• RealitySoSubtle 6x6F
• Ilford Pan F Plus

Had a couple of mine reposted by bots.

There's a small forest not far away from my apartment where there's a flat hill with some bizarre grown trees. I call it the witch-hunch. This shot was directly made on Fomaspeed N311 variant photographic paper with one of my DIY pinhole cameras. The negative then was scanned and inverted.

This shot from my balcony I made with my homemade "tin-can" pinhole camera on Fomaspeed N311 paper. Because the paper is aligned with the shape of the round can you get a curvature or bend in the photo that actually doesn't exist.

Shot directly on Fomaspeed N311 photographic paper with a homemade pinhole camera.

4x5 Pinhole Camera with x-ray film.

First exposure 4 seconds, then 8 seconds, finally, 16 seconds.

• RealitySoSubtle 6x6F
• Kodak Aerocolor IV

Ondu 4x5, Kodak Ektar 100

Hi everyone! This is Part 2 of my little 3-day warm-up experiment while waiting for my real MFT lens.

Moving from Day 1's monochrome grid into deep midnight psychedelics and the absolute cosmic core. Just having some fun before my single-focal lens arrives tomorrow!

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Title: 『BLUE SOLARIS』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact (0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

Title: 『GREEN SOLARIS』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact (0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

Title: 『ENEOS』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact (0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

Title: 『CASE』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact (0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

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[THE 3-DAY TIMELINE OF DIGITAL DAGUERREOTYPE EXPERIMENTS]

■ DAY 1: MONOCHROME INDUSTRIAL TRILOGY (The Grid and the Noise)
Stripping down the world into pixels and scan-lines.
- "STOCKHAUSEN" (PC Monitor Pulse)
- "KRAFTWERK" (Flash-frozen LED Bulb)
- "DAGUERRE" (Window-side Metal Rack)

■ DAY 2 (NIGHT): PSYCHEDELIC LED TRILOGY (The Sentient Ocean and Red Fuel)
A deep midnight dive into artificial photons and electronic gravity.
- "BLUE SOLARIS" (Aquarium LED Chips)
- "GREEN SOLARIS" (Glowing Outlet Switch)
- "ENEOS" (Absolute Horizontal Gas Station Sign)

■ DAY 3 (MORNING): THE GRAND FINALE (The Cosmic Core)
Stepping out onto the balcony for a 2-minute hack of the absolute sun.
- "CASE" (Diffraction Gradient Wavefronts)

Hi everyone!

Just a week ago, I discovered Micro Four Thirds (MFT) through the LUMIX GM1 and fell in love. After some quick research, I skipped the overpriced market and smartly hooked a pink LUMIX GF7 instead!

While waiting for my real lens to arrive, I spent the last 3 days just having some fun shooting with a DIY 0.2mm pinhole body cap (and even bare sensor direct exposure).

Here are 3 "Digital Daguerreotype" photos from my little 3-day warm-up. Hope you enjoy the pure photon impact!

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Title:『STOCKHAUSEN』
Camera: LUMIX GF7 / PINK
Lens: None (Bare Sensor Direct Exposure)
Data: RAW (.RW2) Direct Capture

Title:『KRAFTWERK』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact
(0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

Title: 『DAGUERRE』
Camera: LUMIX GF7 / PINK (Digital Daguerreotype Mod)
Lens: Lensless / Pure Photon Impact
(0.2mm Pin-hole Body Cap Custom)
Format: Unprocessed RAW

Hey, I wanted to develop a photograph of a still life through my pinhole camera that is a can while using artificial light. What are some pointers for it so I'm aware on how to go about this?

I tested some things already but didn't get what I wanted. I had a lightsource from two of them facing each other and another one above, almost forming a zigzag. The light above is was thinking it would help reflect the image and almost bounce it onto the other lights.

• RealitySoSubtle 6x6F
• Ilfrod Pan F Plus

Does anyone have experience making a pinhole lens for a mirrorless full-frame sensor? I'm wondering how big an image circle is too big. Should it be just a little bigger than the sensor? Does that result in a lot of vignetting? I can make it bigger, but I worry about the extra light at the outer radius bouncing around inside the camera.

Lerouge 45 with a red filter.

Taken using a pinhole kit and developed using caffenol. Each picture was exposed for about 3-10 minutes onto formapan 400 iso in the shady undergrowth of this forest

https://digilogkit.de/category/pinholekit/

Art Seen Weekly interviews with Heather Palecek and Anne McDonald, pinhole artists taking part in Oculus Obscura now showing at Pictorial Foundation in Newburgh, NY

• Anne McDonald - https://youtube.com/shorts/M50fYe1wV-s?feature=share

https://www.pictorialfoundation.org/exhibitions/oculus-obscura

RealitySoSubtle 6x6F

Ilfrod Pan F Plus

Kodak Gold 200 🎞️
1st, 3rd, and 8th were 8-10 min exposure on tripod.
5th, 6th, and 7th were ~1s exposures handheld.
Mostly shot to test the camera and see if my exposure times estimate was correct, but pleased with results :)