r/Odd_directions • • Sep 04 '26

Announcement THE END IS ODD- announcement for October 2026

19 Upvotes

Dark days are upon us. The walls are closing in. It’s the end of the world as we know it… and hey I feel fine. That’s odd. But that’s what we do best here at Odd directions!

So to celebrate everything related to the end of the world, we’re making a whole month dedicated to the apocalypse. Or should we call it the Oddpocalypse….

Yes. Yes we should.

So what type of stories do we want to write?

Anything and everything that you can think of as long as it revolves around the planet earth or the known universe coming to an untimely death. We’re talking zombie outbreaks, killer robots, giant bugs, aliens, government, experiments, cults, you name it! As long as your story establishes the fact that the world around your character is falling apart, we’re happy!

Need some prompts? Here’s a bunch!

Scientists discover a pathway to the afterlife and the road now goes both ways

It’s been ten years since animals took over and man has gone back to prehistoric times…

Social experiment gone horribly wrong

Robots designed to protect humanity from aliens decide to join the invasion

The rain stopped… now the world is dying

A black hole has formed somewhere and slowly expanding to the core of our planet

The moon cracked and now it’s about to connect to earth

Elderly people on their death beds suddenly gain god like powers on their final days

The world is a simulation and the game developers are shutting down any future patches

Bugs gain sentience

A computer virus that infects every child

Global ice age and aliens combine

The earth died years ago now only floating cities remain… and they are sinking.

Self replicating nanobots swarm cities

Total failure of immune system of all humans with no explanation, just know it will hit ya

Time travelers have arrived to ensure the world ends now

Psychic Zombies

Food shortage leads to global cannibalism

Kaiju are real and this time humans won’t win

Space goop is the actual creator of man and now returning to redesign the world

Feel free to use any or a combo of these or come up with your own! We look forward to seeing what you come up with!


r/Odd_directions • • Jul 09 '25

ODD DIRECTIONS IS NOW ON SUBSTACK!

22 Upvotes

As the title suggests, we are now on Substack, where a growing number of featured authors post their stories and genre-relevant additional content. Please review the information below for more details.

Become a Featured Author

Odd Directions’ brand-new Substack at odddirections.xyz showcases (at least) one spotlighted writer each week. Want your fiction front-and-center? Message u/odd_directions (me) to claim a slot. Openings are limited, so don’t wait!

What to Expect

  • At least one fresh short story every week
  • Future extras: video readings, serialized novels, craft essays, and more

Catch Up on the Latest Releases

How You Can Help

  1. Subscribe (it’s free!) so new stories land in your inbox.
  2. Share the Substack with friends who love dark, uncanny fiction.
  3. Up-vote & comment right here to keep Odd Directions thriving.

Thanks for steering your imagination in odd directions with us. Let’s grow this weird little corner of the internet together!


r/Odd_directions • • 10h ago

Horror We dared our friend to enter an abandoned church. I wish we'd gone with him.

10 Upvotes

The worst sound in the world isn't the wet crunching of a hammer hitting a skull. It's when that crunching gives way to the hammer striking concrete because the person swinging just can't stop. I learned this while cowering behind the curtain of the locker room showers, where I'd been since the attack started.

That horrible ringing sound is all I can hear now. It cut through the sound of the men rushing to grab the kid swinging that hammer. It counted time as I lied to investigators about what I knew. It rings out now as I write this confession. Mom and Dad, I'm sorry.

The coaches really don't watch us on those long runs. They just make us stretch and then give us a time to be back. They tell us to “take it easy” that it's a “long slow run” and we should make it long. That's what made it my favorite. Just the guys out on those trails talking about grades, games, and girls. 

Of course we kind of naturally split up, y'know? It wasn't really on purpose, but some kids just are slower than the others. Usually it was just the varsity guys ahead and we kind of left everyone behind. I don't know how Jeff caught up if I'm honest, but he was there that day.

We'd picked a different path than usual. One we'd never seen before, but it looked normal for a long time. Just before we were going to turn around we saw it though. That fucking church.

I mean it was normal at first, normal for an old building at least. It was creepy but in that Halloween haunted house way, not the serial killer lived there way. Still, no one wanted to go in. We kinda just stood outside and made up stories about it.

Like someone got crucified in it or they all got raptured or they all drank the Kool-aid. I think Anthony said it was probably a puritan place. Sam said it was satanic now. Arch told us he'd take Kathy McGuire there and we all gave him shit for that. Jeff told some kind of joke. I don't really remember because we were too busy trying to tackle Arch.

“Let's go in.” I don't remember who said it, but I remember the idea sticking immediately. Anthony said I should go in, but I told him off. Then Jeff said we could all go together, but Sam told him that would ruin how creepy it was. I think everyone wanted it to be a test of courage, but we were all too scared to take it.

Arch didn't let up. You know how he is. When he sees a sore spot that's what he pokes at. He brought up that time I peed watching Lost Tapes at his 12th birthday sleepover. Said he knew I was too scared. I really thought about going after that but turned it on him instead. 

Told him if he was so happy to take a girl in there, he should find out where he was going to lay down with her. Sam said he was going to take Arch’s mom in there, and that set Arch off in the way it always did. 

While they were fighting Jeff tried to get Anthony and me to go together. Anthony said fine, but Arch was worked up. He shoved me and told everyone I was challenged first and I had to go. 

Jeff said he'd go with me so I turned it on him. “If you wanna go so bad, do it. You want to run with us anyway, prove it.” I wish I hadn't said that. 

He said no. I mean, we all kinda had. It's just hard to say no when everyone starts piling on. Jeff said we could go together, but I'd already given Arch a target, and Arch was mad enough as it was. Sam tried to calm him down but couldn't. 

Arch didn't mean to hurt him. Just talked about running stuff. Jeff really was a weak runner. Kind of weak overall, that's all. We just joked about that. All of us. Until Jeff said he'd prove he could hang and he'd show us we were scared of some empty building. 

We all laughed, but the laughing stopped when Jeff stopped at the door. I tried to give him a thumbs up but I don't think he saw it before he went inside.

It took a long time for Jeff to come out. Long enough for me to pee and for the guys to start throwing rocks at the crooked cross above the door to try and knock it down. When we couldn't find any more rocks Sam said someone should go get Jeff and Anthony said we would all go. Just before we all got to the door he came out.

He wasn't different or anything. He just shrugged and said, ‘Just a dumb church.’ If we had more time we would have probably gone in, but we had to get back or we'd have to do extra runs later. We agreed to go back next long run but I'm really glad we didn't.

Sam patted Jeff on the back and we all took off. While we were jogging we had a million questions. Jeff told us all about the broken pews, the glass everywhere, the Bible on the pulpit. Said he thought about bringing it, but thought it was more important to find a spot to take Arch’s mom. We laughed and Arch punched his arm, but it was all fun.

It was all fun for a while. Jeff could keep up with us most days and he was getting better at joking around, so we just let him come along with us. Sam even started acting like an older brother. He protected Jeff when he called Arch's mom a cow. Arch might have bitten his head off had Jeff not made a joke about turning vegetarian.

By the end of that month he started beating Anthony in sprints. Sometimes he'd even beat me. He was getting better. Changing, too. I swear he looked a little taller, but maybe he just stopped slouching.

There were a few other things I guess we could have seen. Jeff stopped showering with the rest of us. He'd go into the handicap stalls with the curtains. He also started eating more, like a lot more, but that was normal we thought. 

The coaches noticed Jeff changing too. Started egging us varsity guys on. Telling us they might need Jeff to trade spots and this and that. Coach stuff, but I can't say it didn't work. All of us tried harder, started running extra, even though we knew coach wouldn't actually do it.

We'd break off from the big group to run further and faster. Started leaving the juniors in charge of the younger kids so we could focus. Jeff was one of those juniors. We thought he was cool but we found out that he was being mean to some of the freshmen on the team too, little pranks like stepping on their shoelaces or bumping them off trails. That got back to Coach, and we got rewarded with a lecture on ‘brotherhood’ and ‘responsibility’ and ‘setting an example.’

We were panting after practice one day when Jeff made a joke about replacing Anthony. Saying maybe if he didn't have “ratty ass shoes” he could run faster. It could have been harmless, but you know Anthony's family. How he couldn't really do that. How much he needed the chance at a scholarship. 

No one wanted to explain that to Jeff, and no one was going to tell him we saw Anthony crying. After that Anthony didn't really wanna hang out with Jeff anymore. I think we all needed a break from Jeff. Even Sam kinda ignored him for a bit. 

At least until the fight. Well, “fight.” We all took off running when we heard Jeff was getting into it with Scott, the big football guy. Later we heard that Scott had said something about Jeff being a virgin and Jeff told Scott he was a cuck because his girlfriend, Kathy McGuire, had slept with the whole team. Then they started scrapping.

When we got there it was towards the end. Sam was yelling for Jeff to stop as we fought our way through the crowd. Arch was yelling that he'd kill Scott. Everyone was cheering. Until the snap.

When the screaming started the crowd broke apart and we saw what happened. Jeff was sitting with a crooked nose on top of Scott's back. He was pulling Scott's arm back toward him, twisting it at the wrist, elbow, and shoulder. Like a fucked-up spiral.

When the teachers got there Scott wasn't the one crying. He was just staring at his arm. Jeff was all blood and snot and tears. We didn't get close to him, but we could tell he was freaking out. We all were.

That was the day we had that assembly on conflict resolution and when we all got dismissed early. Scott and Jeff got a week suspension so they could “investigate what happened.” I don't think Scott has been back to school though.

The next Monday, we tried to go back to normal. Running, class, hanging out. Jeff was still suspended, and for a while we forgot about him. When he finally came back, he didn't make some grand entrance or anything. He was just kind of there.

He was a lot quieter, which made a lot of sense considering everything. I wouldn't even know how to tell you guys if I got suspended, much less what I'd do with myself for a whole week. Jeff must have had a bad time with it though, because we couldn't get anything out of him. 

He kind of faded into our group. Like he was still laughing and running with us, but he was dimmed. Even when Arch would take shots at him, he would just laugh. When they started construction on the regular showers and we could only use the private showers he always went last. 

I know it's weird but we waited for him one day. Just kind of trying to hang out and see if he was alright. We didn't peep on him or anything weird, but the way he got out and covered his body made me feel like a creep. I'm glad we did though because we saw that rash.

It was all over his chest and ribs. Red and ugly and you could tell where he scratched until it bled. It was gross, and Arch asked if he had AIDS, but no one laughed. We were being jerks and Jeff told us so. He was pissed and yelling about trust and friends and privacy. Saying ‘I thought you guys were my friends!’ He didn't stop until the coaches came out to make sure we weren't fighting. After that everyone but Sam shuffled to class. He probably stayed to apologize.

I saw Jeff later sitting in the courtyard when I left class to pee. He had his head down, staring at his hands. Praying, maybe. Or just talking to himself. He didn't see me so I thought about just leaving. But I came up from behind him and almost put my hand on his shoulders. Before I could, he whipped around and looked pissed.

I fumbled some small talk, then fumbled an apology about that morning even harder. When I finished saying sorry, he didn't even look at me. Just shook his head and told me to ‘Fuck off.’

He didn't run with us the next day. I got everyone to agree to get him some donuts and apologize when he came back. That was the plan at least, until he came back like a jerk. He wouldn't talk to us, wouldn't listen to us. Sam tried but couldn't get anything out of him. 

Arch decided he didn't care about apologizing anymore and tried to get him to respond at all. Started poking at him, saying he wasn't really being a friend himself. We tried to tell Arch to knock it off but he started calling him a freak for what he did to Scott. 

That got his attention. Jeff got up in Arch's face telling him his mom was a whore and that Arch's dad wasn't actually his dad. You know how Arch gets about that. So they went back and forth before Arch shoved Jeff. 

Jeff shoved Arch hard. Really hard. Arch tripped over those tools they'd been using for the showers. We were trying to stop Jeff but he pushed us away way harder than he should have been able to. Jeff was on top of Arch, punching him. Arch was apologizing. Jeff just kept punching.

Anthony ran to get the coach. Sam went to Jeff, tried to pull him away, to talk some sense into him. Jeff grabbed one of the hammers that had fallen. When he swung it down, Sam screamed. He was holding onto Jeff. I ran into the showers and hid. Covering my face and crying. 

I hid until the sound stopped. Until the coaches pulled Sam away from Jeff and dragged Jeff out. Until they came and got me. I think in my head I was still hiding until now.

I didn't tell the police about the church, about how Jeff changed. I didn't try to lie to them, I just didn't want them to think I was crazy or to think I was making something up. 

You guys were the best through all of it. Mom, thank you for holding me while I cried. Dad, thank you for sitting and watching the game with me. I didn't like the beer, but it meant a lot getting one from you.

School still hasn't returned to normal. Everyone says we'll still graduate on time. Honestly, it doesn't even matter anymore.

There's a ton of people posting online about Arch like they knew him. Saying there should be a 5K dedicated to his memory. It pisses me off. They didn't know Arch like that. Not like we knew him. 

I wanted to do our own run for him. To go out to the woods and just go until we couldn't. Sam was down for it but Anthony never replied. He's still not texting us and his parents don't want us going over. He'll come around though, I know it.

Thank you guys for letting Sam stay with us as often as you did. Those late night talks were more important to us than we could ever say. I'm sorry I lied, we were smoking weed that night you caught us giggling. It was probably the first time we'd laughed in a bit. 

Sam was funny like that though. Even before everything he was able to be laughing one second and then sad the next. In one of those talks he told me he had been diagnosed with depression. I probably should have reacted better than a stupid “What the fuck?”

It just caught me off guard. I felt bad I didn't know, and then I was mad when he told me his dad called it “Pussy Disease.” 

He talked a lot about his dad. Even now I hate that guy. I hate the way he treated Sam. Our Sam. My Sam.

The same guy who fought us all to order pineapple pizza. The dude who was the first to sign my cast when I broke my arm.

When he showed me the bruises on his ribs I almost went over to his house by myself. Sam wouldn't let me. He told me “bruises heal” like some sort of wise man. He showed me when the bruises stopped being that ugly purple. Then he showed me when the rash started covering them.

I asked him about it. He said it started when he started having the dreams. 

He said he was dreaming about what happened, and I told him I was too, but he said he was dreaming about what Jeff said. He said when Jeff was hitting Arch he was talking about the church. 

I hadn't thought about that church with everything going on. I asked Sam if Jeff was really still upset about having to go in the church. Sam said that wasn't it. Jeff had been crying and whispering that he wanted to go back.

Jeff had said it was a normal church. I didn't get it. Then Sam started saying it wasn't. He would scratch his side and tell me we should have gone in.

I told him it was “bullshit” and we couldn't know what was gonna happen after he went in. When I would tell Sam that Jeff just changed he would get mad. He started getting mad a lot. He started scaring me.

He was scratching like Jeff, and he was mad like Jeff, but it wasn't the same. Sam would brood, he would give me the cold shoulder. He started talking about how shitty his dad was and how he just wanted him to stop.

The last time he came over I held him. I was holding him as he cried and shook and whispered how much he hated his dad and everything. I tried to ignore him when he said those things. Especially when he was talking about his dad and ending it all. Especially when he started crying about the church.

I wish I had never let him go. I wish I had made him stay. Most of all I wish I was a better friend.

He would still be here if I was.

I remember where I was when I found out. In my room, doomscrolling, when I got a text telling me to check the news. They said there was a shooting and that two people were dead. I had to watch the video three times because I was sure I heard the news guy wrong. I couldn't understand why he was saying Sam's last name.

I tried to call him, I was trying to call him when you guys came in. I didn't get it when you guys started apologizing or when you guys were crying and hugging me. I didn't want to get it. 

He was there two nights before. I held him. I listened to him say he wanted to end it and I just thought it was his emotions talking. I didn't know he meant it.

The news said it looked like a fight. That Sam was just trying to defend himself. That he'd been beaten until he broke. I believe that. Everyone does. What he did to his dad had to be done. But what he did to himself? I still haven't figured out how to forgive him for that.

I don't think I've been okay since. I'm still mad at him. I'm mad at everything lately. Like there's an itching coming from inside my bones. Like my marrow is boiling. 

I feel it when I wake up. I feel it in my dreams. Dreams where I see the church. The church that rings and tells me that I am a fuck up. That I'm a monster. That I'm the reason my friends are dead.

I can't stop itching myself. I scratch and scratch and my fingers come away from my sides bloody and aching. 

I'm scared. I don't want to hurt you guys. I don't want to hurt anyone. I want to run away. I'm going to that church that took my friends. That took everything.

I'm so sorry. I won't tell you where it is. I love you.

I'm going back, and this time, I'm going in.


r/Odd_directions • • 11h ago

Horror The Seven Tokens

9 Upvotes

"Baby, I think you need to slow down," my girlfriend Nora said to me as I was driving like a bat out of hell through a mountain-laced road on the way to Colorado Springs. "Nora, I want to get there as quickly as possible. Besides, I'm only going 10 over the speed limit." Little did she know the reason I was so anxious was that this was the trip I was going to propose to her. We had been together for three years, living together for two, and I felt like it was the right time.

Right as I told her that, I heard a loud popping sound along with the car rattling. The next thing I knew, I was out of control, and the last thing I saw was the airbag deploying straight into my face as we collided with a mountainside.

I must've blacked out pretty hard because the next thing I remembered was being inside a funeral parlor. No people, no music, just me with a few lamps illuminating the room, and on the opposite end, lay a casket. I ran over to it as fast as I could in a panic. My assumption was that Nora was in the casket. I tried to open it, but the lid was welded shut by a metal plate. I tried with all of my might to open it, but to no avail. After trying for what felt like a century, I just hovered over the top, hugging it and crying uncontrollably. I felt a teardrop go down my cheek onto the metal plate. That's when it started to glow.

The room was lit with lamps. The light from the plate was blinding. After a few moments, the light dissipated, and in the center of it, there was a dark silhouette of what looked like a horse. Staring at it, I was confused. That's when I took a step back and began to see something glowing in my periphery.

