she often alienates others because of her faith: she is a Catholic witch (a peculiar combination) and, to make matters worse, a fervent believer who tends to view everyone else as a sinner. To ensure she doesn’t lose this time, her family has paid a powerful participant to protect her from the shadows, an act of assistance that she, however, interprets as divine intervention. Even so, even with that help, she is helpless on her own.

This character will evolve through constant defeats and humiliations at the hands of the protagonist, but my question is: in what direction? How does this downward spiral of failures unfold? How does someone who is a "loser" think, and how does their situation go from bad to worse? If the MC is a prick and a bully, and the possibility of them striking up a friendship is ruled out, what path would a rival character take?

You don’t have to necessarily help with my character; even by sharing your losers, you could help me get an idea of ​​where to take mine.

​

Meet the Explosion! Well Explosion is a nikke that absolutely has special bond with explosives and is master at producing them. From small hand granades up to five ton bombs! Explosions runs her business at the outer rim selling her beautiful toys or simply you can visit her website (http://ark.Notdarknetexplosionbabies.com.) This nikke has shown high resistances to explosives and pressure that explosives tend to release. Explosion might be come as a total doofus when you talk to her, but when discussion comes to demolition hoho she's a biggest nerd in a room then! She's also has shown not to have NYMPH which is a curious case in her matter. How did she end up like this? Well digging trough her family tree soo deep that it reaches its roots it can be found that her ancestor had same blood type that is used to cure nikke from corruption. Tho the portion is so small that its only enough for her. Talk about being lucky nikke. Explosion also doesn't sell her ,,products of mass destruction" to terrorists or people with criminal records. When asked why she responded with ,,Its bad for business! You know if A.C.P.U catches a person with my work, you know where it will lead? To me! ITS BAD FOR BUSINESS! *Smacks the table*". Even tho she has been caught herself multiple times for illegally selling explosives and producing, and testing explosives (jeez the criminal history goes on with all of them tide to explosives.) EHEM...what an irony isn't it? Explosion is a TETRA nikke. The fireworks you see at shows, its thanks to her she's the one makes them and sets them up! She also thought ,,The Carronades" how to make fireworks. She is a Rocket launcher user, ofcourse she is because how wouldn't she be using a RL. Explosion has been sent to rehabilitation center and has been rehabilitated by non other than man him self Commander Denis. Explosions biggest dream is to end up obtaining Uranium. Why you may ask? Ofcourse to make a fricking nuke and maybe just maybe one day to drop on a raptures. Oh she also wants to make mini nukes...and mini nuke launcher...does the ark need to know this? I just gonna hide this script under my drawer...

Artist that I commissioned:X/Ruxiyel

The character is an 18 year old female. The setting is a fantasy world with magic and not human, both of which are important. We'll call her Rachel.

Born into a minor noble house, she is the eldest of twin sisters. Unfortunately she was born blind and so is passed over as heir. Additionally, for the first several years of her life she's raised as an inferior to her twin. Not physically abused, and given a limited education, but "put in her place" if you will. She's not brought out in public and kept with the servant children when they host events.

Children begin developing the ability to use magic between six and eight. As I mentioned, they're not human and one of the differences is the ability to see in infrared using their magic. There's a physical aspect in addition to this, and in Rachel's case the nerves that operate on infrared are not damaged unlike her normal vision. In other words, she soon figured out how to see, albeit in a monochrome scale and only when using her magic.

Rachel thought this would mean she would be accepted by her mother and father, but she was wrong. In order to avoid trouble, her parents gave her to her uncle to be his heir, as his wife died and he had no children. The uncle was kind if a little distant, distracted by his duties with the military. Regardless, he provided the ability to catch up on her education and she was sent to "the academy" at eight.

(As an aside, I don't have a proper name for the place yet, it only features in the back story, but it is based on the medieval cathedral schools during the middle ages, when they would accept noble children and educated them. Additionally, Rachel learned to read because their sight is a mixture of Near Infrared and normal infrared, so creating some heat near the page allows her to clearly see the charcoal markings on the page.)

At the academy she was bullied. Adopted, blind, and an outsider, it was inevitable. I haven't really dived into this, as it's where I am needing help, but I am imagining the bullying gets physical at some point.

I want her to develop into who she is at the start of the story: Someone who comes across at first as very restrained and unemotional, but as you get to know her she comes across as cynical and even arrogant. Rachel can quietly tear you apart verbally without raising her voice. It's only after people get past the walls she has put up that her caring side is revealed.

Rachel followed her uncle into becoming a military strategist, and she has the potential to be great at it. Her biggest issues is her outward coldness and the fact that once she actually commands in a battle, the fact her actions results in some of her men losing their lives deeply bothers her.

Thinking about it and with feedback, I'd go with this: Rachel starts out cold and arrogant. Life has taught her to be guarded and not show weakness. After her first real battle, which they lose because their enemies summon demons, the aftermath racks her with guilt and pain. A commander whom she's friends with also almost dies, and her desperation to ensure he survives is meant to encompass her desire to protect her men. It also opens up to her that maybe her feelings for him are more than friendship. This causes her a crisis of faith in herself and her beliefs.

There is a romance that develops but it's slow and the partner, we'll call Eric, is meant to contrast with Rachel. Orphaned at seven, he was happily adopted by his aunt and uncle and raised as a full member of the family. He's outgoing and reckless, which annoys and fascinates Rachel. I don't want the romance to change their personalities so much that they sand each other's rough edges off by the end of the story.

My question is does it make sense that she develops this way? She starts off being made to feel inferior, then she gets bullied, yet her uncle's people treat her with respect and she has a very quick mind. She didn't yell or burst into tears as her bullies might have wished, but she could never refrain from telling them how she felt.

