Official Website: https://mls4dlive.cn/

Fab: https://fab.com/s/a98e11b2a0a6

https://github.com/mlslabs/MLSLabsGaussianSplattingRenderer-UE

Rendering pipeline upgraded, with full support for Windows/Linux/Android, multi-vendor GPU support, and support for Nvidia/AMD/mobile GPUs;

Packaged Android APK supports direct installation and operation on Pico all-in-one headsets, supports VR mode (default mode, command line r.MLSLabs.MixedReality 0) and MR mode (command line r.MLSLabs.MixedReality 1), and also supports VR streaming;

Simply install the plugin — no need to download Libtorch or other third-party libraries;

All platforms support ply/sog and ply sequences.

Supports both Development and Shipping packaging.

The shared file is: Pro_V2.1.0.0

Link: https://pan.baidu.com/s/1Dk7n_83mikmAjQYTyTyLJg?pwd=xyvp

Extraction code: xyvp

Google Drive:

https://drive.google.com/drive/folders/1WyRzO9LMyY2Kw7KPNAWe-WqhJtWbkeqU?usp=sharing

We have also released volumetric video test data to make it easier for everyone to use the volumetric video rendering feature.

Test data:

The shared file is: WanJiangDance.zip

Link: https://pan.baidu.com/s/1ch0vqAGdgBNaqOC3x4QBZg?pwd=49q9

Extraction code: 49q9

Google Drive:

https://drive.google.com/file/d/1PUgnRegDcGY9w6afBDRZOC17xaznns-S/view?usp=sharing

Full step-by-step tutorial on YouTube here: https://www.youtube.com/watch?v=z3GIdCxmC50

I’ve been working on an interesting project in Goyang, South Korea, combining stereoscopic 3D cinematography with Unreal Engine virtual production.

The project, The Seam of Goyang, features six dance sequences set in virtual environments inspired by Korean landscapes and cultural heritage.

The challenge was to combine live-action stereoscopic footage with virtual environments while maintaining consistent depth. The result is presented inside a large immersive projection cave, using stereoscopic 3D and projection mapping.

We also installed a live stereoscopic camera setup to demonstrate the filming process, alongside a Sony ELF-SR2 glasses-free 3D display.

Behind the Scenes of our Goyang VP Project

For me, this project explores an interesting direction for stereoscopic filmmaking beyond conventional cinema.

The project is projected in a cave environment with 3D glasses. A bit more about the background and the team can be found here: http://dike3d.com/the-seam-of-goyang-stereoscopic-3d-virtual-production-for-immersive-media-art/

We are based in South Korea and love to experiment and exchange about new Virtual Production techniques.

Hey everyone,

One of the biggest bottlenecks I kept running into with AI pre-visualization is spatial drift: as soon as you change camera angles between shots, windows move, room proportions shift, and set dressing changes randomly.

To fix this, I've been building **NEGASCOPE**, a deterministic 3D-to-AI pre-production station for macOS. Instead of relying purely on text prompts, the set design workflow locks the geometry first:

1. **4-part Material Sheet:** Generate a coherent texture palette (`[FLOOR]`, `[WALLS]`, `[CEILING]`, `[FURNITURE]`).

2. **Metric 3D Room & Openings:** Map the textures onto a measured 3D space and cut out doors/windows with real-time 360° exterior parallax outside the glass.

3. **3D Blocking:** Place furniture and volumes to the centimeter in perspective/top-down views.

4. **Master Set Lock:** Frame the 3D viewport and generate the photorealistic master set with zero geometric drift, ready for the virtual shooting stage.

Full 4-minute uncut walkthrough on YouTube if anyone wants a closer look: https://youtu.be/0OrY53JKCys

Happy to answer any questions or get feedback on the pipeline!

Our sister production company, Charter, has been working on filming some live music sessions at Forge. We've been able to film 2 artists performing 3 songs each (6 total) within an 8-10 hour day against 2D plates on our smaller studio B wall. Thought I'd share some BTS from that. If anyone's interested to check out any of the music, you can see those on the Full Volume Sessions YouTube channel at https://www.youtube.com/channel/UCGOaEymv9fraaiR2R3Y0ypQ

Hi everyone!

Launching an Aximmetry Tips & Tricks series has been a passion project of mine for 2026, and I’m excited to share the first episode.

The goal is to share practical tips and techniques that make working with Aximmetry easier.

▶️ https://www.youtube.com/watch?v=ET_ToVEFbhE

What would you like to see covered next? Questions and feedback are welcome!

Hello everyone.

I'm a media student building a virtual production studio with Unreal Engine 5.8.

My school has a camera crane that I'd like to track. My goal is to prevent CG elements from sliding in the composition.

I'm at step two: figuring out how to track the camera.