At the foot of the casket was a table with a bunch of objects spread out. One of the objects was a small horse trinket. I walked over to it and examined it. This little figurine was the first thing I ever bought Nora. We went to a place called Mr. Gatti's, which was a childhood staple for both of us. I was never any good at the games, so it took me forever playing skee-ball to get the tickets I needed for this small thing. 25 tickets to be exact.

As I was holding it, the plate began to illuminate once again. I'm not sure if it was instinct or what, but something clicked that I needed to place the horse inside the silhouette. My observation was correct as the plate swallowed the plastic horse. When that happened, the walls of the room began to crack. I was then transported to the opposite end of the room where I was standing last time.

Everything looked exactly the same, except the walls had begun to develop black cracks throughout the top of the crown molding. Also, the metal plate was already glowing. I ran over to it and it was a misshapen rectangle. I began to rack my brain as to what it could be. Once again, out of the corner of my eye, I saw a glowing object on the table. It was a folded-up piece of paper that had, in my handwriting, "my everything" written on top. I opened it up and began to read the first love letter I ever wrote to Nora.

"Nora,

This last year with you has been the greatest year of my life. We've gone through ups and downs, but we've gone through them together. I couldn't imagine my life without you. Thanks to you, I finally have somebody that would cry at my funeral. I promise I would do the same for you. Our life before each other wasn't perfect. I came from a foster home, and you came from a broken one. Together, we will make what was once fostered and broken whole.

Love,
Elliot"

As I finished reading the letter, I looked around and once again, my observation was correct. There would be nobody here to cry at my funeral. Nor was anybody here to cry for Nora. It broke my heart that I had lost the only person who ever loved me. I began to cry again as I placed the letter inside the metal plate, which of course absorbed it. The room began to shake as the cracks turned into gaping holes in the wall that began to bleed through darkness. Once again, I was transported back to where I started.

Everything looked the same, except the room was noticeably darker now with the gaps in the walls bleeding black around the edges. I approached the casket cautiously. The plate showed a circular object this time. After seeing it, another object began to glow on the table. I walked over to it, and it was a red dog collar that began to jingle when the rabies tag and the name tag collided. I looked at the dog tag in the shape of a metallic dog bone. It had my phone number at the bottom and the name Nox, who was my Husky.

Nora fought me for that name, but it's Latin for night. I had gotten him when I was still living with my parents. After we finally got an apartment together, Nox got out of his crate on moving day and was hit by a truck. It was the most devastating thing that happened to both of us at that point. It was my fault that I didn't latch the crate, but Nora never let me carry that guilt. She truly was good to me.

After taking a shaky deep breath, I walked over to the plate and placed the collar on it. Once again it absorbed the item and I felt the room begin to shake. This time nothing crumbled, but from behind the table, I could hear growling. I couldn't believe my eyes when I saw Nox. He looked like a zombie — patchy fur, exposed skeletal parts, and foam protruding from his mouth. Along his left side were tire marks pressed deep into what remained of his coat. He was growling and barking at me like he never knew me a day in his life. He was chained to the corner of the room, but straining to attack.

Now more than ever, I cautiously approached the casket plate. The silhouette this time was a rounded rectangle that looked like an iPod classic. Over Nox's continuous barking and growling, I could hear a distorted sound coming from the table. It was in fact my iPod classic, glowing just like the others. As I picked it up and put the earbuds in, I could finally hear the song clearly. It was "Hero" by Enrique Iglesias.

It was a song I would ironically serenade Nora with, albeit with a bad accent and gestures like I was in a Shakespearean play. It always got a smile and would make her blush with embarrassment. I couldn't help but laugh through my tears as I took the earbuds out and could hear Nox growling and barking once again. I reached for the plate as the iPod disappeared. With another shake and transportation, a creepy distorted version of "Hero" began blasting through speakers that had appeared at each corner of the room. What was once quiet was now deafening, a warped, unrecognizable version of our song drowning out everything except Nox, who was still straining at his chain and snarling into the dark.

With an ember glow in the room, as well as a rising temperature to go with Nox and the distorted music, the room's horror began to escalate around me. Smoke began to fill the room and my lungs all at the same time. I put the collar of my flannel shirt over my mouth as I began to choke. Hastily, I ran up to the casket. There on the plate was another circular object. It was just a black circle; however, parts of it had ridges on the edges. Also, at the very bottom of the silhouette, it was a little bit flatter in shape. It looked like a flat tire. That's when, right below me, leaning up against the casket, was a flat tire. The flat tire that caused the accident.

Nora had told me on multiple occasions to change the tires, but I was stubborn and told her that they had at least another 2000 miles on them. I acted like I knew what I was talking about, but I didn't know shit. The tires were practically bald when we left the apartment in Amarillo. I'm actually surprised that we made it that far without an incident.

Gasping for air, sweating profusely, and with destroyed eardrums, all I could do was stare at the tire, realizing that it was my fault that Nora was dead. I picked it up and placed it on top of the casket. As it began to sink into the plate, the room began to shake once again, except this time there was a whooshing sound. It had sucked everything out of the room except me and the casket. The smoke was gone, the music had stopped, and Nox whimpered as he was sucked into the void like a black hole.

Only a small platform of floor remained beneath my feet, with nothing but a sea of blackness surrounding it in every direction. A single lamp stood at the edge of the platform, its light stretching just far enough to illuminate the casket floating in the dark ahead of me. It was the only source of light left, and the casket was the only thing I could see. The platform I was standing on was the only thing between me and the void. Across that darkness, the casket waited. I could no longer reach it.

I tried to come up with a way to get to it. All I could think of was jumping towards it. However, after what I saw had happened to Nox, I knew it wasn't a good idea. I was out of options, out of hope. Realizing that I couldn't reach Nora's casket broke me. Out of frustration, I threw the lamp as it bounced off the casket and was sucked into the darkness. Now with no source of light, I dropped to my knees and began sobbing once more.

I was banging my fists on the ground so hard that I could feel the pain shooting up to my forearms. That's when I felt a warm sensation in my right pocket. I opened my eyes and through tears I could see a dim light glowing through the fabric. I stood up and wiped my eyes. I reached into my pocket. It was the ring I was going to give Nora on this trip.

I forgot I was too paranoid to pack it in the luggage in case she found it. So I had stashed it on me. When I pulled it out, shining in my hand, the plate on the casket began to light up again. All of a sudden, the casket levitated right in front of me. Dumbfounded, I swallowed against my dry throat and placed the ring perfectly in the middle of the plate. It, like every object before it, was gone. For a brief moment, there was darkness once more.

Then, suddenly, the plate disappeared and the casket lid opened. I smiled for an instant, expecting to see my sweet Nora. However, when I looked inside it was me. Was I dead the entire time? Where was Nora?

I hung my head low and began to wallow in my own self-pity. After a moment, I felt a warm hand on my shoulder. I was startled and nearly jumped out of my skin. When I looked up, it was Nora. "Hey, baby. It's good to see you," she said with a smile on her face and tears in her eyes. All I could do was hug her.

"What the hell is going on?" I asked her. She just shook her head to indicate she didn't know. I told her what I had been through. The horse, Nox, the letter, everything. Surprisingly, she understood. She then told me that she had to do the same thing.

She explained that she had gone through the exact same experience as me, except she was expecting to find me in the casket, but she saw herself. A wave of realization washed over me that we were both dead from the car accident. She could see the look on my face and stopped me. "Hey, it's okay. It really is. Look at us. Crying at each other's funerals. We're the only ones here, but we'll always have each other, my everything."

She concluded her statement, and a beam of light shined behind us. As I was gazing upon it, I felt her put her little hand in mine as we locked eyes. "Are you ready to see what forever looks like?" she said, as she looked at me with a smile. I squeezed her hand tight and responded, "with you? Always." Hand in hand, we both walked towards the light as the darkness disappeared around us.


r/Odd_directions • • 13h ago

Horror A customer murdered his family hours after I fixed his antenna. I know, because I watched him do it through his own eyes.

5 Upvotes

The job started like any normal Tuesday morning. My phone buzzed on the passenger seat of my work van while I was sitting in traffic on my way across town. I picked it up and put it on speaker so I could keep my hands on the steering wheel.

"Julian, where are you right now?" my dispatcher Farah asked over the line. Her voice sounded stressed, and I could hear the constant ringing of the depot phones behind her.

"I am stuck in gridlock near the center of Leadville," I told her, tapping my fingers on the dashboard. "I just finished the installation at the apartment complex and I was planning to grab an early lunch. What do you have for me?"

"I need you to squeeze in a repair ticket before you take your break," Farah said, and I could hear her typing rapidly on her keyboard. "I have a residential customer complaining about a complete signal blackout on his rooftop dish. He called three times this morning and he is getting really agitated. The address is over on Harrison Avenue."

"I can head over there now," I agreed, checking my side mirror to merge into the right lane. "What is the specific issue? Did the wind knock the alignment out of place?"

"He just says the signal dropped to zero last night around midnight," Farah explained. "He claims the diagnostic screen on his receiver is showing error code, but our network shows green across the entire sector. Just go take a look at the hardware and see if the coaxial cable is degraded."

I took the next turn and drove deeper into Leadville. The neighborhood was lined with tall brick houses built close together. I parked my van on the curb, grabbed my tool belt from the back, and walked up to the front door of the address Farah had given me.

I knocked on the wood and waited. A man opened the door a few moments later. He looked to be in his late thirties with dark circles under his eyes. He wore a wrinkled button-down shirt and he was holding a half-empty mug of coffee.

"Are you the antenna guy?" he asked, looking me up and down.

"Yes sir, my name is Julian," I said, reaching out to shake his hand. "Farah from dispatch sent me over to check on your signal drop."

He did not shake my hand. He just stepped back and opened the door wider so I could come inside.

"My name is Theodore," he said, walking into the main hallway. "The television has been completely dead since last night. The internet is out too. I pay a lot of money for this service so I expect it to work when I need it."

"I will get it sorted out for you," I promised, following him down the hallway.

I noticed the interior of the house as we walked toward the back staircase. The walls were covered in a very distinct vintage wallpaper featuring a repeating pattern of faded yellow flowers on a pale green background. The house was extremely quiet. I stepped into the kitchen and saw a woman standing at the sink. She had her back to us and she was scrubbing a frying pan with a sponge.

"Genevieve, the repair guy is here," Theodore announced.

The woman looked over her shoulder and gave me a brief, tired smile. "Thank you for coming out so quickly," she said, turning back to the sink.

"It is no problem at all," I replied.

"The roof access is through the hatch in the upstairs hallway," Theodore said, gesturing toward the stairs. "Do you need me to come up there with you?"

"I should be fine," I told him, adjusting my tool belt. "I will run a diagnostic on the receiver box in the living room after I check the hardware outside. I just need to make sure the dish is still bolted securely to the mounting bracket."

I climbed the wooden stairs and found the metal hatch set into the ceiling. I pulled down the folding ladder, climbed up into the tight crawlspace, and pushed the weather door open to access the flat roof.

The freezing mountain wind hit my face as I stepped out onto the black tar paper. I walked over to the communications dish mounted on the brick chimney. The equipment looked structurally sound from a distance. The bolts were tight and the dish was aimed correctly toward the southern sky.

I pulled my digital multimeter from my pouch and knelt beside the dish to check the wiring. That is when I noticed the anomaly.

The entire metal surface of the receiver arm was coated in a strange, pale gray ash. It looked like fine cigarette ash but it was completely uniform. It covered the plastic casing of the coaxial connection and filled the small gaps around the mounting screws. I reached out and tapped the metal dish with my knuckle. The ash did not blow away in the wind. It clung to the surface like magnetic dust.

I pulled a flathead screwdriver from my belt and started scraping the ash away from the cable connector. I needed to unscrew the wire to test the signal strength. The ash came off in thick flakes, falling onto the black roof below.

I unscrewed the metal collar of the coaxial cable using my bare fingers. The moment my skin made contact with the exposed copper wire, a massive static shock blasted through my hand.

The jolt was incredibly painful. It threw my arm backward and sent a freezing electric current shooting straight up my forearm into my shoulder. I gasped and dropped my screwdriver on the roof. My entire arm went numb and my teeth chattered uncontrollably for a few seconds. I grabbed my wrist and squeezed it, waiting for the painful tingling sensation to subside.

"What on earth was that?" I muttered to myself, shaking my hand to get the feeling back.

I looked at my fingertips. They were smeared with the gray ash. The ash was freezing cold. It felt like I had shoved my hand into crushed ice. I wiped my fingers aggressively on my denim jeans to get the residue off my skin.

I reattached the cable using a pair of insulated pliers, then checked the signal meter and it showed a perfect connection. Whatever had blocked the signal was gone now. I packed my tools away, climbed back down the hatch, and found Theodore waiting in the hallway.

"The hardware is fine," I told him, rubbing my sore shoulder. "There was just some debris blocking the receiver connection. Your signal should be completely restored."

Theodore walked into the living room and grabbed the remote control. He turned on the television and the morning news broadcast popped onto the screen with crystal clear resolution.

"Alright," Theodore said, setting the remote down. "Thanks for fixing it."

I went back to my van and called Farah to close the ticket. I told her the job was done and I drove to a nearby diner to eat my lunch. My hand still felt cold and stiff for the rest of the afternoon but I managed to finish my remaining repair routes without any issues.

I drove back to my apartment around six in the evening. I was exhausted. I unlocked my door, dropped my keys on the counter, and walked into the bathroom to take a shower. I stood under the hot water for a long time, hoping the heat would relax the lingering tension in my shoulder.

I put on some sweatpants, walked into my living room, and sat down on my couch to watch television. I grabbed a slice of leftover pizza from the fridge and ate it while flipping through the channels.

That is when the first shift happened.

I was staring at the television screen, but the image suddenly scrambled. The news anchor vanished. The edges of my vision blurred violently and a wave of intense nausea hit my stomach. I squeezed my eyes shut and rubbed my temples, assuming I was experiencing a sudden migraine aura.

I opened my eyes a few seconds later.

I was no longer looking at my living room television. I was looking down at a white porcelain kitchen sink.

My perspective was completely wrong. I felt taller. I was looking at a pair of hands plunging a dirty ceramic plate into soapy water. The hands were holding a yellow sponge and scrubbing the leftover food off the plate. The sleeves of a wrinkled button-down shirt were rolled up past the wrists.

I tried to turn my head to look around the room, but I had absolutely no control over the movement. I was just a passenger trapped behind someone else's eyes.

The hands finished scrubbing the plate and rinsed it under the running faucet. They placed the clean plate into a plastic drying rack. The person I was looking through turned their head slightly to the left.

I saw a section of the wall next to the refrigerator. It was covered in vintage wallpaper featuring faded yellow flowers on a pale green background.

It was Theodore's kitchen. I was watching him wash dishes.

I panicked and tried to yell, but my mouth did not open. I felt a sudden, terrifying sense of confinement. I squeezed my eyes shut again, focusing all my energy on the feeling of my own body sitting on my couch.

I opened my eyes and I was back in my apartment.

The television was playing a commercial for car insurance. My slice of pizza was sitting on the paper plate on my coffee table. I sat perfectly still for several minutes, listening to the sound of traffic passing by outside my window. My heart was pounding frantically between my ribs.

I grabbed my phone and called my coworker Gabriel. He picked up after the second ring.

"Hey Julian, what is going on?" Gabriel asked, sounding relaxed.

"I think I inhaled some kind of chemical today on a roof," I said, pacing back and forth across my living room rug. "I just had a really intense hallucination. I literally saw a different room."

"What kind of chemical?" Gabriel asked, his tone turning serious. "Did you touch a degraded transformer box?"

"I was working on a standard dish," I explained, running my hand through my hair. "But it was coated in this freezing gray ash. I got a massive static shock when I touched it. Have you ever seen gray ash on any equipment out or in town?"

"No," Gabriel said definitively. "Sometimes we get pigeon droppings or rust, but I have never seen ash. You probably just got a bad electrical jolt. A strong enough shock can mess with your heart rate and cause visual spots. Just drink some water and get some sleep. If you feel weird tomorrow, you should go to urgent care."

"Yeah, you are probably right," I agreed, trying to calm my nerves. "I just needed a reality check. I will see you at the depot tomorrow."

I hung up the phone and forced myself to drink a large glass of water. I went to bed early, hoping Gabriel was right about the electrical jolt.

I woke up the next morning feeling incredibly disoriented. My head throbbed with a dull ache and the cold sensation in my right hand had returned. I drove to the company depot and walked into the dispatch office to see Farah. She was sitting at her desk sorting through a stack of work orders.

"Farah, I need a favor," I said, leaning against her cubicle wall. "I need you to route me back to the house on Harrison Avenue. The one I serviced yesterday morning for Theodore."

Farah looked up at me and frowned. "Did the customer call back and complain? The network shows his receiver is online and stable."

"He didn't call," I said, trying to sound casual. "I just realized I might have left one of my diagnostic tools on his roof. I want to swing by and check the chimney before he notices it."

"I cannot send you all the way across town for a dropped tool right now," Farah said, shaking her head. "We are swamped with outage reports over by the canyon. I need you to head south and fix a commercial relay near the old mining route. You can check his property tomorrow if things slow down."

I argued with her for a few minutes, but she refused to change the schedule. I had no valid excuse to abandon my route, so I took the commercial tickets and spent the entire day working on the south side of Leadville.

The visual intrusions started happening while I was working.

I was climbing a metal ladder on the side of a warehouse when my vision violently snapped. The metal rungs vanished. I was suddenly looking down at a wooden desk covered in disorganized paperwork. A hand was holding a black pen, scribbling erratic circles on a legal pad. The hand belonged to Theodore. I could feel a strange, suffocating sense of anxiety radiating from his mind. He was terrified of something, but I could not understand what it was.

The vision lasted for five seconds before I snapped back to reality. I was clinging to the metal ladder, breathing heavily, completely terrified by the seamless transition.

The slips kept happening. I would be driving my van and suddenly I was looking at a bathroom mirror, watching Theodore splash cold water on his pale face. I would be eating a sandwich and suddenly I was staring out a window, looking at the street through the faded floral curtains of Theodore's house.

The scariest part was the emotional bleed. Every time I slipped into his perspective, I felt his emotions. His paranoia was growing exponentially. He felt like he was being hunted. He kept looking at the ceiling, expecting something to break through the plaster.