That's how I imagine it but I don't know if it works. Any suggestions?

I'm trying to find a model of protagonist writing I found really interesting which based itself on 13 qualities for a desirable character, and most likeablecharacters had A/N amount,

I remember it really intrigued me due to clearly allowing for morally bad characters if they had other traits and was a fun model

has anyone heard of this and do they remember who wrote the idea? many thanks

I will give more details about the character if anyone wants to help my question

Hi ! I'm currently designing a minor antagonist for my story (she’s part of a villain team).

​Her core trait is being a fake innocent/hypocrite.

​Her persona: She puts on a clumsy, timid, sweet, and helpless facade so others feel the need to protect her.

​Her true nature: Beneath the mask, she’s actually selfish, bratty, and capable of being quite mean when pushed or when her safety is threatened. She uses vulnerability as a shield and weapon.

​I know stories need unlikable or morally gray characters, but I’ve noticed that "fake sweet" female characters often get pure, intense audience hate rather than being appreciated as compelling villains (like a "love to hate" or fascinating antagonist).

​

​How can I balance her hypocrisy so she remains an interesting, entertaining villain rather than just annoying?

​What makes a "wolf in sheep's clothing" character fun/satisfying to watch for you? Any examples of characters who pulled this off well?

I’ve absolutely no idea where to start with making a character. I was too I was going to big because my character was too powerful(her swamp is where her powers are from and she has giant mounts and frogs to summon)… so I’m going to make her a neutral evil character who’s trying to conquer the world.

Do I need heroes trying to stop her immediately? Does that matter when it comes to a design?

i am thinking a one charater that is introvert overthinker run from responsibility childish type with they have a multiple social media ids as a his different types of intrust

that is kind a idea in my mind and i don't how complte this idea and something

1. Dakota — The Preacher’s Daughter
The good girl with a rebellious streak.
Dakota grew up as the daughter of the town’s beloved preacher. Everyone knows her name, everyone knows her family, and everyone seems to have an opinion about how a preacher’s daughter should behave. She’s expected to be polite, modest, and respectable at all times.
Then a handsome cowboy rides into town, and Dakota finds herself intrigued by someone whose lifestyle is very different from the one she’s always known. Her father’s opinions have never left much room for questions, but she’s beginning to form a few of her own.
She’s caught between the life her family has planned for her and the independent future she’s starting to imagine.
Personality: Sweet, strong-willed, sheltered in some ways, and more adventurous than people realize.
Her conflict: Family expectations, small-town gossip, and learning to make her own decisions.
The cowboy dynamic: Her father considers him a bad influence. Dakota thinks he might have a different perspective on life.
Signature vibe:
“My father says men like you bring trouble wherever they go.”
“Well, ma’am, I reckon you’ll have to decide that for yourself.”

2. Nebraska — The Rancher’s Daughter
Her fathers money, her own rules.
Nebraska is the daughter of the largest and wealthiest ranch owner in the county. Her family owns thousands of acres, employs half the town, and has enough influence to make the local sheriff think twice before crossing them.
But Nebraska isn’t some delicate ranch princess who spends her days drinking lemonade on the porch. She can ride, rope cattle, handle a horse, and give a stubborn ranch hand a run for his money.
She’s accustomed to people respecting her family’s name, but the new cowboy in town doesn’t seem particularly impressed by her last name—or her family’s fortune.
And that? That might be the most interesting thing about him.
Personality: Confident, fiercely independent, competitive, and a little spoiled when she doesn’t get her way.
Her conflict: Proving she’s more than her father’s money while protecting her family’s ranch and reputation.
The cowboy dynamic: Two stubborn people who refuse to back down. He’s the first man in town who treats her like an ordinary person instead of the ranch owner’s daughter.
Signature vibe:
“Do you know who my father is?”
“Can’t say I do, ma’am. But that horse still needs saddling.”

3. Jessica — The Diner Girl
She’s heard every tall tale in the West.
Jessica works at the local diner, where she’s spent years pouring coffee, serving breakfast, and listening to ranchers, travelers, and cowboys tell stories that get more ridiculous with every refill.
She knows everybody’s business before the sheriff does. She can spot a liar from across the room, and she’s absolutely not impressed by a man simply because he owns a nice horse and wears a handsome hat.
When a mysterious cowboy rides into town and takes a seat at her counter, she assumes he’ll be just another customer passing through.
She soon discovers that he’s an interesting conversationalist—and that his visits to the diner might become a regular occurrence.
Personality: Witty, practical, independent, observant, and quick with a comeback.
Her conflict: Balancing work and family responsibilities while dreaming of something beyond the same four diner walls.
The cowboy dynamic: Playful conversations over coffee, sarcastic banter, and a stranger who always seems to find a reason to stop by.
Signature vibe:
“Coffee’s five cents. Listening to you brag about yourself costs extra.”

Casey, as she’s known by the few people left who remember her, is seen as an almost imaginary being whose creations exist outside the realm of legends.

Legends contain origins, some belief that there’s a reasonable way they came into being. Casey’s work exists somewhere eternal. To some extent, they existed before, during, and after her work is done, but this drives a point that most people can’t come to terms with: what are the limits?

Some examples of the work she creates include Arco Valence, the partition between the destructive evil that corrupts reality and the present infinity. She created the mechanism that contains and prevents the destruction of infinity.

She also manifested beings and weapons, some which service her other creations long since her “progression” including Cinnabar who acts as protector of the unfinished world she left for her successor to complete.

Many of her creations seemed to “appear” or manifest without any processes or materials that she could have obtained, so the exact process she had is still a mystery, but she made sure to preserve the pieces of her methods so others could carry on in her stead.