The Lexington Herald

Lexington, Kentucky

Wed, Mar 29, 1967

Daily Mercury

Mackay, Queensland, Australia

Thu, Apr 14, 1932

"It was at this point, with Israeli ground forces established only 30 miles from Damascus and 50 from Cairo, the missile defences largely destroyed and the Egyptian and Syrian air forces decimated, that the Russians and the Americans, desperate to call a ceasefire before Egyptian resistance collapsed, made Israel an offer it could not refuse."

Pittsburgh Post-Gazette

Pittsburgh, Pennsylvania

Thu, Apr 21, 1988

Columbia Missourian

Columbia, Missouri

Sat, Nov 24, 1979

Morning Advocate

Baton Rouge, Louisiana

Sat, Jan 28, 1961

Syracuse Herald-Journal

Syracuse, N.Y.

February 28, 1961

Corpus Christi Caller-Times

Corpus Christi, Texas

Wednesday, November 18, 1987

New Brunswick, New Jersey

Sun, May 28, 1950

The Greenville News

Greenville, South Carolina

Tue, Mar 8, 1977

The Miami Herald

Miami, FL

18 Apr 1989

Fort Myers News-Press

Fort Myers, Florida

Sat, Jul 17, 1976 Page 8

The Philadelphia Inquirer

Philadelphia, Pennsylvania

Sun, Aug 14, 1977

A forgotten act of “conceptual art” in 1971, as ridiculous as it was, and as forgotten as it is, presaged the use of mass media in protest, use Denial-of-Service attacks, and spam mail schemes. The Bay area art collective Sam's Cafe staged a "Media Inversion", sending out 20,000 fake collection notices to San Franciscans with the intent of jamming phone lines at media outlets and Bank of America. They also sent elaborate press kits to the media containing their "Sacred Stools." Ultimately, they were acquitted of mailing obscene materials when the state's own witness conceded it was art.

Fort Worth Star-Telegram

Fort Worth, Texas

Wed, Dec 4, 1957

The Press Democrat

Santa Rosa, California

Tue, Mar 24, 1953

The work was also fully understood and correctly judged by the Italian public. This was proven by the stormy applause that crowned the screening, which was once again attended by all notable personalities from the Italian and German sides staying in Venice. At the end of the performance, the audience singled out director Veit Harlan, Christina Söderbaum, and Ferdinand Marian with lively special applause.

Source: https://pdf.sub.uni-hamburg.de/kitodo/PPN1699277745_19400906AB.pdf

Source: https://kvetch-of-the-day.github.io/news-articles-backup/