I finished my shift and rushed home, locking my apartment door and sitting in total silence on my couch. I did not turn the television on. I just waited for the next intrusion.

The next night, the visions escalated to absolute clarity.

I was lying in bed around eleven o'clock, trying desperately to fall asleep. My eyes were closed when the shift hit me.

I did not just see through Theodore's eyes this time. I felt the hardwood floor under his bare feet. I felt the solid weight of a large steel wrench gripped tightly in his right hand.

I opened my eyes and I was walking down the upstairs hallway of the brick house. The vintage wallpaper peeled slightly at the corners. The house was entirely dark except for the moonlight coming through a small window at the end of the hall.

Theodore was breathing heavily. The paranoia I felt radiating from his mind had mutated into terror. He truly believed something horrible was waiting for his family in the dark, and he believed he had to save them from it.

He walked into the master bedroom. Genevieve was asleep in the bed. Her back was turned toward the door.

"Genevieve," Theodore whispered. His voice vibrated in my own throat.

Genevieve shifted under the blankets and slowly turned over. She looked up at him with tired eyes. "Theodore? What are you doing with that?"

Theodore did not answer her. He raised the wrench high above his head and brought it down with terrifying force.

I watched the brutal impact through his eyes. I felt the shockwave travel up his arm as the metal struck her. I tried to scream, I tried to force his hand to stop, but I was completely powerless. I was locked behind his vision, forced to witness every horrifying second as he brought the wrench down again and again.

He left the master bedroom and walked down the hall to the next door. He pushed it open and stepped into a child's room. A young boy was sleeping in a small bed against the wall.

Theodore raised the wrench again.

The vision snapped and I was thrown back into my own body.

I shot up in my bed, gasping for air, my entire body covered in cold sweat. I scrambled off the mattress and ran into my living room, grabbing my car keys from the counter. I did not care if I was hallucinating. I did not care if I was losing my mind.

I sprinted down the stairs of my apartment building and threw myself into my van. I shoved the key into the ignition and sped out of the parking lot, driving recklessly through the empty city streets. I ran three red lights, pushing the van as fast as the engine would go, navigating purely by adrenaline and panic.

I crossed the center of Leadville and tore down the narrow brick streets. I turned onto Theodore's block and slammed on the brakes.

I arrived just as the neighbors were directing the arriving police to the home.

Three patrol cars were parked haphazardly on the street with their blue and red lights flashing against the brick facades of the houses. Two police officers were sprinting up the front steps of Theodore's house with their weapons drawn. A few neighbors stood on the sidewalk in their pajamas, pointing toward the open front door and talking frantically to a responding paramedic.

I parked my van near a fire hydrant and ran over to the police tape that an officer was stringing across the front lawn.

"What happened?" I asked a woman standing near the tape.

"I live next door," the woman said, her voice shaking badly. "I heard terrible screaming coming from Genevieve's bedroom. It sounded like someone was hurting her. I called 911 immediately, but the screaming stopped before the police got here."

I stood behind the yellow tape, watching the officers secure the tragic scene. One of the officers walked back out the front door and keyed the radio on his shoulder.

"We have two casualties inside," the officer reported over the radio. "Adult female and juvenile male. Both deceased. The suspect is not on the premises. Requesting immediate perimeter setup to locate the husband."

I stood on the sidewalk, feeling entirely hollow. I was too late.

Suddenly, my vision violently shifted one last time.

the flashing police lights vanished instantly. I was looking up through Theodore's eyes.

The environment was completely different. Theodore was standing on a patch of wet grass. He was looking straight up at the night sky. The metal struts of a towering high-voltage transmission tower loomed directly above him, stretching hundreds of feet into the darkness. I recognized the location immediately. It was the massive power substation located at the extreme industrial edge of Leadville, away from his neighborhood.

Theodore was standing directly beneath the humdrum, buzzing wires of the tower.

I looked up at the night sky above the metal structure. The stars were completely gone. The sky began to distort, rippling and waving like the surface of a disturbed lake.

A colossal, formless mass descended silently from the clouds.

It was impossible to comprehend the shape. It was a shifting, chaotic structure of impossible geometric angles, moving without making a single sound. It blotted out the city lights, descending steadily until it hovered just above the metal transmission tower.

Theodore did not run, or even scream. He just dropped the bloody wrench into the grass and raised his hands toward the descending mass.

The colossal shape shifted its geometric panels, opening a void in its center. It engulfed Theodore completely, swallowing him into the shifting geometry.

The vision cut to pitch black, and then I was standing on the sidewalk again, staring at the flashing police lights.

I stumbled backward and leaned against my van, trying to process the absolute insanity I had just witnessed. I waited on the street for two hours, watching the crime scene investigators arrive and carry the stretchers out the front door, but the police never found Theodore. They searched the alleys, they set up roadblocks, and they canvassed the neighborhood, but he had simply vanished from the city.

I knew exactly where he went, but I could not tell the police. They would lock me in a psychiatric ward if I told them I watched a giant geometric mass swallow a man from the sky.

I needed proof.

I sneaked back onto the roof the next day to collect a sample of the cold ash. I parked my van an avenue over, walked through a back alley, and climbed a rusty fire escape to access the adjacent rooftops. I hopped over a low brick wall and walked over to Theodore's chimney.

I approached the communications dish, holding a small plastic container and a scraping tool, but I was entirely too late.

A heavy morning rainstorm had rolled through the mountains just before dawn. The torrential downpour had washed the equipment completely clean. The gray ash was gone, leaving the metal bracket shining wet in the overcast daylight. I rubbed my gloved fingers across the coaxial cable, but there was no residue left to collect.

I climbed back down the fire escape, feeling incredibly defeated. I walked back toward my van, wondering if I was truly losing my sanity.

As I walked down the street, I noticed a house located three doors down from Theodore's property. A massive, complex radio antenna array was bolted to the side of the house, stretching high above the roofline. It was clearly a specialized setup for amateur radio enthusiasts.

Seeking answers, I walked up the steps and knocked on the front door.

An older man opened the door. He wore a thick wool sweater and wire-rimmed glasses. He looked at me with mild suspicion.

"Can I help you?" he asked.

" I am a communications technician for the city.," I said, pointing toward the massive antenna on his roof. " I noticed your ham radio setup. I was wondering if you experienced any strange signal interference over the past few days."

The man's expression changed from suspicion to intense interest. He opened the door wider and motioned for me to come inside.

" I have been documenting some extremely bizarre interference all week” he said, leading me down a narrow hallway into a room filled with radio receivers, glowing dials, and stacked amplifiers. "but nobody at the regulatory commission would return my calls."

"What kind of interference?" I asked, looking at the complex equipment.

He sat down in a swivel chair and pulled a logbook from the desk. He flipped through the pages and pointed to a series of handwritten times and frequencies.

"I track localized signal blackouts," he explained, adjusting his glasses. "Starting three days ago, a massive dead zone formed precisely over this street. It was highly localized, centered almost entirely on that house down the block." He pointed a finger toward Theodore's property. "The blackout completely blocked all standard commercial frequencies."

"Did you record any audio during the blackouts?" I asked, leaning closer to the desk.

"That is the strange part," he said, tapping his pen on the logbook. "The dead zone was not empty. Whenever the commercial signals dropped, I picked up a transmission broadcasting on a very obscure low-frequency band. I recorded it yesterday evening."

He turned around and pressed a button on a reel-to-reel tape machine sitting on the shelf. The tape spun and a deep, rhythmic sound filled the room.

It sounded exactly like breathing. It was a slow, resonant inhalation, followed by a vibrating exhalation, repeating endlessly over the radio frequencies. It sounded like something impossibly large pulling air through a lung.

"It played continuously until the police arrived last night," He said, turning the tape machine off. "Then the signal spiked violently and vanished completely. The local frequencies returned to normal right after."

I thanked him for his time and left the house, walking back to my van in the cold afternoon air.

With no evidence left, the police eventually classified the event as a tragic murder-suicide. The official report assumed Theodore murdered his family, fled the scene in a panic, and eventually succumbed to the elements while hiding in the vast forested sector on the edge of the city. They never found his body, but they closed the case anyway.

I still work as an antenna technician, but I keep a very close eye on the equipment I repair. I am writing this story to ask other technicians if anyone else has ever found freezing gray ash on city antennas, as I think, something is out there, something we can’t grasp, but we need to understand so this tragedy doesn’t happen again.


r/Odd_directions • • 18h ago

Science Fiction The Time Phil Got Married

9 Upvotes

“Tell me: how does it feel—living the last few hours of your life?”

“Single life,” said Phil, pushing away the phone his best friend, Carl, was sticking in his face to record him with.

It was a beautiful, sunny spring day.

Phil’s wedding day.

In a few hours he would be getting married to his high school sweetheart, but for now he had Carl to deal with. “Life… single life, it’s all the same, man,” Carl was saying. Carl was an aspiring vlogger. “The moment you settle, you die.”

“Come on,” said Phil. “At least ask me something I can show my kids later.”

“Kids,” Carl snickered.

“—what?”

“OK, OK. I got one. What’s one thing about today that could make it even better than it already is?”

Phil looked into the camera. “If the band shows up on time.”

“I'm being serious,” said Carl.

“If Greg was here.”

“Dude, you haven’t talked to your brother in, like, four years. I mean, I always thought twins were creepy close, finishing each other’s sentences and all that. Then I met you. It's like you don't even have a brother, let alone one who looks exactly like you.”

“Things used to be better between us,” said Phil.

“By the way, speaking of who is here, how do you feel about your soon-to-be bride’s ex being on the guest list? Isn’t that, like, weird?”

“Brock’s a decent guy,” said Phil. “Sometimes relationships don’t work out, that's all. Everybody is somebody’s ex, except maybe you, you incel-wannabe piece of—” and Phil lunged for the phone and managed to grab it.

“Unfair! Element of surprise!” protested Carl.

“No more filming until the ceremony. But film the ceremony. I’m counting on you. Marilyn wanted to get a professional videographer—”

“Yeah yeah yeah, until you personally vouched for me and my skills.”

“That’s right.”

Carl slapped his friend on the shoulder. “I won’t let you down, buddy. Scout's Honour. Today’s gonna be a great day, I’m gonna get it all on camera, well lit and shit, and by the time you’re back from your honeymoon, ready to move out to Mass and bend M.I.T. to your postgrad fucking will, I'll have your footage edited, post-prodded and delivered. But—” Carl grabbed the phone back and pointed it at Phil: “I do need you to say one more thing to the camera. Tell everyone what it is you’re gonna be studying.”

“Why?”

“Because it’s awesome,” said Carl.

Phil arced an eyebrow.

“Fine,” Carl said. “Because it's absolutely bonkers.”

“Intertemporality,” said Phil.

“English, please.”

“It is English.”

“Regular English, for regular idiot guys like me who don’t get to go to M.I.—fucking—T.”

Phil shook his head. “Why do I have to say it?”

“Because it’s cool, man. It’s not—”

“Time travel,” said Phil, his cheeks acquiring the rosiness of a flush.

Carl turned the camera back on himself. “And with that I’m gonna do a little time travelling of my own called editing. See you at the ceremony,” he told the camera, and he stopped filming.

“By the way, Phil, did you ever get the feeling that Brock's a little bit of a, you know…”

“A what?”

“You know, like a poet.”

“A poet? No.”

“Because that would certainly explain a lot in terms of Marilyn's general taste in men,” said Carl with a smirk on his face.


“And do you, Marilyn, take Philip to be your lawfully wedded husband?”

“I do,” said Marilyn, resplendent in her white dress.

“Then, by the power vested in me,” the officiant continued, “I now pronounce you husband and wife. You may kiss—”

“He’s lost the power!” somebody yelled.

The heads in the crowd turned to see a man out-of-breath running into the chapel. “He,” the man was saying, aggressively waving a piece of paper, “doesn’t have the power.” The man got up to where the apparent newlyweds were standing—”Oh my God, Brock!” said Marilyn—before thrusting the piece of paper at the officiant. “Your license,” he huffed out, “was suspended a few minutes ago. Look!”

The officiant took out a pair of glasses, put them on his nose, squinted.

He read.

He said, “Well, it certainly appears—”

“The marriage is invalid,” yelled Brock to all those gathered here today to witness and celebrate the marriage of Phil and Marilyn.

There were gasps in the crowd, the buzz of scandalous whispers.

Several people got up and walked to where Marilyn, Phil, Brock and the officiant were discussing amongst themselves. One of those people was a lawyer. “Excuse me, but I’m a lawyer,” she said. “May I see the document?”

The officiant handed it over.

After scanning it, the lawyer said, “It certainly appears legitimate. Let's see: ‘...officiant's license suspended on account of non-payment of dues,' effective today at noon.”

Meanwhile, more people were slowly making their way up to where the commotion was. One, who looked an awful lot like Phil, passed Phil something surreptitiously, before dropping his head and slipping away. “What time is it?” asked the lawyer.

“I’ve got exactly noon now,” somebody said.

“No, it’s four past.”

“Your watch must be wrong.”

“Your watch must be wrong.”

“Hey!” said Phil. “Check the recording. Carl, your camera is sync’d up to your phone, which is sync’d with the atomic clock. Check the timestamp to see at what exact time the officiant pronounced us married.”

“Sure thing,” said Carl, and he started fiddling with his equipment.

“Ladies and gentlemen, if the pronouncement was made at noon or later,” the lawyer explained magisterially to the crowd, “the marriage is invalid. If it was made before, the marriage stands.”

Tense seconds passed.

“I love you,” Brock was whispering to Marilyn, who was shaking her head, tears rolling down her face.

“12:01:13,” said Carl.

“Ladies and gentlemen, the marriage is invalid,” pronounced the lawyer.

“Nobody pays their dues,” the officiant said.

“Actually,” said Phil, loudly enough to quiet everybody down. And he produced another piece of paper, which he held up in the air so all could see. “I have here another document: a retroactive reinstatement of our officiant’s license, effective noon today.”

“So the marriage stands?” Carl asked.

“Give me that!” yelled Brock, snatching the document from Phil’s hand and glaring at it with mad eyes. “This is impossible. This document is stamped, signed and dated two-and-a-half months from now. It’s clearly fake. This is crazy. This man—he’s crazy!”

“It’s not crazy and it’s not fake. The document is simply from the future,” said Phil.

The crowd collectively gasped.

Phil had rolled up his sleeve and was pressing something to his bare arm.

“No. No no no no-no no-no no-no-no-nono,” Brock was saying.

“Then go ahead and tell me why I would just happen to have, in my possession, on my wedding day, a document countering yours?” Phil asked (“...nononono…”) him.

“I don’t fucking know. OK? But, even if—I mean… the document, your document: it hasn’t been signed yet. It doesn’t fucking exist. You, lawyer: tell him. Tell all of them this document has got no legal value or whatever. It can’t. It can’t because it doesn’t exist yet. I mean it’s crazy. You’re all fucking crazy.”

“I don’t know what to say,” said the lawyer. “On one hand, the gentleman wishing to interrupt the wedding is correct. The document hasn’t come into power yet… I think. On the other, it clearly exists because the groom is undeniably holding it.”

“I’ll show you something else, too,” said Phil. “Carl, tell me the time of the pronouncement again.”

“12:01:13.”

Phil revealed his bare forearm, on which there— “What is it?” someone in the crowd yelled. “What’s he got there?” “It appears to be a tattoo,” said the lawyer.

“A tattoo that says ‘12:01:13’,” said Marilyn, her wet eyes wide in disbelief. “What the hell is going on, Phil?”

Phil cleared his throat and stepped forward to address everybody in the crowd. “What’s going on is that I have created a time machine.” He let the words sink in. They sank deep. “And, using that time machine, I have successfully travelled through time to stop the sabotaging of my wedding day!”

“Oh shit,” said Carl, filming.

“And you want to be married to this nut job?” Brock asked Marilyn.

“How else do you— …the tattoo: it’s the exact time,” the officiant was saying, or asking, or trying to understand. The glasses were still on his face. His eyes looked comically large. “There could be no other explanation…”

Marilyn was shaking, first her fingers, then her hands, her face. She was smiling with quivering, lipsticked lips and perfect blonde hair. “I’m marrying into money! OMG, I’m going to be rich! I’ll never have to work another day in my life!” she thought, or hoped she thought, because if, instead of thinking, she'd accidentally said it: well, that would be embarrassing.

She was jumping up and down, ecstatic, ebullient, unable to contain herself, hugging her husband, hugging the now-thoroughly confused officiant, hugging her very own self to keep it moored to the moment.

Brock was the opposite.

He’d backed away, shrunken, as if collapsed into himself.

“Are you OK?” the lawyer asked him.

“Get your legal fucking hands the fuck off me. Step away. Leave me alone. All of you, just let me fucking be. I loved her, you know,” he said.

“I loved you,” he said to Marilyn rather melodically, “and I still dooo-ooo-ooo. We were meant to be, we twooo-ooo-ooo. Life put us to-gether, now it threatens to se-ver, our-unity, our-oneness, our SE-REN-DI-PI-TY!

“What a pity.

“What a stinkin’, no-good perfidity.

“Life sure is shitty.

“Sometimes.

“So let's remember the fun-times.

“Shall we?

“Like the night we fucked in that alley, or got zonked out on molly in Bali. Oh, fuck it,” he screeched and pulled out a gun: pointing it at Phil, then at Carl, then Marilyn, then Phil again and said, through sobs so heavy they made him hiccup, “There’s no point running. I rigged the entire chapel with explosives. Maybe I can’t travel into the future like you, Phil, but presently I can still be a fucking blast.”

To Marilyn: “We would’ve run an efficient household economy, you and me. We would have had a happy family. We would’ve had a good time.”

And as the people in the crowd started screaming: “But, sadly, now all of you must die.”

“I didn’t travel through time,” said Phil suddenly.

“Mhm,” said Brock.

“The document’s a forgery.”

“What about the tattoo? How do you explain that?”

“Temporary children's tattoos,” said Phil, licking a finger and smudging one of the numbers with it. “I applied it after Carl told me the timestamp.”

“You mean we’re not sitting on a bunch of time travel patents?” Marilyn asked.