I've tried using Meta Quest 2 controllers, but I haven't been able to get them work in Unreal Engine.

After doing some research, I've found two possible alternatives if I can't get the Quest 2 controllers to work:

• Buying an iPhone with LiDAR, which would also be a useful upgrade from my current, very old phone.
• Buying an HTC Vive tracking kit.

I'd appreciate help getting the Quest 2 controllers working. If not, which is cheaper: an iPhone with LiDAR + the right software or an HTC Vive tracking system?

This isn't a serious project. I'm doing this for fun and to prove a point (I had an argument with my friends). Unfortunately, I don't have a big budget for it, so I'd prefer the cheapest solution that actually works.

Check out more at choosetheimpossible.com

We prepped this for about a year and tried to combine virtual, practical, and digital effects to bring the world of Rapture to life. We shot over 3 days at SMASH Virtual in Chicago, and I'm so excited to share a teaser trailer of the film!

I've spent about 7 months making my film, Holy Sh*t I'm Dead. Mainly as a proof of concept using the technology, especially as a storytelling device, but also to push the limits of what's possible with a small team. I can't say enough about UE. I thoroughly enjoy using the software. Enjoy the first two minutes! Full release will be on November 13th.

I've been working on VP for quite some time, setting up multiple systems using both LED walls and green screens. I've been preparing for a large project, and stumbled across a few questions I'm having trouble figuring out.

1) UE doesn't have the option to apply a custom bokeh texture, other than in highlights. How do you work around it when using a real-time workflow?
2) When using nDisplay, how do you map the focal length? Is the focus distance to the screen mapped to the inf distance in-engine?

I probably have a few more questions written in my notes, but I've misplaced my notepad.
Of course, any help is appreciated.

I record motion capture for Brazilian Jiu-Jitsu (BJJ) ground techniques with a Smartsuit Pro II (Glove-Ready) + 2 Smartgloves, so the practitioner is often lying on their back during capture.

When there's direct body-weight pressure on the hub (worn in the back pocket), the connection to Rokoko Studio sometimes drops entirely and the model freezes until the hub is rebooted.

Already fixed a separate, more general Wi-Fi interference issue (dedicated 5GHz channel, router reconfig) — that helped overall stability, but this specific pressure-triggered drop persists.

Best guess: body weight might be holding the hub's power button long enough to trigger Hotspot mode (5s) or a hard reset (10s+) — per Rokoko's own docs on those thresholds. But not confirmed — could also be antenna shielding against the body/floor, a loose connector, etc.

Has anyone doing contact-sport / ground-based mocap (wrestling, martial arts, stunts) with this suit run into this? Any fix — padding, repositioning, firmware setting? Couldn't find this discussed anywhere, posting in case it helps others too.

https://github.com/Dylanyz/MocapSmooth

Mocap smoothing made super easy with just a few clicks, use directly in Unreal Engine.

Open source plugin (made by me and claude code)

Everyone talks about cool armor, spaceships, and futuristic cities.

But what's the detail that makes a sci-fi world actually feel believable?

Infrastructure? Signage? Sound? Culture? Technology rules? Something else?

I'm curious what detail immediately makes you believe a fictional world exists beyond the camera.

Hey everyone,

Like many of you, I love using Unity for real-time filmmaking and previs, but I absolutely hate how technical it gets just to block out a basic sequence. Directors and DPs shouldn’t have to fight with the Unity Inspector, manual transforms, and complex tracking modules just to see if a camera move works.

To fix this, I’m developing Unity Shot Planner—a standalone desktop tool designed completely in film language, not game dev jargon.

How it works:

1. Plan Visually: Block your actors on a 2D top-down grid, set shot durations, choose lenses (e.g., 35mm), and pick your camera moves (Static, Dolly, Crane, Orbit).
2. Review Composition: Instantly see a 2D lens-based field-of-view framing preview.
3. One-Click Export: Hit "Send to Unity." A lightweight companion plugin parses the data and instantly builds the entire sequence inside your project.

What Unity automatically builds for you:

• Generates the PlayableDirector and TimelineAsset.
• Spawns all Cinemachine Virtual Cameras with matching lens/FOV settings.
• Lays out camera cuts perfectly synced to your shot durations.
• Automatically builds Cinemachine Dolly Tracks and cart animations.
• Drops in placeholder actors and moves them along your blocked paths.

Best of all, it features non-destructive re-importing. If you change a shot duration or camera position in the planner app, re-exporting updates your existing Unity timeline without wiping out your scene tweaks.

I’m currently mapping out the MVP functionality and want to make sure I’m hitting actual filmmaker pain points.

• As a director or previs artist, what is the most annoying part of your current real-time layout workflow?
• Would an affordable standalone app like this fit into your current pre-production routine?