“Did you all think I had actually travelled through time?” Phil asked. “That’s sweet—but no, I didn’t travel through time. Time travel’s not possible. As some of you know, I am going to study intertemporality, but that’s just theory. There is no practical application.”

Brock lowered his gun—

At which point a man walked up behind him, lifted his own gun to the back of Brock’s head and shot him dead.

There followed a stunned, terrible silence.

Brock’s body and what was left of his head were on the ground. Blood was pouring out of both.

Bits of Brock’s brain had stained Marilyn's wedding dress.

The man put away his gun and looked up. His face was Phil’s face. There were now two Phils in the chapel. The first nodded to the second; the latter one nodded back. In the crowd, a few people fainted. The second Phil held up a fistful of wires and said, “Everybody is safe now. Nothing’s going to blow up.”

“The element of surprise,” said the first Phil.

“So does this mean… —the time travel, it does work?” asked Marilyn. She’d asked it of the first Phil while looking at the second.

They were identical.

“Yes,” said the first Phil, and Marilyn leaped into his arms and hugged him. “Oh, Phil. Phil, I love you so much.” Then, after a few moments, she stepped back, looked at the second Phil. “Wait, which one of you two do I love? Phil, whichever you are, I’m scared…”

“I’m sorry. I didn’t mean to scare anyone—or lie. I had to get Brock to let his guard down.”

“You knew he’d—”

“Of course, I knew,” said the first Phil.

“I told him and I’m from the future,” said the second.

“What happens now?” asked Marilyn.

“Now we do what we all came here to do: celebrate a marriage,” said the first Phil, to the crowd's spattered, bewildered applause.

The chapel smelled of blood.

“Except—” said the second Phil, “there is one small, somewhat paradoxical detail we have to resolve first. Something that physics, along with psychology, more-or-less demands.”

“Yes,” said the first Phil, smiling, but his smile was less happiness than a void filled with warm, existential melancholy. He took Marilyn’s hand.

He kissed it.

Then the second Phil passed the first Phil his gun.

“Phil?” said Marilyn, as the first Phil lifted the gun and placed it against the side of his own head.

“There can’t be two of us,” he explained. “It wouldn’t work out, not for long. There would be too much complexity, too many discontinuities. The math would get too complicated, never mind the emotions. We'd always be checking and rechecking equations. Trust me, this needs to happen. And one of us—one of us, Phils, I mean—has already made a great ontological sacrifice to abandon his own timeline.”

“Phil, what are you saying?” Marilyn demanded.

“He’s saying that soon you’ll be married to me,” said the second Phil.

“No… wait!” yelled Marilyn. “If you kill yourself,” she said to the first Phil, “won’t you,” she said to the second, “disappear? And—and… can’t we make this work, the three of us,” she said to them both, “some kind of really weird polyamorous thing maybe?”

“He won’t disappear because, even though he’s from the future, he’s in our present,” said the first Phil.

“Polyamory never works,” said the second.

“Goodbye,” said the first Phil, and—BANG!—killed himself.

The second Phil, who had now become the only Phil present, knelt down, confirmed that the body belonging to the previously-first Phil was indeed now a corpse, and unbuttoned the corpse’s dress shirt, revealing a tattoo on the corpse’s chest that said: “Marilyn, I love you, but one must never fuck around with the rules of time travel.”

The living Phil hugged her and, slowly, at first awkwardly, she hugged him too. “This is totally fucking insane,” said Carl, still filming.

“So are they married?” somebody asked.

“She married the one who’s dead.”

“But they’re the same person—like, aren’t they?”

The lawyer shrugged.

“Does that mean they said the vows and everything was official, so it was all much ado about nothing?”

“Phil,” Carl said, “I don’t usually interfere in reality, but it would be a very cool ending if you would open your shirt and show us the tattoo.”

“What tattoo?” asked Phil.

“The tattoo, the ‘don’t fuck with time travel’ one. I mean, I’m no M.I.T. postgrad, but if you’re him, except a future version who's come back to the past, and he got that tattoo on his chest, then you’d also have the same tattoo on your chest. Right? That’s how it works?”

“Except he’s dead and I’m not,” said Phil. “I appreciate the logic, but the math is pretty cutting edge, so…”

“He’s dead because you were both in one present when he died, though,” said Carl. “Just like you said. The tattoo: he got that before you arrived here, so you really should have the same tattoo on your chest too.”

“I think he’s right,” said the officiant, blinking his big eyes.

“I had it removed with a laser,” said Phil. “Now, moving on—”

“When?”

“Open your shirt!” somebody yelled.

“Get him, get his shirt open.” “I wanna see that tattoo.” “Me too.” And without notice Phil tried to run but a few people managed to grab him, hold him, and wrestle him to the cold chapel floor. They ripped his shirt open. There was no tattoo. His chest was wordless. The only things on it were two pink nipples and a small tuft of curly black hair.

“Who the fuck are you, man?” demanded Carl.

“Oh my God…” said Marilyn.

“Oh my God…

“Oh my God…

“Greg? Is that you?”

The men pinning the man to the floor instinctively backed off, and the whole chapel fell silent. (“Who’s Greg?” somebody whispered. “His twin brother,” somebody else answered. “They were estranged.” “Whose twin brother?” “Phil’s.” “I thought that guy is Phil.” “No, Phil’s the dead guy.” “Weren’t they both Phils?” “That was my general understanding, yes.” “You’re not paying attention. That’s what everybody thought—until now.” “Because of the tattoo?” “That’s right.” “Shhhh, I want to see what happens…”)

“Yes, it’s me, Greg,” the man said to Marilyn.

“Oh, you motherfucking piece of shit. You just killed my best—” said Carl, coming forward, ready to smash Greg in the face with his fist.

“He killed himself,” said Greg. “That’s a fact. You filmed it.”

Carl made a bulldog face.

Greg turned to Marilyn. “Em, I love you. I’ve always loved you. Yes, from afar, but strongly, with all my soul. It pained me to see you with him. He wasn’t good for you, Em. All he cared about was physics, his ‘time travel.’ Sure, maybe you would've been happy together for a while, a year, maybe five, but after that you would have seen that you were never the priority for him. He never loved me, and he would never love you. He just didn’t have the capacity. He was incapable of loving anything but numbers. Was he a genius? Yes, probably. But he was also deluded. He was deluded about a lot of things, including his feelings for you.”

“No!” yelled Carl. “You don’t get to just go and—”

(“Shut up and let him monologue!”)

(“Yeah.”)

“So the time travel,” asked Marilyn for what seemed like the third time, “it wasn't really real?”

“No,” said Greg. “But he wasn’t lying. He genuinely believed he'd managed to do it: create a time machine in a rented storage locker. He even had reasons to believe that. What he didn’t know is that I was tricking him. For the past four years, Em, I have been living my life in sync with Phil’s time travel experiments. He thought he had finally managed to successfully bring future-Phils into the present. Well, that was me. I was playing the part of his future-Phil. The machine itself doesn’t work. It never worked. Maybe, one day, it will; but not today, Em. No, today, Phil’s dead and I’m here, professing my love to you. I’ll tell you something else: do you remember that vacation to Switzerland Phil finally took you on last year?”

“Yes. I had been waiting desperately for that vacation for so long.”

“It was me, Em. I’m the one who took you to Switzerland.”

“But we— …on the trip…”

“We’re physically identical; were physically identical, Em,” said Greg. “You had no way to know.”

“But the passion,” said Marilyn.

“The passion was all mine. It was my burning passion for you, Em. Em,” he said, “will you marry me?” and got on his knees before her and pulled out a small box, and from that box a ring.

The crowd waited, its breaths dramatically bated.

Marilyn bit her lip.

She looked down at the man kneeling in front of her, a man who looked exactly like the man she did—had?—loved; a man who evidently loved her; and a man she had fucked seven ways from Sunday in multiple picturesque spots in the Swiss Alps over the course of three unforgettable weeks. “Yes,” she cried. “Yes, I'll marry you!”

The resulting applause was rapturous, thunderous.

“Hold your fucking horses,” Carl yelled over the emotional tumult. “Just wait a goddamn minute and listen to me. Shut up! Shut the fuck up!”

He waited a moment.

And when the noise had subsided, he said: “If Phil's time travel machine didn't work, his document thing giving the officiant back the power to officiate isn't real. It really is fake, and if it's fake, then Brock was right and the officiant's license is suspended and there's nobody here who can marry these two fucked up lovebirds.”

“You're just jealous,” said Marilyn.

“Of what?”

“You've always been attracted to me, you weirdo creep. Do you seriously think I never noticed?”

“Me… attracted to you? Give me a break. You're a self-absorbed, greedy little bitch.”

“Easy,” said Greg. “That's my fiancee you're talking to.”

“You know, it's a peculiar situation we've found ourselves in, from a purely legal point of view,” said the lawyer, reminding everyone she was still there. “We have a document whose veracity we can't establish. However, let's look at the two possibilities. If the officiant couldn't officiate, Phil and Marylou—”

“Marilyn,” said Marilyn.

“My apologies,” said the lawyer. “If the officiant couldn't officiate, Phil and Mary-lynn never married, which means that while, yes, the officiant still can't officiate, so he can't marry the two of them today, they are otherwise free to marry. However, if the officiant could officiate, matrimony did occur, following which the newlywed husband died, thereby making the newlyed wife a newly-widowed widow, and thus also making her free to marry, or remarry, as the case may be.”

“Except we know the document's a fake because we know Phil never travelled through time,” said Carl.

“Do we?” asked the lawyer, the gears in her brain beginning to spin, and hers weren't the only ones.

“Yeah, something doesn't hold up,” said someone from the crowd. “Greg's part of the story doesn't explain how Phil knew that Brock would try to sabotage the wedding.”

“I swear I'm telling you the truth,” Greg told Marilyn.

“You're telling her what you sincerely believe is the truth,” said the man from the crowd—the man now emerging from between gasping, wide-eyed people: the man who looked exactly like Phil: the man who was Phil: future-Phil: the true future-Phil, and this Phil was holding a gun, pointing it at Greg.

“That's right,” Phil said. “I was playing you all along. I knew you'd re-entered my life, and I realized you were trying to make it look like my failed time travel experiments succeeded. That's why I let you go on that Swiss trip with my fiancee.”

“She's my fiancee now,” said Greg defiantly.

“I'm not dead,” said Phil.

“Your dead body's lying right there on the floor.”

“To kill me, you'd need to kill every one of me, dear brother,” said Phil. “You always resented me. I just didn't believe you'd have the guts to try to do anything about it.”

“You killed yourself.”

“You believed you had manipulated me into doing it, then you stood back and let me do it, just like the time you convinced mom that I was the one who'd broken her fancy glass Christmas ornament, then watched her take my computer away. Do you remember that?”

“Yeah, I remember that. You were always on that fucking thing. You never let me touch it, and you never ever wanted to play with me.”

“You were too stupid to use it.”

“We're the same.”

“We're nothing alike, you and me. Nothing. And, yes, I didn't want to play with you, but it was because I was too busy learning, and all you wanted to do was throw a football around or some other equally pointless thing.”

“The point was fun, Phil. The point was having fun with you.”

“Aren't we having fun now?”

“It wasn't enough that mom and dad loved you more. You also had to hate me. And for what: for being normal? I'm sorry I'm not as smart as you, that I don't understand quantum mechanics or string theory.”

“They didn't love me more.”

“Bullshit.”

“Yeah, so why do you think I did study so hard? To compete, Greg. They loved you for you; they loved me because they thought I was a savant.”

“You know, we're here, boys,” said their father. “Your mother and I are here”—They both waved—“so you can stop talking about us as if we're dead. Hell, we're not even that old.”

“Well, if you folks are here,” said the officiant, “maybe you can settle the argument by telling us who you love more, Phil or Greg.”

Heads turned to look at them.

“We're parents. We love our children equally,” said Phil and Greg's father, as their mother nodded.

“But if you had to choose—at gunpoint, for example.”

“That's such a silly…”

“On three,” said the officiant: “I'll count to three; and, on three, you say which of your sons you love more.

“One… Two…

“Three.”

“Greg,” said Phil and Greg's dad at the same time as Phil and Greg's mom said, “Phil.”

“Oh,” said the officiant.

Phil shot Greg.

Their father rushed forward to—

“Don't worry. He lives,” said Phil. “I'm from the future, remember? I've done all this before.”

“Oh, honey,” said Phil and Greg's mom to Phil. Their father attended to his other, wounded son.

“He also goes to prison,” added Phil.

“For what?”

“For the cold-blooded murder of Brock Vanderlinden. You shot him in the back of the head.”

“I guess that wraps everything up then,” said Marilyn. “In a way, we're right back where we started, everyone gathered and the pair of us ready to get married, start our life together."

Phil chuckled. He heartily guffawed. “You just said ‘yes' to marrying Greg. Now you've switched back to wanting to marry me?”

Marilyn conferred briefly with the lawyer, then said, “I only agreed to marry Greg because I was scared; and, if I wasn't scared, it was because I got caught up in the moment; and if you can disprove both of those explanations, then I wasn't in my right mind due to the stress of the situation and I have no further comment to make because I don't remember.

“Besides, Greg's going to prison. You said so yourself. Why would I marry someone who's going to prison?”

“Technically,” said the lawyer, “if I am properly anticipating what soon must be revolutionary changes to the law, your preference of who to marry may be moot, because you are, or soon will be concluded to have been, officially married to Phil.

“Allow me to explain:

“Because time travel exists, the document retroactively reinstating the officiant's license was real. Because the document was real, the marriage took place. Then, when Phil—the original Phil—committed suicide, the then future-self Phil—now the present Phil, i.e. just ‘Phil.”—was already present, (although not present for us, given that, for us, it was Greg—present and only-ever Greg—present, posing as the then future-Phil), meaning that Phil, original Phil, killing himself killed only his own hisself, leaving the then future-Phil's—now just ‘Phil's’—hisself alive, and that hisself became then the entirety of Phil's whole self, so, at worst, the original Phil's death resulted in the death of half of the whole Phil, selfly speaking, and, because existence is, by nature, an all-or-nothing proposition, Phil never died so you two are still married.”

And everyone stared at her, your humble narrator included, and she said, “Never mind.”

“He raped me in Switzerland,” Marilyn said to Phil.

“You consented,” said Greg.

“Because I thought you were him. You presented yourself as him. So, yes, I consented, but not to you, and you're the one who—who…”

“It was rape by deception,” said the lawyer.

“It was conception by rape by deception,” said Marilyn.

“You got pregnant?”

“Yes.”

“Did you—”

“Yes, I had an abortion. How could I not? A child would only have interfered with your research, your ‘intertemporality.’ You said so yourself, that you didn't want kids. ‘They're loud,’ you said. ‘They're annoying and dirty and they eat things off the ground and they smell like shit.' How could I keep it, Phil?”

“It was my child,” said Greg.

“It was nobody's child,” said Marilyn, “Stop talking about it that way. It was just a pregnancy. Phil, your brother raped me, repeatedly, by pretending to be you. I demand you restore my honour. Make it right. Marry me, Phil.”

“Honour? Listen to yourself, Marilyn. Besides, you were cheating on me,” said Phil.

“I thought it was you!”

“Then why even start with the rape allegations?” said Greg. “They've already got me on murder. You thought it was him, Em; you enjoyed it. There's no harm. Where's the harm? Somebody show me the goddamn harm. And where there's been no harm, there is nothing to make whole—isn't that right, Miss Lawyer?”

“That's the civil law. You're about to feel the very blunt instrument of the criminal,” said the lawyer.

“What are you saying, Phil? Are you saying you want a divorce?” asked Marilyn.

“I don't know,” said Phil.

“If you're from the future, you should know—shouldn't you?”

“I'm not from that far in the future.”

Right then the doors to the chapel opened and a four-man electronica band burst in. “Sorry we're late,” said the leader. Within a minute they'd set up and launched into a pop rendition of the Wedding March. Despite that it was a little late for that, at least in the understandings of most of the dearly beloved, no one interrupted, and after a while the band switched to another song, and a few people started dancing, then a few more, and eventually almost everyone was dancing when the cops arrived (nobody had heard their sirens because the music was too loud) with weapons drawn, officers yelling, “Everybody on the ground—NOW! Hands where I can see ‘em!” trying to make sense of the two dead bodies in the room, one of which was a dead ringer for the apparent groom, as was the guy everybody fingered as the murderer of the other victim, and it was while lying face down on the floor like that, about three feet away from each other, that Marilyn moved her hand to Phil’s and Phil grasped it, and Marilyn squeezed, and Marilyn thought that even if she didn't like Phil all that much, he had developed time travel technology so there would be money in that, as Phil was thinking that nobody's perfect, and if things ever got really bad, he could always go back in time and kill Marilyn, or at least fix whatever the problem was. Then one of the police officers accidentally kicked Phil in the face, bloodying his nose.

“Sorry,” said the officer.

“Don't worry about it,” said Phil.

As he said that, he and the officer both noticed that the body of the original Phil (dead: suicide) was moving, convulsing, stirring on the floor. “What the fuck?” said the officer.

The other cops pointed their weapons at original Phil. “Stay the fuck down on the ground!”

“What is this, what's going on?” said original Phil, slurring his words as if he was drunk. He was getting up. He touched the side of his head. “And why is there a hole in my—”

The police officers opened fire.

Original Phil fell, re-dead.

Marilyn screamed.

Beside her, a pool of blood was expanding out from under future-turned-present-again Phil.

“This shouldn't be happening,” he said, coughing up blood. “This didn’t happen.” He was struggling to breathe. “I don't understand…”

One of the cops crouched beside him, and Phil felt a flash of familiarity. He knew the face, but from where? No, that wasn't right. He didn't know the face; he knew he would know it. “Who are you?” Phil wheezed.

“Tab Fenmore,” said the cop. “FBI. Temporal Division.”

“You're from the—”

“Shh,” said Fenmore, “try to relax.” Then, more quietly: “And, yeah: I'm from the future, just like you.”

“Why…”

“Because, for all your genius, you ignored the greatest lesson of twentieth century physics, Professor Kejdik. You treated time travel—the rules of time travel—as if they're fixed. They're not. They're probabilities.”

Phil grimaced from the pain of having been shot. “How far from the future are you?”

“From a couple of generations after your death—your original death: your past future one. This mission is going to change that, of course. We've spent decades trying to meet you back here. You wouldn't believe the mess you've made of spacetime and existence. Time travel cannot be controlled. The paradoxes are terrible, inevitable; and they cascade. It's not personal. I'm actually an admirer of your work, naively Newtonian-minded as it is—or would will have been, I suppose. You know, this was maybe our last chance. I needed to find and eliminate you before you made your first machine. And I did it.”

Phil laughed, a slight, bloody giggle at first, then a big booming chortle that stuffed the whole of the chapel, overpowering the otherwise polite quiet and filling it the way Boston cream fills a donut, reverberating and roaring, echoing until it itself was finally consumed and ended by Phil’s final act, the act of dying.


r/Odd_directions • • 20h ago

Horror I Cheated the Harvest God Out of a Beer Keg

6 Upvotes

I took another keg and put it under the faucet. The beer slowed down to a dribble.

"Tilt that barrel, Tom."

"Already tilting it, Dad."

"Tilt it more!"

A little more beer came out, but the keg was only halfway full.

"How many do we have, Dad?"

"Don't even ask."

"How many?"

"Four and a half," I muttered.

Tom rubbed his face.

"So just three and a half."

I grabbed the keg tightly.

"No, Tom, no. I had to borrow to brew this batch. Three and a half wouldn't even cover the debt."

Tom's eyes flew open.

"But, Dad, we need to give one to Radegast, or else it all goes bad."

"Tom, we can't."

"I'll tell the tavern keeper if you don't pour it."

His words sent a chill down my spine. He looked deep into my eyes.

"Okay, but first I gotta check the other barrels; maybe they have more beer in them."

"There's nothing there, Dad."

"I don't care, Tom. I'm checking them."

"But the celebrations will start. Anna and I need to get our costumes ready."

"Then go. I'll do it myself."

"But you promise to pour one out for Radegast."

"Yes, son."

He measured me with his eyes, took his hat, and walked out.

I hated lying to Tom, but he didn't understand. We needed the money, and pouring for Radegast was more tradition than something of concern. A harvest-loving God wouldn't waste a batch of beer. I loaded the kegs onto a wheelbarrow and brought them to the tavern.

The tavern keeper stood outside, tapping his foot.

"John, I'm glad to see you. How many kegs do you have?"

"Four and a half."

"Wow, amazing. No one could bring more than four. The hops don't want to grow." He shook his head. "Hopefully Radegast will bless us next year when he sees we give even in a time of shortage."

I looked at the ground.

"Yes, hopefully."

He tipped my kegs into the big barrel with the rest, and the whole village’s beer swirled together.

"I'll see you tonight, John."

"See you."

I hurried home and sat inside my house long after the celebrations started. The idea of drinking and dancing now made my stomach turn, but I had to show up at least.

When I came into the tavern, the celebrations were in full swing. People danced around in their costumes, tipping one beer after the other. Even the smell of the beer made me gag. I told everyone I was sick and couldn't drink. 

As I sat down, Tom and Anna ran to my table. Anna wore a beautiful flower dress that matched Tom's shirt.

"Hi Dad!"

"Hi, John!"

"Hi, kids, are you having fun?"

"Yeah, we've been dancing all night," Tom said. They looked at each other and kissed.

Anna held a glass of beer. She took a sip and made a face.

"You don't like it, Anna?"

"It's so bitter."

"You'll get used to it. Make sure not to give any to Tom. I know you're 18, but he still has some months left."

"Of course, John."

"Don't worry, Dad. You know I don't like it."

"Funny, coming from a brewer's son," I said, patting his back. "Go dance, kids. I don't want to bore you with my oldness."

Anna finished her beer.

"I'll go get another, then we can dance more."

She ran off.

Tom leaned closer.

"Thanks, Dad, for pouring that batch."

I clenched my jaw.

"Sure, Tom."

He smiled and ran off too.

I sank into my chair, holding my head. 

The celebrations were getting on. People started drinking more, dancing more, and talking louder. I never realized how boring celebrations could be when one doesn't drink. After a while, I was ready to go home. Tom and Anna were still dancing. I let them be and left.

The next morning, I woke up early. The day was beautiful. The sun shone. The birds sang. I made myself a cup of coffee and sat on our porch. My stomach growled. We barely had any food at the house. I got dressed and went into town.

The streets were empty and quiet. Only birdsong carried through the town. It wasn't strange for people to sleep in after the celebrations. Usually I'd see at least a few people opening their stores or still partying, but the square was empty.

I turned onto the road that led to the tavern. The keeper kept it open even after the celebrations. 

I was about to reach the tavern when I heard a noise in the distance; someone was weeping. It was Tom! I rushed toward the sound. I focused on the sound. I couldn't even hear the birds, but as I turned the corner, my heart dropped.

The smell of rotting hops hung in the air. The townsfolk lay around the tavern, on the grass and pavement, dark liquid on their clothes and around their mouths. A few glasses of beer lay around them, the same black liquid inside them. Tom sat on the ground weeping next to a few bodies, holding Anna's lifeless hand.

"Tom?"

He shot his eyes at me. They were filled with tears and anger.

"You promised!"

"Tom, I'm sorry!"

He looked at Anna and held her hand tighter. A few more tears rolled down his face.

"Tom, please, just come here."

"No."

He shook his head and picked up a glass that had a little dark liquid in it.

"No, Tom. Wait!"

But he didn't listen. He tipped the glass back and drank it in one gulp. 

I ran to him and caught him before he hit the ground. He was already limp. His eyes stared at the blue sky, and somewhere near us, the birds kept singing.


r/Odd_directions • • 1d ago

Horror The Last Tour of the Evening

17 Upvotes

The evening tour begins at eight, rain or shine. Tonight I have eleven guests. Nine adults, two children. The little boy has a flashlight. His sister carries a stuffed rabbit by one ear.

“Welcome to Blackthorn,” I start, raising my lamp. “Salem gets all the attention. But personally, I think our witch trial has more charm.”

Everyone laughs politely.

“Please stay together. These winding streets have confused visitors for three hundred years.”

Our first stop is the old meetinghouse.

“On October 13, 1685, eighteen-year-old Rebecca Thorne stood trial here, accused of witchcraft. She was a quiet girl, a seamstress, and a devout Puritan. Her troubles began when Silas Whitcomb, the wealthiest farmer's son in Blackthorn, courted her all summer. When Rebecca rejected his advances, he accused her of bewitching him.”

I point to a brass marker set into the pavement.

“Stand there, sir. Yes, right there. That's where Rebecca stood.”

The man smiles for his wife's photograph.

“Whitcomb testified that Rebecca visited him at night in the shape of a black cat. His sister claimed Rebecca caused her fits. The magistrate, Reverend Nathaniel Pritchard, swore he'd seen her speaking to Satan himself in the orchard.”

“Was she guilty?” the little girl asks.

“No, sweetheart. She wasn't.”

We walk down Cooper's Lane to the stone cellar beneath the old jailhouse.

“Here, the town constable, Amos Griggs, attempted to extract Rebecca's confession. They hung her by her wrists for two days. They crushed her fingers between iron plates. When she refused to confess, Griggs ordered the burning of her feet.”

Someone makes a disgusted noise.

“Rebecca confessed nothing. The court declared that her silence proved the Devil had sealed her lips.”

I give them a moment to look at the iron hooks in the ceiling. Our third stop is Ash Square.

“On October 19, Rebecca Thorne was tied to a wooden stake on this very spot. Her mother begged the magistrate to hang her instead, which was the customary punishment. He refused. Silas Whitcomb had paid for a particularly large supply of firewood.”

I indicate the circular patch of blackened cobblestones.

“Rebecca burned for almost half an hour before losing consciousness, as the townspeople watched and prayed for her immortal soul.”

The boy’s flashlight begins to tremble.

“Now,” I say, “we come to the interesting part.”

We turn onto Church Street.

“Within a month, the people responsible for Rebecca's death began dying themselves.”

I stop outside a brick house.

“Town clerk Ezekiel Marsh recorded the testimony against Rebecca. He altered her words, turning her prayers into blasphemies. On November 2, his wife found him at his writing desk, choking. His mouth was packed with parchment. Every page of trial records had been forced down his throat. Every bone in his fingers was missing.”

I point at the old stable.

“Constable Griggs died next. He was discovered in this doorway, hanging by his wrists from the stable beam. Both feet had been burned away. His wife heard him screaming throughout the night, but the door wouldn't open. When the neighbors finally broke it down, they found his footprints burned into the ceiling.”

One of the guests laughs nervously.

“That's impossible.”

“Of course it is,” I agree.

We walk to a small cottage on Mill Lane.

“Mercy Bell was Rebecca's closest friend. They'd grown up together, shared secrets, sewn each other's dresses. Mercy loved Silas Whitcomb, but Silas had preferred Rebecca. Mercy testified that Rebecca had confessed to lying with Beelzebub.”

I point toward the cottage window.

“On November 11, Mercy was found in her sewing room, wearing the wedding gown she'd made in hopes of marrying Silas. Every inch of the dress had been stitched to her skin. Her lips were sewn shut with black thread, and her eyes had been pierced with hundreds of tiny needles. On the wall above her, these words were embroidered in red silk: Thou shalt not bear false witness.”

The little girl takes her mother's hand.

“Neighbors swore they'd heard two girls’ voices in the cottage that night. One voice was screaming. The other laughing until dawn.”

At the church, I stop beside a granite step.

“Reverend Pritchard had demanded Rebecca's execution. On November 17, while delivering his evening sermon, he began coughing up hot ashes. Witnesses said smoke poured from his ears and nose. His tongue caught fire.”

The group goes silent.

“His congregation watched him claw at his mouth until his fingernails came off. When he fell here, on this very step, his belly split open, spilling burning coals across the church floor, nearly burning the building down.”

Our last stop is Whitcomb House.

Only the chimney remains.

“Silas Whitcomb survived longer than the others. He barricaded himself inside this house, filling every room with crosses and Bibles. On December 24, neighbors heard screaming. Through the window, they saw a young woman standing before him.”

I approach the chimney.

“Silas fell to his knees, sobbing.

“‘I beg thy forgiveness… I never meant thee harm,’ he pleaded.

“‘The Lord forgiveth thee. But I am not finished with thee,’ she said, pulling him into an embrace.”

I hold out my arms and draw them slowly together to demonstrate.

“His skin began to blister. The fire started from within, glowing through his flesh like embers beneath paper. His teeth exploded one by one. His eyes boiled in their sockets. He screamed until his tongue shriveled.

“She held him close as his ribs cracked inward. His flesh dripped from his bones. When the flames finally died down, the townspeople found Silas kneeling in a puddle of his own rendered fat, still smoldering, his arms wrapped around empty air. His blackened heart lay exposed between his ribs.”

The tour ends. My guests thank me with delighted unease.

As they leave, the little girl lingers.

“Were you scared when they burned you?”

Before I can answer, her mother calls her away.

The girl turns back once more. I wink at her, and my eyes glow like the flames that consumed me.


r/Odd_directions • • 1d ago

Horror Midnight snack

3 Upvotes

When he woke up, he was confused. For a few seconds, he simply sat there, trying to understand where he was. Then his surroundings came back to him. He was in his usual seat at his local pub, just as he had been earlier that Friday evening. But something was different. Harry slowly looked around. He was the only person in the bar. The contradiction of dead silence set against the heavy ringing residing in his head was a sobering discovery amid his intense drunkenness. The room was dark, save for a San Miguel beer light behind the counter, the soft, warm light catching the edges of the countless empty chairs and stools, illuminating the absence of any life.

Only a short while ago, the place had been bustling, and he could still remember laughing with his friends, surrounded by the familiar noise of conversation, music and clinking glasses. But now it was dark, cold and deadly quiet.

Harry couldn’t remember the evening winding down. He didn’t remember feeling tired or even closing his eyes. As far as he knew, he had simply been there one moment with his close friends George and Pete, and then here, with no memory of anything in between. This unsettled him enough to check the time. He pulled his mobile phone from his warm back pocket, flipped it open and squinted at the screen. 2:50 am. As soon as the numbers registered, the Nokia screen appeared and the screen went black. After repeatedly pressing the red call button to switch it back on, it dawned on Harry that his phone had died. That never happened.

Staring at his own faint reflection in the dead screen, he felt, for a moment, a surge of confused fear run through him, but it was quickly replaced by a burst of irritation. Was this some kind of elaborate joke? Either way, George and Pete were complete dickheads for leaving him there. Although his head was spinning like a bowling ball, he looked around at the evidence of the evening, his eyes landing on the dozens of empty pint glasses that surrounded him, as well as glasses scattered on nearby tables.

Two dozen beers, perhaps more, had been consumed by the three of them. Realising that staring at the dark, empty room wouldn’t change the situation he was in, Harry took a deep breath and, through sheer willpower, forced himself upright onto wobbling knees. The first attempt nearly sent him straight back into his chair. He steadied himself against the table, waited for the dark room to stop moving, and tried again. This time, he managed it.

Getting to the door proved considerably more difficult than he had anticipated. His first few steps were little more than drunken corrections of balance. At one point, he caught the edge of a table, sending a cluster of dry pint glasses crashing onto the floor. The sound was colossal in the silence. Harry froze. Nothing happened. No one shouted. Though he was as drunk as he could be, the surrealness of his circumstances wasn’t lost on him. He continued towards the door, and the path became clear.

When he finally stumbled through the threshold and onto the pavement, the cool night air struck him in the face. He stood there for a moment, head spinning, trying to work out what came next. Getting home was the mission. It was time for bed and to make this peculiar evening a memory. The drunkard’s compass began to kick in as he looked along the high street towards his flat. Being a seaside holiday town, and it being January, it wasn’t exactly a bustling place at the best of times, especially not at three in the morning, but this felt different.

There was an abnormal gloom hanging over everything. The street was darker than it should have been. The air felt thick, and a dirty sea fog hung still. The darkness seemed to amplify the effects of the countless beers he had consumed earlier. After one last confused glance back at the pub, he turned and began his messy journey home, not before clumsily lighting a cigarette and burning part of his beard in the process.

He hadn’t gone far when something caught his attention: a light down the high street, on the opposite side of the road. One of the shops was illuminated, and its fluorescent glow spilled onto the cobbles, forming a small island of luminescence in the surrounding darkness. Then Harry smelled food. His stomach rumbled, and the combination of the senses was irresistible.

He altered course, and it wasn’t long before he found himself standing outside the beacon that was the takeaway, a grand opening sign was obscured by its misted glass. Condensation covered whatever lay beyond, but the smell coming through the door was unmistakable. The powerful bouquet of mouth-watering, greasy fare hit his nostrils like a punch: something hot and savoury that, to Harry’s drunken mind, seemed like salvation.

He stumbled through the door, and the smell hit him immediately, powerful enough to make his stomach twist with craving hunger. Inside, the room’s brightness was overwhelming.

Harry’s eyes strained as they adjusted to the white light, and it was almost painful. His head began to spin. For a few moments, the room became a dazzling, nauseating carousel, his eyes watching the rows of empty, dulled plastic seats glide through his revolving view. Light muzak played through degraded speakers nestled in the yellowing ceiling tiles, the audio occasionally cutting out and returning with a fuzziness that begged the question of why they were even on.

There was only one other person in the entire place. A very tall man stood behind the counter with his back to Harry, slowly carving slices from an obscured roasting spit. Harry staggered forward, using the backs of the plastic seats for support, moving along them like someone making their way down the aisle of a train, albeit with absolutely no grace whatsoever. When he finally reached the once-distant counter, he expected the man to acknowledge him, but there was no response. A deeply unnerving silence ensued as the worker continued, slicing at the meat. Harry stood still, watching him. He recoiled slightly at the sharp, permeating hum of the glaring ceiling lights, which stacked uncomfortably with the vibration already ringing in his ears.

'‘Excuse me, mate''

Not acknowledging him, the man carried on.

Clearing his throat, Harry mustered enough pseudo-sobriety to ask:

''Is it still alright to order a kebab?"

The worker stopped and slowly, with no apparent urgency whatsoever, turned around. Harry immediately noticed the grin. It was enormous, yet it was not a friendly smile. The stretched mouth seemed completely at odds with the man’s slow, deliberate movements. He was tall, dark-haired and olive-skinned, with an otherwise ordinary face. But that expression counteracted any conceivable normality.

Harry felt an uneasiness creep up his body, tingling from the backs of his calves all the way up to the top of his skull with a sickly fizz. The vendor stared right back at him. An unwavering, silent grin. One second. Two. Three. The worker’s expression didn’t change. Eventually, he spoke.

'‘Good evening, sir. How can I help you?’'

His voice was polite, almost too polite. Harry blinked a few times, bewildered by the oddness of the fellow.

'‘I-I’d like a large Doner, please''

The words came out garbled, and the worker continued to stare at him. Five seconds passed, perhaps more. The only sound was the low hum of the fluorescent lights above them.
Harry narrowed his eyes and dipped his head forward ever so slightly in intrigue.
There was something wrong with this man.
He couldn’t have explained what it was. The movements were too slow for the expression, the smile was too wide, and the silence lasted too long. Harry’s expression of worried intrigue was abruptly cut short when the worker finally spoke.

'‘Would you like to try our special, sir?’'

The polite tone returned, and the grin remained. He blinked once, then his voice dropped considerably into a heightened London accent.

'‘You’re pissed as a fart, aren’t you, sir?’'

The man then suddenly burst into laughter, causing Harry to flinch. Too drunk to deal with the strange man’s antics, he simply nodded.

'‘Yeah, go on, then''

He put a ten-pound note on the counter and waved away the prospect of any change.

'‘Keep it''

The worker resumed his barefaced grin, staring into his customer’s eyes without abandon.

After finding a bench seat, Harry sat, pondering as best he could how he had found himself in this situation. As much as he and his friends had messed about with pranks in the past, they hadn’t really done anything like that since they were teenagers. The fact that he had woken up alone and cold, hours after seemingly blacking out, was an uncomfortable reality.

Suddenly, a loud DING rang through the room, reverberating back into two very wobbly eardrums.

‘One house special!’