Would love to get your feedback!

Hi - I'd love to flag the Starting Pixel LIVE! 2026 event with you which is taking place on Wed 14 October 2026 at Rich Mix, London. I'd specifically like to highlight this event to students to submit to present about their projects. Find out more here: https://www.startingpixel.com/event-details/starting-pixel-live-2026

It's a full day of live demos on how virtual production and AI actually get used — and the human skill behind them. Two tracks, the Demo Jam, and the Student Showcase.

Drop me a DM for more info.

Thanks!

Hey everyone! I'm building Nexora Films, an early-stage creative studio, and we're developing a cinematic GTA V machinima proof-of-concept inspired by Polo G's Bloody Canvas.

I'm looking for someone experienced with Rockstar Editor, Menyoo, Script Hook V, OpenIV, or GTA V cinematic filmmaking who'd be interested in collaborating on a passion project.

This isn't a paid role right now—it's an opportunity to help shape an ambitious short-film concept from the ground up, build portfolio-quality work, and be part of the studio's early team if we're a good fit.

If this sounds interesting, send me a DM and I'd love to see your work and chat.

Hi everyone!

We're excited to announce the release of MLSLabsRenderer for Unreal Engine (Pro 2.0.0.1 Preview)!

This update brings major performance, compatibility, and workflow improvements—most notably replacing the LibTorch backend with a custom Vulkan Gaussian Splatting renderer.

🚀 What’s New in Pro 2.0.0.1 Preview:

1. Vulkan Backend Integration (LibTorch Removed)

a. We have fully adopted Vulkan Gaussian Splatting rendering, bringing over all features from Windows v1.0.

b. LibTorch dependency is now completely eliminated!

c. Only requires graphics drivers with Vulkan 1.3 support.

d. Tested on NVIDIA GPUs, but should theoretically support AMD and other non-NVIDIA GPUs as well.

1. Packaged Build Fixes

Resolved the critical issue where Gaussian Splatting scenes failed to render after packaging your project.

1. Editor Stability & Artifact Fixes

Fixed the color patch flickering issue when overlaying standard 3D meshes with Gaussian Splatting inside the editor's Edit Mode.

🔗 Links & Resources:

1. Fab Store Page: https://fab.com/s/a98e11b2a0a6

2. GitHub Repository: https://github.com/mlslabs/MLSLabsGaussianSplattingRenderer-UE

3. Official Website: https://mls4dlive.cn/

4. Google Drive (Builds / Downloads): https://drive.google.com/drive/folders/10DebLX8beR32B26fqnX3L6KxgL-Sh8-i?usp=sharing

💬 Feedback & Community

Please give it a try and let us know your feedback! If you test it on AMD or non-NVIDIA GPUs, we’d love to hear how it performs for you in the comments.

Happy rendering! 🎨✨

I am making rough and dirty really fast pre-viz mock-ups. Kind of like animatics for my Unreal Engine short films.

I need a way to just quickly grab a preset human type - like a certain gender, ethnicity, etc. And then have them be dressed in a certain kind of outfit. It doesn't need to be perfect and they don't even need to be rigged or animatable. I just want to have a good variety of people and clothing types to draw from.

I'm wondering what other people do, because it feels unnecessarily complicated right now. I could use metahumans, but assembling a metahuman from a preset takes so long. And applying parametric clothing and reassembling every time also takes a long time too.

The only other thing I can think of right now is just using the Mixamo character presets. But I wish that there was just a library or a free place that has a bunch of humans or outfits presets that I can just quickly drag in. Ideally through an Unreal Engine plugin for quickly populating my scene.

Thanks!

Well its been a couple of months but here it is EP 2. I want to thank the members of the community who helped out.

Followed this tutorial: https://www.youtube.com/watch?v=aQqS2Qhz2rk

Inner Frustum doesn't seem to work, sadly. We'll be doing more experiments.

Filmed at Image Cauldron in Bubank.

#custom #metahuman #unrealengine

Uses Unreal Engine and DaVinci Resolve Studio - Full workflow - no plugins or stitching! All rendered natively in Unreal!
https://www.youtube.com/watch?v=QgLvV5_rCko

I am doing preproduction for a DIY virtual production with a green screen and motion tracking.

I am using a Blackmagic Pocket Cinema Camera 4K (BMPCC4K) with a 24mm prime lens. It is a Micro 4/3rds camera (M43) and I want to make sure my settings ensure correct parallax with my footage.

Should I just select the M43 filmback setting and crop it in post?

Or should I manually put in the sensor size? (18.96 mm x 10 mm)

Or should I put in the effective sensor size with the 16:9 crop? (17.775mm x 10mm)

Should the lens be at 24mm? Or should it be the effective focal length based on the crop factor? (45mm)