Turning around, the gangly tanned man was behind the counter with a yellow polystyrene box, plastic cutlery and a napkin. Harry stepped forward and retrieved his meal, muttering a puzzled thank you. Walking to a table in the far corner of the blazingly lit seating space, Harry thought he had enough to deal with without allowing this unorthodox eatery to interfere with his brooding over pete and George somehow leaving him behind. Theories ran through his head. Did mental Mark slip something into his drink to knock him out for a laugh? It still wouldn’t explain waking up alone almost three hours after throwing-out time, Harry mused.

Looking up, the peculiar man stared, retaining the sickly smile. He turned, in his slow, deliberate fashion, back to carving from the spit. Opening his meal, Harry saw a mess of meat, salad and a creamy orange sauce smothered abundantly across the various ingredients.

The first bite was a burst of savoury, greasy saltiness, deeply contrasted with the sweet dill tang of the generous helping of burger sauce. The texture, with the snappy crunch of the pickled cabbage, added a satisfying mix to the mouthful. Harry was grateful for something hot to eat and somewhere warm to sit in an effort to sober up slightly before a short journey home.

Crunch.

A cringe-inducing bite of a hard bit of gristle interrupted any thoughts of comfort Harry had been enjoying. The tough piece of meat made his teeth grind together, causing a vile sensation that made him spit the little piece out into his hand and place it on the open lid of the takeaway box. Repositioning his plastic fork into the concoction, he took a nice combination of meat, salad and sauce to continue his quest for sobriety. The previous sensations of flavour resumed; a hearty forkful of his ample late-night dinner was hitting the spot. Harry thought about how he would deal with his friends. A feeling of embarrassment and meagreness washed over the moment, but only briefly, before another painful crunch in his mouth. This time, it hurt.

Reaching into his mouth with grease-covered fingers, he removed an object that when he saw it, enveloped his entire body in the coldest feeling Harry had ever experienced in his whole entire life. Before his eyes, held between his index finger and thumb, were the chewed-up remnants of a crisp, cooked, mangled human ear. The white plastic fork dropped to the floor, making a pathetic, soft clatter on the filthy linoleum.

Bewilderment and shock encapsulated the young man as he gently returned the body part to the yellow box and calmly closed the lid. He stood up and held the item as though it were radioactive. He slowly ambled to the counter, readying himself to confront the bizarre man responsible for his heinous food.

'‘Excuse me''

No response was given.

This time, Harry nervously raised his voice.

'‘Excuse me!’'

The strange man continued carving.

'‘What the fuck?’' Harry muttered under his breath.

Harry stepped right up to the counter.

'‘Oi, mate, I think there’s an ear in my kebab''

This garnered a response from the tall, olive-skinned man. Still working away, with his back still turned to Harry, he slowly turned his head to the right.

'‘Yes, sir,’' he said, his voice soft yet layered with menace, the vile smile smeared across his stubbled, pockmarked face.

'‘Mate… there is a fucking ear in my food,’' Harry blurted out in a slightly higher, much quieter and noticeably more frightened tone. After a few staggered seconds, the intense grease-stained worker placed his large carving knife on the side counter and turned with no haste to face his customer, revealing a heinous sight that could never, on any occasion, be forgotten. Utterly dumbfounded, Harry gawked at the bulbous, misshapen rotating meat spit, which housed an amalgamation of countless foul-looking, contorted human faces, congealed and compiled into one single hunk of cooking, spinning revolting meat. Expressions of horror and anguish were embossed upon a greater mass of despicably lumpy, curdled, rendered flesh. Sections of the moving horror were made up of exposed, striated muscle and connective tissue. Sweaty grease droplets cascaded down the abominable creation, dripping into a collected pool on the metal base underneath.

The faces bubbled, spitting out molten hot drops of fat, the eyelids popping open occasionally with a loud crackle, the movement, a devilish puppetry of heat causing the cooked flesh to twitch about in an unnatural burst of nightmarish expression. Looking up to meet the attention of the man, he stared into his unwaivering gaze, sitting above the greasy smile, Harry was at a loss for words. More accurately, he couldn't speak. The situation was so overwhelmingly shocking it rendered him completely mute.

And then the lights went out.
The glint of the man's eyes were still visible in the darkness.
Harry stood deadly still, captivated by the warm glow of the spit, illuminating the distorted souls bound to their fleshy, rotating meaty mass.
He imagined himself part of it, amongst the roasting tortured husks sizzling away, awaiting another face to join him and his newfound company.


r/Odd_directions • • 1d ago

Horror Feasting on the Providence

3 Upvotes

The Journal of Eliot Whitcombe, Navigator aboard the Providence, 1574

I know not the name of this soil. It is absent from every chart in our possession, and yet there it stands upon the sea, green as Eden and shrouded in a mist so thick that the very heavens seemed to have forgotten it.

We came upon its shores after the Providence was broken upon the reefs. God alone knows how many of my companions were claimed by the sea.

I awoke upon the sand with blood upon my brow and salt upon my tongue. Yet I was not alone.

Upon the shore stood a gathering of natives. Men. Women. Children all alike.

They watched me in silence. The men bore spear or blade. An aged woman stepped forth from their number and placed her hand upon my face.

She spoke words I could not comprehend. She cleaned my bloody brown, placing the bloody thumb to her lips. She coughed, then she smiled.

They didn't regard as a threat. Only curious for the strange man that stood before them.

They led me inland.

The village was unlike any settlement I had seen in the New World. Their huts were fashioned of timber and palm, whilst strange carvings adorned the walls. There were fires burning everywhere, though the day was warm.

They gave me water. They gave me fruit. And they gave me meat.

I thanked them for their kindness. I shall never forgive myself for having done so.

For three days, I was treated as an honored guest.

My wounds were washed. My clothing was mended. I was fed until my belly ached.

The tribes people laughed whenever I ate. At first, I thought this merely the joy of having rescued a stranger.

Then I heard the screaming.

It came from beyond the village after sunset. A man's cry. It was bone chillingly terrible. Followed by what sounded like weeping.

I asked my hosts what manner of beast made such a noise. They did not answer. I doubted they could understand what I even asked.

The following morning, I ventured beyond the huts. There I found the cages. Great wooden pens stood beneath the trees, hidden behind woven walls.

At first I believed them to contain swine. Then one of the creatures within rose upon two legs.

It was not a beast. But a man.

His hair was long and filthy. His flesh hung from his bones in loose folds. His wrists were bound by rope, and great black bruises covered his body.

He seized the bars when he saw me.

"Run," he whispered.

I shall hear that word until the day I die.

I asked him who had brought him there. Before he could answer, a woman came rushing from the village. She entered the pen and struck him upon the head with a wooden club.

He fell.

The woman looked toward me. She laughed a cry that haunts me still.

That evening they served me roasted meat. I had eaten much of it before I noticed the bone.

It was small. White. Curved. Not unlike the bone of a young animal.

I held it between my fingers. Something upon it troubled me.

I scraped away the charred flesh with my knife. Stripping the bone clean, I noticed it was the mandible of whatever animal. But it didn't resemble a cow, nor a lamb. It looked too closely familiar.

Peering to the other tribesman devouring the meat from their plates, I had the sickening realization.

I did not finish my meal that night.

I attempted to flee before dawn.

I reached the shore, where six men were waiting. They did not beat me. They did not bind me.

They simply escorted me back. This frightened me more than violence would have. For they seemed not angry. They seemed concerned. As though I were a troublesome animal that had wandered from its enclosure.

From that day onward, they fed me more. Much more.

Meat. Fruit. Roots. Milk.

They insisted with their gestures that I eat until I could eat no more. When I refused, they held my jaw and forced the food between my teeth.

My body began to change. My cheeks grew full. My wounds healed. My strength returned. And with every passing day, the villagers appeared more pleased.

Today, the old woman examined my arms. She pinched the flesh upon my belly. Then she pressed her hand against my chest and nodded.

She spoke a single word. Somehow I understood:

Fat

Tonight, there will be a feast.


r/Odd_directions • • 1d ago

Horror The Third Floor of a Hotel in Mourner’s Crossing Is Closed. Nobody Will Say Why.

6 Upvotes

Rourke was still reconciling the night-audit bar totals when the house radio cracked. Mike’s voice came through level and unhurried.

“312’s dark. No answer on the check. Locked from the inside.”

Rourke glanced at the clock, wrote the minute in the margin, and pulled the spare from the drawer. “On my way up the stairs. Elevator’s still dragging from the storm.”

“Copy. I’ll be at the door.”

The third-floor corridor held the usual after-midnight quiet. Covers sat taped flat over every mirror, paper gone soft at the edges under the low lamps. The order had lived in the night binder longer than Rourke had held the desk; no one had ever penciled in what it was keeping off the glass. Mike leaned against the frame of 312, radio loose in one hand. He took the spare without straightening off the wall.

“Anything from the room phone?” Rourke asked.

“Rang through. No pickup.” Mike turned the lock and pushed the door with his shoulder. The lamps were off, blackout still down. The guest lay on the bed in the jacket and trousers from check-in, one arm slipped far enough that the hand hung open above the carpet. Mike crossed, set two fingers to the neck, and watched the chest while the seconds passed. Then he keyed the radio without looking back. “Desk, he’s down. No pulse. Starting the list.”

Rourke already had the MC General night line ringing. He gave the room and the time and stayed on while the dispatcher repeated both. Behind him Mike flipped the lights. Nothing marked the pillow or the turned sheet. Rourke stayed in the doorway.

“You want me inside?”

“Not till they’re here. One on the body, one on the door. You know the split.”

The ambulance made its usual time. The woman asked the questions while her partner pulled leads. Mike answered from the foot of the bed, voice even: checked in after nine, audit clear, minibar seal intact, no calls either way. The partner cut the shirt anyway. The monitor never flickered. They called it at 2:41. The woman started the form on the bathroom counter.

When they rolled the guest the sheet caught and dragged. For a second the back of the head lay bare—an even line running from the crown straight to the notch at the base of the neck, edges dry, the inside empty and dark. The partner’s hands stopped on the rail.

“That’s not from a fall,” he said, low.

Mike reached over and settled the sheet without touching the line. “Finish the paperwork. We’ll put the note in for whoever catches it at the other end.”

The woman radioed her dispatcher. Under the county protocol for hotel deaths with any cranial finding, the body moved with the unit so the examiner could take it at the bay rather than hold an active guest floor. Mike heard the clearance come back and nodded once. The partner looked at him, then at Rourke.

“You all see that kind of thing up here?”

“No,” Rourke said.

“Right.” The partner waited until the woman said his name, then they moved the stretcher into the hall. Rourke held the door. At the service elevator the partner glanced back once.

“Service car only?”

“Guest one still has the mirror,” Mike said. “Standing order.”

They loaded. Rourke signed the transfer under the canopy and watched the unit pull away at 2:53. Back at the desk he kept the incident line open and the corridor camera minimized while the drive ate its usual twelve minutes. At 3:18 the hospital extension lit.

“Your driver parked in the bay at 3:05,” the dispatcher said. “Cameras have him still in the seat for eleven minutes. Then he slumped. We got the door after the window closed. No pulse. Timestamps are already on the footage.”

Rourke wrote it down. “He never came back inside. I watched them leave.”

“Understood. We’re holding the room on your end until a deputy clears it.”

He switched to the house channel. Mike was still outside 312. “Hospital’s got the driver. Parked 3:05, motionless eleven minutes on their cameras, then gone. They want us held.”

A short pause. “Wide shot on the covers. Don’t come up.”

Rourke opened the feed and left the frame wide. One cover had crept at the bottom edge. A narrow strip of glass showed a face that matched the driver’s, the eyes open in the same passing glance. He closed the window before the image could hold or sharpen.

“East cover’s lifted. Face in the strip. I’m off it.”

“Stay off,” Mike said. “I’m on the service stairs. That order’s older than both of us. We don’t go finding out what it’s keeping covered.”

The deputies rolled in at 3:26, lights off. One stayed at the desk long enough to match the times Rourke had logged, then followed the other upstairs to join Mike. Rourke brought the corridor camera back up on the wide setting, kept small on the secondary monitor, and used it only to mark their progress down the hall without enlarging the frame or letting any part of the image rest. On the open radio he heard Mike and the deputy with the tablet reach the door. The deputy wanted the doorway against the photos EMS had sent.

“Doorway’s clear,” Mike said. “Glass isn’t part of the shot. Keep your head where it is.”

“I still need the angle they shot.”

“You don’t need the wall.”

There was the sound of the key, then a shift. On the small wide feed the deputy turned anyway. He stopped with his hand on the frame and sank to a knee. Mike caught the second deputy’s reaching arm—the one who had just come up from the desk—and held it.

“Don’t. Call your desk. Eyes stay on the far wall.”

The second deputy keyed his mic and gave Kerri the floor and room number. While he spoke he adjusted his stance to keep Mike between himself and the slipped cover; his eyes flicked once across the bare strip as he moved. Small. Quick. On the feed the first deputy folded the rest of the way down and went still. Rourke typed 3:29, closed the corridor window on the desk monitor, and left only the recorder running. Mike’s voice and the second deputy’s stayed on the channel until the first deputy’s radio went silent.

Mara and Brendan came up the service stairs. Mara had the partial log in one hand. “Line on the guest get photographed before the sheet went back?”

“Only seen,” Rourke said from the desk radio. “No picture.”

“Then we work from the side on this deputy. Nobody faces the glass.”

On the corridor she stopped short and kept her eyes on the ceiling tiles. The second deputy held his shoulder squared to the mirror while they examined the first deputy’s body. They took the temperature and the external check the probe allowed. The same dry line showed for the moment the body had to shift. Brendan noted the number without treating it as a precise minute. The driver’s chart stayed at the hospital; when those clinical notes were set beside the bay footage, the last visible movement sat after signs the records already listed as incompatible with ongoing life. Brendan entered the discrepancy as recorded. He did not claim the signs fixed an exact second.

They were moving the first deputy’s stretcher when the second deputy stopped on the lower landing and rested his forehead against the block. His radio cut off halfway through a word. Mara was beside him before Mike set his end down. She checked the neck, looked at Brendan, and Brendan gave a single nod. Rourke logged the time. The service car would not take two; they left the body where it was. Mike came through the lobby door, turned the remaining monitor to the wall, and stopped at the desk.

“Canopy stays up if she needs the lot. Everything else dark. Camille’s ten out.”

While they waited the hospital line rang again. Rourke put it on speaker. The charge nurse’s voice was tight and careful.

“We’ve got a nurse who was watching the bay cameras. Same stretch—eleven minutes without moving, then she went down. Nothing when we reached her. On her monitor, just before the hand shifted, the bay feed picked up a narrow vertical strip that wasn’t part of the ambulance interior. Looked like a face in it. My people are refusing to pull the clip up again. I need to know if your side is seeing the same window or if this is only on us.”

Rourke kept his eyes on the darkened screen. “We saw a face in the corridor glass after you found the driver. It was still there when I opened the feed. I closed it. We’re not reopening anything.”

Mara’s voice came through Mike’s radio, steady. “What exactly does the footage establish on your end? The extra movement, or something that wasn’t in the bay to begin with?”

“Both,” the charge nurse said. “The hand after the signs, and that strip. We’re treating every camera as done. No one else is reviewing live or recorded until someone who hasn’t been near a screen takes it. I can’t make them look.”

“Don’t,” Mara said. “Send the timestamps with the body. We’ll work from those and the side photos. No more eyes on the feeds.”

The orderly followed on a hallway camera; the charge nurse reported the same narrow strip appearing at the edge of his monitor before he went still. Once the guest’s body was counted in, the hospital stood at four. The two deputies stayed on the property until the van took the landing body and the one from three.

Camille came through the service door at 4:12, still working the last button on her coat. She stopped where the carpet changed and looked at Mike before the desk.

“How bad?”

“Two still here until the van rolls,” Mike said. “Four at the hospital. Canopy’s the only camera you get. Third-floor feed stays dark. Covering order doesn’t change because the sun’s coming up.”

She crossed, read the log twice, and pulled her tablet. Then she looked at Rourke. “You still on the desk or has he already sent you home?”

“Here till the overlap. Monitor’s faced to the wall.”

“Good.” She hesitated, tablet half-open. “The strip you saw. How long were you on it?”

“Wide and small. Long enough to catch the face and that the eyes were open. I closed it before either one could settle. I couldn’t swear to more than the glance if you asked.” Rourke kept his hands on the counter. “I don’t have a better description. And I don’t think you want one.”

“I don’t,” Camille said. “But I needed to know you got off it before it could hold. Early arrivals hit at seven. I can block the floor under mechanical without opening a status camera. Audit partial’s ready when I clear it.” She started the room codes. “You stay on the canopy if I go outside. Don’t follow me onto any other feed.”

“Understood.”

She accepted the partial and began the arrival calls, voice steady while she offered moves to two or four. The preliminary release from Mara’s office arrived by email just after six; Camille printed it in the back office without opening attachments, logged the conditions, and set the page aside for the file. When the bakery truck and the first guest car turned into the lot she put the tablet down. “I’m going out the service door. Keep the canopy up but don’t track me if the glass catches any of it.”

From the desk Rourke watched her speak to the driver, walk him around to the kitchen entrance, then cross to the guest without once turning her face toward the canopy doors. She brought the guest in through the side corridor. At the desk she kept her body between him and the lobby mirrors the whole time she checked him into a cleared room on four.

“Service elevator only,” she told him. “Code’s on the card. Third floor’s out for maintenance if anyone asks.”

“Long outage?” the guest said.

“We’ll know more after nine. Enjoy the room.” She walked him to the elevator, waited for the doors, and came back alone. “Truck’s handled at the dock. No one from kitchen crosses into the main hall.”

Mara had asked for a specific window on the corridor feed—the minutes covering the driver’s reflection through the first deputy’s collapse. The deputy who took evidence selected that range from the recorder’s timestamp index without opening the images, exported only those minutes, sealed the file, and left. The hotel recorder stayed in its cabinet, still writing past the point where the second deputy reached the landing. Mara signed the charts from the side photographs and the timestamps already recorded. No one asked for a direct look at the glass.

Day staff came through the service door in twos and threes as their shifts started. Camille met them at the end of the counter with the same page and the same limits, answering the practical questions—where to park the carts, which elevator bank stayed open, what to tell a guest who had prepaid a third-floor view—without adding anything past the maintenance line on the release. The lead took the console near seven. Check-ins moved on the open floors. When a guest from four asked about the ice machine on three, the clerk started to answer. Camille stepped around her.

“Out with the rest of the floor. There’s one on two that works.”

The guest thanked her and left. The clerk watched the elevator doors close. “Am I supposed to have the real reason?”

“No,” Camille said. “And if someone else asks, you still don’t. Maintenance. It’s on the release.”

Mara called midmorning, voice lower. “Side photographs match what we could document without a facing view. I’m not issuing a second release today. Any further visual goes to people who haven’t watched a related feed yet. That won’t be assigned before evening.”

“Understood,” Camille said. She noted the refusal on the printed page, locked it with the log, and left the recorder screen dark. Mike radioed Kerri that the blocks were holding, then looked at Rourke. “Kill the canopy. We’re done watching anything.”

Rourke shut the window. The cabinet light stayed on.

At 11:40 the linen driver knocked at the service door. Camille went out to him rather than sending the clerk. He had the manifest on a clipboard, generated from the overnight room file, and he was already checking his watch.

“I’ve got the load for your open floors,” he said. “System won’t take the signature while 312’s still flagged. I can split it—leave what isn’t tied to that room and run the rest on the next pass. Or I can take a manual sign-off if you’ve got someone who can initial past the hold. I’ve got two more stops and I’m already behind.”

Camille kept her hands in her coat pockets. “The hold locks the linked quantities. I can move guests and I can refuse new bookings. I can’t clear a manifest that pulled against the overnight file without a visual confirm on the corridor camera or the segment still writing in our cabinet. Neither of those is something I’m opening.”

“So the carts sit short.”

“They sit short. If you leave the untied portion at the dock I’ll have someone sign for that much. The rest waits on the examiner’s office. I’m sorry. That’s the limit I’ve got.”

He looked at the clipboard, then at the closed service door. “Examiner’s office going to call me back before noon?”

“I don’t know. I’ll try them again. You shouldn’t wait on it.”

He nodded once, tore the top copy, and handed her the half that covered the rooms still clear. “I’ll drop that at the dock. Someone needs to meet it. I’m not coming back inside for the rest.”

“Someone will.” She took the page. “Thank you.”

Inside, she set the partial manifest on the counter and tried Mara’s line. It rang through to nothing. The console chimed while the receiver was still in her hand. The recorder had reached its storage threshold and was set to drop the oldest complete archived block in nine minutes unless the framing check was acknowledged. That block held the unexported continuation past Mara’s requested window. Later segments remained on the drive, but the check itself would open the live third-floor camera. Camille set the phone down and left the chime alone. The clerk glanced over from the arrivals screen.

“That’s going to clear the oldest block.”

“I know.”

“If it drops, we lose the overnight stretch that wasn’t exported.”

“The station has the range Mara asked for,” Camille said. “They don’t have a reason for anyone here to open a window on what’s left. Leave it.”

The clerk’s hand hovered, then dropped. Nine minutes later the chime returned, softer. The oldest block had been dropped. The original record of the eleven-minute window and the unexported continuation after it was gone from the cabinet. Whatever the recorder had written since remained, unreviewed. The covers that had been looked at once stayed as they were left. Whether any other cover had shifted in the hours since could not be checked without opening a feed or walking the corridor. The order remained in the binder. The full manifest stayed locked in the drawer under the signed release. On the floors that were open the rooms waited for the linen that had been cleared and for the rest that the hold would not release, and the people still responsible for the order had no safe way left to confirm it was still keeping the glass covered.


r/Odd_directions • • 1d ago

Horror I Moved to a New Neighborhood. They Have Strange Rules for Halloween Night

5 Upvotes

I moved into the house on Briarwood Lane three days before Halloween.

It wasn't exactly how I'd imagined starting over at thirty-four, but after my divorce, I wasn't in much of a position to be picky. When I found the listing for a two-bedroom house in a quiet suburban neighborhood, with a fenced backyard and a monthly rent that seemed almost too good to be true, I called the number before I'd even finished reading the description.

The landlord, a man named Walter Hensley, had answered on the second ring. He asked me a few questions and how soon I could move in.

When I told him immediately, he seemed particularly pleased.

"Well, that works out just fine," he'd said. "We've been hoping to get someone settled in before the end of the month."

I arrived on Briarwood Lane shortly after four on the afternoon of October 28th.

The first thing I noticed was how clean everything looked.

Every lawn was neatly trimmed, every driveway swept, and every house seemed to have been painted within the last few years. Most were modest two-story homes with attached garages, white fences, and front porches decorated with pumpkins, plastic skeletons, and orange string lights.

Halloween was clearly a big deal around here.

My new house was number 17, a pale yellow house near the end of the street. It had a narrow front porch, a detached garage, and a large maple tree growing beside the driveway. Most of its leaves had already turned red, and the lawn was covered in a thin carpet of them.

Walter was waiting for me when I pulled up.

He stood beside a dark green pickup truck, he greeted me with a broad smile and an outstretched hand.

"You must be Daniel."

"That's me. Sorry if I'm a little late. Traffic was worse than I expected."

"Oh, don't you worry about that." He shook my hand firmly. "You're here now. That's what matters."

He glanced at the truck, then back at me.

"Just you moving in?"

"Yeah. Just me."

For some reason, his smile faltered slightly.

"Right. Well, that's fine. Perfectly fine."

He reached into his pocket and produced a set of keys.

"Come on. I'll show you around."

The house was better than I'd expected.

The living room was spacious, with hardwood floors and a brick fireplace. The kitchen had recently been renovated, and the appliances were surprisingly modern. Walter walked me through each room, pointing out the thermostat, the fuse box, and a few minor things I needed to know about the plumbing.

He was friendly enough, although I noticed he had a habit of glancing at his watch.

At one point, he stopped beside the window and looked out toward the street.

"Quiet neighborhood," he said. "Good people. Most of the families have been here a long time."

"That's exactly what I was looking for."

He nodded, seemingly satisfied.

"People look after each other here. You'll find that out soon enough."

I looked past him through the window. Across the street, an elderly woman stood on her front porch, arranging several small pumpkins along the steps. She paused when she noticed us and raised one hand in greeting.

I waved back.

She didn't smile.

Instead, she looked at us for a moment, then turned and hurried inside.

"Mrs. Bell," Walter said, following my gaze. "She's lived across the street for almost thirty years. Nice woman, once you get to know her."

"She doesn't seem particularly excited about having a new neighbor."

Walter chuckled.

"Oh, that's just Margaret. Takes her a while to warm up to people."

We finished the tour downstairs, where he showed me the back door and explained that the garage had a separate key.

By the time we returned to the living room, the sun was beginning to disappear behind the trees.

Walter handed me the keys and a small envelope containing the paperwork I'd already signed electronically.

"Everything's in order," he said. "Rent's due on the first, as we discussed. Garbage collection is Tuesday morning, and the mailbox key is the smaller silver one."

"Sounds good. Thanks again for making this so easy."

"Of course."

He started toward the front door, then stopped.

"Oh, one more thing."

He turned back to face me.

"You planning on being home Halloween night?"

The question caught me off guard.

"Uh, probably. I don't really have any plans yet."

"Good."

He said it a little too quickly.

"That's good. Very good."

I laughed.

"Why? Is there some kind of neighborhood party?"

Walter didn't answer immediately. Instead, he walked over to the living room window and looked outside.

The street was quiet. A few children were riding bicycles along the sidewalk, and somewhere in the distance, a dog was barking.

"Well, you could say that," he finally replied. "Halloween's a pretty important night around here."

"I noticed the decorations. You guys really go all out."

"We do."

He turned away from the window.

"Actually, Daniel, there's something I should explain before I leave."

Something about his tone had changed. He wasn't smiling anymore, and the friendly, almost grandfatherly manner he'd maintained throughout the tour seemed to have disappeared.

He reached into the inside pocket of his cardigan and pulled out a folded sheet of yellow paper.

"I probably should've mentioned this on the phone," he said. "But I figured it'd be easier to explain in person."

I looked at the paper.

"What's that?"

Walter held it out to me.

"It's a list of rules."

"Rules?"

He nodded.

"For Halloween. Specifically, for the trick-or-treaters who'll be coming to your door."

I gave him a confused look.

"What kind of rules?"

Walter glanced toward the front door, then lowered his voice.

"There are certain things we do differently on Briarwood Lane. Things every homeowner is expected to follow on Halloween night."

He unfolded the paper carefully, smoothing its creases between his fingers.

"And I'd strongly recommend you pay attention, Daniel. Some of these rules might sound a little strange, but they're all there for a reason."

I stared at Walter for a moment, waiting for him to explain himself. But he simply handed me the paper and gave me a reassuring smile.

"Everything you need to know is written down there," he said. "I'd suggest reading it before Halloween. Preferably more than once."

I took the paper from him and glanced at the heading, which had been written in thick black letters.

BRIARWOOD LANE - HALLOWEEN RULES

"Is this some kind of homeowners' association thing?" I asked.

"Something like that."

"Because I'm not really used to neighborhoods having rules about handing out candy."

Walter chuckled.

"Every neighborhood has its traditions, Daniel. Ours are just a little more particular than most."

He glanced at his watch again.

"Anyway, I should get going. I've still got a few things to take care of before the weekend."

I thanked him for showing me around and followed him to the front door. Before stepping outside, he paused and looked back at me.

"One more thing. Make sure you have plenty of candy by Friday evening. The children around here take Halloween rather seriously."

I smiled.

"I'll keep that in mind."

"And Daniel?"

"Yeah?"

"Don't forget to read that paper."

I promised him I would, and after another brief handshake, he walked down the porch steps and climbed into his pickup truck.

I'd lived in apartments for most of my adult life, and I'd dealt with my fair share of strange landlords. One had insisted that I never flush the toilet after midnight. Another used to leave handwritten notes under my door reminding me to keep the blinds closed whenever it rained.

Compared to those experiences, a few neighborhood Halloween traditions didn't seem particularly concerning.

"Yeah, I've got more important things to worry about right now," I muttered.

I folded the paper back up and left it on the kitchen counter. I'd read it later.

For the next two days, I barely had time to think about anything other than unpacking.

I did, however, manage to meet a few of my neighbors.

An older gentleman named Frank lived two houses down. He introduced himself while I was dragging my garbage bins toward the curb.

"Number seventeen, right?" he asked.

"That's right."

He looked toward my house, then back at me.

"Well, welcome to Briarwood."

"Thanks. Seems like a nice place."

"It is," he said. "Most of the time."

I laughed, assuming he was making a joke.

Frank didn't laugh with me.

Instead, he wished me a good evening and went back inside.

By Friday morning, October 31st, the house was finally starting to feel like home.

I spent most of the afternoon cleaning up, then went into town to pick up groceries.

While walking through the supermarket, I passed a large Halloween display near the entrance.

That's when I remembered Walter's instructions.

I'd almost forgotten about Halloween entirely.

I grabbed two large bags of chocolate bars and a plastic orange bowl, then headed for the checkout.

By the time I got home, it was a little after five.

The neighborhood looked different in the fading afternoon light.

I noticed Mrs. Bell standing near her mailbox as I pulled into the driveway. She was talking to another woman, and both of them turned to look at my car.

When I stepped out, Mrs. Bell raised her hand.

"Good evening, young man."

"Evening."

"Getting ready for tonight?"

I lifted one of the grocery bags.

"Just bought enough candy to feed a small army."

The other woman laughed, but Mrs. Bell didn't.

Instead, she looked at the bag for a moment.

"Did Walter speak to you?"

The question seemed to come out of nowhere.

"About what?"

"About tonight."

"Oh, yeah. He gave me some kind of list."

Her expression relaxed slightly.

"Good. That's good."

She hesitated.

"You have read it, haven't you?"

I shifted the grocery bags in my hands.

"Not yet, actually. I've been pretty busy moving in."

For a second, neither woman said anything.

Mrs. Bell glanced at her companion, who immediately looked away.

"Well," Mrs. Bell said, "you should probably do that before it gets dark."

There was something about the way she said it that made me uncomfortable.

"Sure. I'll take a look when I get inside."

She nodded.

"Have a good evening, Daniel."

I stopped halfway up the driveway.

I couldn't remember telling her my name.

Before I could ask about it, both women had already started walking toward Mrs. Bell's house.

I stood there for another moment, then shrugged and carried my groceries inside.

I figured Walter must have mentioned me to the neighbors.

After putting everything away, I ordered a pizza, changed into some comfortable clothes, and settled down in the living room. I put a horror movie on the television, opened a beer, and placed the large orange bowl of candy on the coffee table.

For the first time in a while, I felt like I could actually relax.

At around six-thirty, I got up to grab another drink from the kitchen.

That's when I noticed the folded yellow paper sitting at the far end of the counter, exactly where I'd left it two days earlier.

I stared at it for a moment, remembering Walter's strange insistence that I read it, along with Mrs. Bell's reaction when I'd admitted I hadn't.

"Alright," I muttered. "Let's see what all the fuss is about."

I picked up the paper and unfolded it.

The sheet was slightly yellowed, as though it had been printed years earlier. The heading was written in bold capital letters, while the rest of the text appeared to have been typed on an old typewriter.

There were seven numbered rules.

I began reading.

BRIARWOOD LANE - HALLOWEEN RULES

For the safety and comfort of all residents, please observe the following rules on the evening of October 31st.

  1. Never give candy to a child who isn't carrying a bag.
  2. If a trick-or-treater is wearing a mask of a human face, do not ask them to remove it.
  3. If a child knocks three times instead of ringing the doorbell, do not answer.
  4. After 9 PM, do not give candy to any child who comes alone.
  5. If you hear children laughing outside after 10 PM, turn off every light and stay away from the windows.
  6. If you see a child standing perfectly still across the street, do not wave.
  7. If a child asks how many people live in your house, always say two.

I read the list once, then read it again.

For several seconds, I stood in my kitchen, trying to make sense of what I'd just read.

"What the hell?"

I'd expected something along the lines of keeping the porch light on, not handing out homemade treats, or making sure children didn't wander into the street.

Instead, it sounded like a list of instructions someone had written for a horror movie.

The first rule was strange but relatively harmless. But the rest?

Don't answer three knocks. Don't wave at children standing across the street. Turn off every light if you hear laughter after ten.

And that last rule was particularly ridiculous.

Why on earth would I need to lie about how many people lived in my house?

I leaned against the counter and looked at the list again.

Part of me wondered whether Walter and the neighbors were playing some Halloween prank on the new guy. It would certainly explain the strange looks, the cryptic comments, and the way everyone seemed so concerned about whether I'd read the instructions.

Maybe it was some kind of neighborhood initiation.

I actually smiled at the thought.

"Well, that's one way to welcome somebody."

I folded the paper and set it beside the candy bowl, figuring I'd humor them for the evening. Most of the rules weren't particularly difficult to follow anyway, and if it made the neighbors happy, I didn't see the harm.

Besides, I wasn't planning on staying up late. I'd hand out some candy, watch a movie, and probably be in bed before midnight.

As I walked back toward the living room, I heard a car door slam somewhere outside.

A few seconds later, my doorbell rang.

I looked toward the front door, then down at the bowl of candy sitting on the coffee table.

"Well," I said to myself, "here we go."

I grabbed the bowl and headed for the door.

Whatever strange traditions Briarwood Lane had, I was about to experience my first Halloween in the neighborhood.

The first few trick-or-treaters were exactly what I'd expected. A group of three children dressed as superheroes showed up with their parents, followed by two little girls wearing matching witch costumes. I handed out candy, complimented their outfits, and exchanged a few words with the adults waiting at the bottom of my porch steps.

For the next twenty minutes or so, everything went smoothly. More children came and went, and I was actually starting to enjoy myself. Whatever strange traditions Briarwood Lane had, Halloween seemed pretty normal so far.

Then, a little after seven, my doorbell rang again.

When I opened the door, I found a little boy standing alone on my porch. He couldn't have been older than eight, and he was dressed as a pirate, complete with a red bandana, a black eye patch, and a plastic sword tucked into his belt.

He looked up at me and smiled.

"Trick or treat!"

"Hey there, Captain," I said, reaching into the bowl. "Nice costume."

"Thank you!"

I grabbed a couple of chocolate bars, but as I was about to hand them over, I noticed something strange.

The boy wasn't carrying a bag.

No plastic pumpkin, no pillowcase, nothing to collect his candy in. Both of his hands were hanging loosely at his sides.

I immediately remembered the first rule on Walter's list.

Never give candy to a child who isn't carrying a bag.

I hesitated, feeling a little ridiculous for even considering it.

"Hey, buddy. Where's your candy bag?"

The boy tilted his head.

"I don't need one. You can just put it in my hand."

He extended his right hand toward me, smiling expectantly.

I looked at the chocolate bars, then back at him. Under normal circumstances, I would've handed them over without a second thought. But considering how seriously Walter and Mrs. Bell had taken those instructions, I figured I might as well play along.

"Sorry, kiddo. I think you're supposed to have a bag. Maybe you can go get one and come back?"

The boy's smile disappeared, his face was completely expressionless.

"That's not very nice," he whispered. "You gave some to the others."

"Well, yeah, but they had bags," I explained, trying to keep my voice friendly. "I'm sure you've got one at home, right?"

He didn't answer.

Instead, he stared at me for several uncomfortable seconds, his outstretched hand slowly dropping to his side.

I shifted my weight.

"Anyway, happy Halloween, buddy."

I started closing the door, expecting him to turn around and leave.

But just before it shut, I heard him speak again.

"That's okay. I'll come back when you're sleeping."

I froze with my hand still on the doorknob.

For a moment, I wasn't entirely sure I'd heard him correctly. I waited for the sound of his footsteps retreating down the porch steps, but the only thing I heard was the faint rustling of leaves outside.

I leaned toward the peephole.

The boy was gone.

I stood there for a few seconds, staring at the empty porch, before shaking my head and walking back into the living room.

"Jesus Christ," I muttered. "Kids these days."

I tried to laugh it off. It was Halloween, after all, and scaring people was practically the whole point. The little pirate was probably just trying to get a reaction out of me.

Still, as I set the candy bowl down on the coffee table, I found myself looking toward the front door again.

I spent the next half hour on the couch, watching an old horror movie and slowly working my way through a bag of chips. Every now and then, the doorbell would ring, and I'd get up to hand out candy to another group of children. Thankfully, none of them were as strange as the little pirate, and after a while, I started to forget about the whole thing.

By 9:30, the number of trick-or-treaters had dropped considerably. The street outside had grown quieter, and I figured most of the younger kids had already gone home. I turned up the volume on the television, grabbed another beer from the fridge, and settled back into the couch.

I was starting to get into the Halloween spirit when I heard.

Knock. Knock. Knock.

Three knocks came from the front door.

I paused the movie.

I remembered Walter's list.

If a child knocks three times instead of ringing the doorbell, do not answer.

I sighed.

"Seriously?"

I set my beer on the coffee table and walked quietly toward the door. I leaned forward and looked through the peephole.

A little girl was standing on my porch.

She couldn't have been older than six, and she was wearing a pink princess dress with a cheap plastic tiara resting on her blonde hair. Her cheeks were wet with tears, and she kept rubbing her eyes with the back of her hand.

"Please," she whimpered. "I lost my mom."

She looked genuinely frightened, and for a moment, every instinct I had told me to open the door and help her. It was late, the temperature was dropping, and a little girl had apparently gotten separated from her parents.

I reached for the lock.

Then I stopped.

The rule was clear.

I looked through the peephole again.

The girl was still crying, her little shoulders trembling beneath the thin fabric of her costume.

"Please," she repeated. "Can you help me?"

I hesitated, trying to decide what to do. Maybe I could call the police, or contact one of the neighbors. Surely Walter couldn't expect me to leave a lost child outside in the cold.

Then, without warning, the girl stopped crying.

Her hands dropped to her sides.

Slowly, she raised her head and looked directly at the peephole.

I instinctively leaned back.

"I know you're in there," she said.

Her voice was completely different now. There was no trembling, no fear, no trace of the frightened little girl I'd been watching seconds earlier.

It was flat and strangely calm.

I stood motionless, listening.

Then came another three knocks.

Knock. Knock. Knock.

A pause.

Knock. Knock. Knock.

I stepped away from the door, suddenly feeling very uncomfortable.

"Go away," I yelled.

The knocking continued for another minute, always in groups of three, with the exact same amount of time between them.

Then it stopped.

I waited, hoping to hear footsteps moving away from the porch.

Instead, three knocks came from the living room window.

Knock. Knock. Knock.

My stomach tightened.

The window was several feet to the left of the front door, and I hadn't heard the girl walk across the porch.

I slowly turned toward the sound.

For a few seconds, everything was silent.

Then something tapped against the glass again.

Three times.

I approached the window carefully, keeping myself to one side. The curtains were drawn, but there was a narrow gap between them.

I leaned forward and peeked outside.

Nobody was there.

The porch was completely empty.

I looked toward the front steps, then at the stretch of sidewalk illuminated by the streetlamp. There wasn't a child in sight.

I stared at the empty space outside for another moment. Then I pulled the curtains shut.

"Alright," I muttered. "That's enough of that."

I walked back to the couch, picked up my beer, and pressed play on the movie.

I tried to concentrate on what was happening on the screen, but my mind kept returning to the little girl's face.

I turned the volume up a little louder and sank deeper into the couch.

Whatever was going on outside, I decided I wasn't answering the door again.

For the next twenty minutes, I tried to convince myself that everything I'd experienced so far had a perfectly reasonable explanation. The little pirate had probably been trying to scare me, and the girl in the princess costume was most likely pulling some Halloween prank.

None of those explanations were particularly convincing, but I wasn't about to spend my first Halloween in a new house hiding from a bunch of kids.

I unpaused the movie and settled back into the couch, occasionally glancing at the front door. Outside, the neighborhood had grown unusually quiet. I could still hear the occasional car passing down the street, but the groups of trick-or-treaters seemed to have disappeared.

Then, at exactly 10:06 PM, I heard laughter.

At first, it sounded like a couple of children playing somewhere down the street. I barely paid attention, assuming some of the older kids were still out collecting candy.

But the laughter gradually grew louder.

There were more voices now, overlapping in a strange chorus of giggles and high-pitched squeals. It sounded like an entire group of children had gathered directly outside my house.

I reached for the remote and lowered the volume.

"What the hell are they doing out there?"

I stood up and started toward the living room window, intending to pull back the curtain and see what was happening.

Then I remembered the fifth rule.

If you hear children laughing outside after 10 PM, turn off every light and stay away from the windows.

I quickly switched off the living room lights, then hurried into the hallway and turned those off as well.

Outside, the laughter continued.

It was getting closer.

What had initially sounded like a few children now seemed like dozens. I could hear giggling from the sidewalk, the driveway, and somewhere directly beneath the living room window.

Then, all at once, the laughter stopped.

The sudden silence was almost worse.

I stood in the dark hallway, listening.

A few seconds passed.

Then a small voice spoke from immediately outside the living room window.

"He forgot the kitchen light."

My blood ran cold.

Another voice answered, slightly deeper than the first.

"I can see him."

I turned toward the kitchen.

Sure enough, the overhead light was still on, illuminating the room through the open doorway.

"Shit."

I rushed into the kitchen and reached for the switch beside the refrigerator. The moment I flipped it, the room went dark, leaving only the faint orange glow of the streetlights filtering through the curtains.

I stood there, trying to slow my breathing.

Outside, something giggled.

It was close enough that I could hear it through the glass.

Then another giggle came from somewhere near the back door.

I didn't move.

For several seconds, I stood frozen in the middle of the kitchen, listening to the quiet laughter moving around the house.

Then I heard a soft tapping against the kitchen window.

I turned my head.

The curtains weren't completely closed, and through the gap between them, I could make out something pale pressed against the glass.

A face.

A child's face.

It was almost completely white, with dark, sunken eyes and a small mouth stretched into an unnatural smile. The child appeared to be standing perfectly still, staring directly into the kitchen.

But something about its position was wrong.

The kitchen window was nearly six feet above the ground outside, because the foundation on that side of the house was unusually high.

There was no way a child could stand outside and look directly through it.

Yet there it was.

And the longer I stared, the more details I began to notice.

Its neck was long and thin. Its shoulders were narrow, almost skeletal, and what little I could see of its body looked stretched, as though someone had taken an ordinary child and pulled it into the proportions of a much taller person.

It was simply standing there.

Smiling at me.

Then its mouth opened slightly.

"He can see us, too."

I stumbled backward, nearly knocking over one of the kitchen chairs.

I didn't wait to hear anything else.

I turned and hurried into the living room, dropping onto the couch and pulling my knees close to my chest like a frightened child.

The television was still on. Outside, the giggling started again.

I sat perfectly still, staring toward the dark hallway that led into the kitchen.

For the first time that night, I understood something I'd been refusing to accept.

The rules weren't some ridiculous neighborhood tradition.

And whatever was wandering around Briarwood Lane tonight, those things weren't children.

I stayed on the couch, barely breathing, hoping that if I remained quiet enough, whatever was outside would eventually lose interest and go away.

I don't know how long I sat there, staring at the dark hallway and listening for any movement outside. All I knew was that the laughter had eventually stopped, and the house had fallen completely silent.

I slowly began to relax.

Whatever those things had been, they seemed to have moved on.

I still had no idea what was happening in this neighborhood, but one thing was certain. First thing in the morning, I was calling Walter and demanding an explanation.

After another few minutes, I finally worked up the courage to stand.

I walked toward the front window, moving carefully across the dark living room. I wanted to check whether the street was empty, and maybe see if any of my neighbors were outside. Surely somebody else had noticed what was happening.

I had barely reached the curtains when the doorbell rang.

The sudden sound made me jump.

"Jesus!"

I stood there for a moment, staring toward the front door.

Then the bell rang again.

I carefully moved the curtain aside and peeked through the front window.

Three children were standing on my porch.

One was dressed as a skeleton, another wore a vampire costume, and the third was a little girl dressed as a witch. They appeared to be around ten or eleven years old, and each was carrying a plastic pumpkin bucket.

They looked perfectly ordinary.

I watched them for a few seconds, waiting for something strange to happen. But the children simply stood there, occasionally glancing at one another as they waited for someone to answer.

Finally, I stepped away from the window.

"Alright," I whispered. "Just a few more kids."

I grabbed the candy bowl from the coffee table, walked to the door, and unlocked it.

The children immediately smiled.

"Trick or treat!"

I forced a smile of my own.

"Hey, guys. Happy Halloween."

I reached into the bowl and grabbed a handful of chocolate bars.

"You're out pretty late, aren't you?"

The boy dressed as a vampire shrugged.

"Our parents said we could stay out a little longer."

"Well, lucky you."

I was about to drop the candy into their buckets when the girl dressed as a witch leaned slightly to one side, trying to look past me into the house.

"Do you live here all by yourself?" she asked.

The question caught me off guard.

"Yeah, I just moved in a few..."

I stopped.

For a moment, I simply stared at her.

Then I remembered the seventh rule.

If a child asks how many people live in your house, always say two.

I swallowed.

"No," I corrected myself. "There are two of us."

Something changed in their expressions.

The little girl stopped smiling, and the two boys exchanged a quick glance.

The boy dressed as a skeleton looked over my shoulder.

"Is the other one in the bedroom?"

I felt a strange chill move down my back.

"Yeah," I said after a moment.

The boy nodded.

"Oh."

Nobody spoke for several seconds.

Then the little girl took a step backward.

"We should go," she said.

The other two immediately turned toward the porch steps.

"Wait," I said, holding out the candy. "Don't you guys want your chocolate?"

But they were already walking away.

None of them had taken a single piece.

I stood in the doorway, watching as they made their way down the driveway and disappeared into the darkness beyond the streetlight.

What bothered me wasn't that they'd left so suddenly.

It was the way they'd reacted when I told them someone else lived with me.

They'd looked disappointed.

I closed the door and locked it, making sure the deadbolt was firmly in place.

"Okay," I muttered. "I'm officially done with Halloween."

I put the candy bowl on the kitchen counter and returned to the living room. I wasn't answering the door again, no matter who rang the bell. The rest of the neighborhood could deal with whatever was wandering around outside.

I sat down on the couch and checked my phone.

Almost midnight.

For some reason, I found myself thinking about Walter's list again. I'd followed every rule that had come up so far, and despite a few terrifying encounters, nothing had actually happened to me.

Maybe that was the point of the rules.

I leaned back against the couch and closed my eyes, trying to calm down.

That's when I heard something from inside the house.

A soft creak.

I sat up straight.

For a few seconds, I listened, hoping it was just the house settling. But then I heard the distinct creak of a floorboard, followed by what sounded like someone walking down the hallway.

The footsteps continued, moving toward the bedroom at the far end of the hall.

Then they stopped.

Then a voice saying:

"You told them I was here."

The voice had come from my bedroom.

I sat frozen on the couch. For several seconds, I couldn't bring myself to move. I looked toward the hallway.

The voice had definitely come from my bedroom.

After several minutes of listening to the silence, I finally forced myself to stand.

I slowly approached the bedroom.

"Hello?" I called.

My voice sounded embarrassingly weak.

"Is someone there?"

I waited another moment. The hallway was dark, with only a faint glow coming from the living room.

I looked towards the bedroom. The door was slightly ajar.

I took another step forward.

"Look, I don't know how you got in here, but I'm calling the police if you don't come out."

Nothing.

I reached the bedroom door and placed my hand against it.

For a moment, I thought I heard something moving on the other side. A faint rustling sound, like fabric brushing against the floor.

Then silence.

I pushed the door open.

The darkness inside seemed almost unnaturally thick.

I reached around the doorframe, found the light switch, and flipped it.

The overhead light came on.

Nothing.

The bedroom was completely empty.

I stood there, breathing heavily, before letting out a long sigh.

"Jesus Christ."

I actually laughed, although it came out more like a nervous cough.

Maybe I really was losing my mind.

I'd spent the entire evening getting worked up over strange children and ridiculous Halloween rules, and now I was hearing things inside my own house. The stress of moving, the lack of sleep, and the few beers I'd had earlier probably weren't helping.

I walked a few steps into the room and checked behind the curtains, then opened the closet.

Nothing.

There was nobody hiding under the bed, either.

I rubbed my face with both hands."Get a grip, Daniel."

I stood there for another moment, trying to convince myself that everything was fine.

Then I switched off the bedroom light.

The room immediately plunged back into darkness.

I stepped into the hallway and reached behind me for the door handle, intending to pull it shut.

That's when something grabbed my wrist.

A small, ice-cold hand wrapped around my right wrist, its fingers closing so tightly that I felt a sharp pain shoot up my arm.

I spun around.

For one horrible second, I couldn't understand what I was looking at.

There was just enough light coming from the living room to illuminate the doorway. Beyond it, the bedroom was pitch black.

And reaching out from that darkness was a hand.

A child's hand.

It was pale gray, with thin fingers that seemed much too long for something so small. Its skin looked stretched tightly over the bones, and its fingernails were dark and slightly curved.

But the worst part wasn't the hand itself.

It was the arm attached to it.

I could see a narrow, pale wrist extending from the darkness, followed by an impossibly thin forearm that stretched farther and farther into the room.

It had to be several feet long.

The rest of whatever was holding me remained hidden in the darkness.

I tried to pull away.

The fingers tightened.

A cold sensation spread through my wrist, so intense that it felt as though someone had pressed my skin against a block of ice.

"LET GO!"

I jerked backward, but the hand didn't release me.

For a moment, I felt myself being pulled toward the bedroom.

I planted my feet against the hallway floor and pulled with everything I had.

Then, suddenly, it released.

I stumbled backward, slammed into the opposite wall, and nearly fell.

I turned and ran.

I reached the living room and spun around. Nothing followed me.

The house was silent.

I stood there, gasping for air, my right wrist throbbing.

Eventually, my legs began to feel weak, and I lowered myself onto the couch.

I looked down at my wrist.

There were faint red marks where the fingers had been, although they were already beginning to fade.

I touched the skin.

It was still freezing cold.

"What the fuck is happening?"

For several minutes, I sat there trying to decide what to do.

Every reasonable part of my brain was screaming at me to leave the house. But every time I considered opening the front door, I remembered what I'd seen outside.

I had no idea what was waiting out there.

And now, apparently, there was something inside the house, too.

I thought about calling Walter, but it was nearly midnight, and I wasn't even sure what I could say to him.

I reached for the remote and turned the television volume up, desperate to fill the silence with something familiar.

Then I switched on every light in the living room.

I pulled the curtains tightly shut, checked that the front door was locked, and sat back down on the couch.

By twelve-thirty, I was beginning to feel something close to relief.

I still didn't understand what I'd experienced.

I kept the television playing, switching between channels whenever I found myself getting too absorbed in my thoughts.

I pulled a blanket over myself, and left the television on.

Every light in the living room remained lit.

I tried to stay awake, but the adrenaline that had kept me going throughout the night was finally wearing off. My eyelids grew heavy, and the steady sound of the television gradually became a distant hum.

Then I fell asleep.

I woke to the sound of my phone ringing.

The screen showed an incoming call from Walter Hensley.

I answered immediately.

"Hello?"

"Daniel! Good morning."

Walter sounded cheerful, almost annoyingly so.

"Hope I'm not waking you."

I rubbed my eyes.

"Actually, you are."

"Ah, sorry about that. Just wanted to check in and see how your first Halloween went."

I stared at the wall.

For a moment, I couldn't think of anything to say.

"How did it go? Are you serious?" I said.

"Everything alright?"

"No, Walter. Everything is not alright."

I stood up and began pacing the living room.

"There were these kids coming to my door, and some of them weren't normal. One of them was looking through my kitchen window, and there was something in my bedroom."

Walter didn't interrupt.

"It grabbed me, Walter. Something actually grabbed my wrist."

Then he asked a question I wasn't expecting.

"Did you follow the rules?"

I stopped pacing.

"What?"

"The rules I gave you. Did you follow them?"

I looked toward the kitchen.

"Yeah. Yeah, I did."

"All of them?"

"As far as I know."

He let out a slow breath.

"Good."

I felt anger rising in my chest.

"Good? That's all you've got to say?"

"Daniel, listen to me."

His voice had become serious.

"I know last night must've been frightening. Believe me, I do. But if you followed those instructions, then you did exactly what you were supposed to do."

"What the hell does that even mean?"

Walter hesitated.

"Certain things happen around here on Halloween. Things we've learned to deal with over the years."

"Things? Walter, there was something in my house!"

"I understand."

"No, I don't think you do. It grabbed me. I saw its hand."

He was quiet for several seconds. Then he spoke again.

"Did it follow you?"

"No."

"And you stayed inside until morning?"

"Yes."

"Then you're alright."

I couldn't believe what I was hearing.

"How can you possibly know that?"

"Because Halloween is over, Daniel."

He said it so calmly that I almost felt foolish for arguing with him.

"Whatever came around last night, whatever you saw or heard, it doesn't matter anymore. The night has passed."

Finally, I sighed.

"Look, Walter, I don't know what kind of place this is, but I'm seriously reconsidering living here."

"I understand," he said. "And I won't blame you if you decide to leave."

That surprised me.

"But for what it's worth," he continued, "the rest of the year is perfectly normal around here. You won't have to worry about any of this again."

"Until next Halloween, you mean?"

He paused.

"Yes."

I closed my eyes and rubbed my forehead.

"Unbelievable."

Walter cleared his throat.

"Anyway, I just wanted to make sure you were alright. Get yourself some rest today, Daniel. You've had a long night."

I didn't respond.

"And remember," he added, "you're safe now."

Then he hung up.

I stood in the middle of the living room, staring at my phone.

I slowly lowered my phone and looked around the house.

For a brief moment, I even wondered whether exhaustion had played a bigger role than I wanted to admit.

Maybe I'd imagined some of it.

Then I felt a sharp pain in my right wrist. I winced and looked down.

At first, I thought I'd simply slept on my arm awkwardly.

But when I pulled back my sleeve, my stomach dropped.

There were marks on my wrist.

Five of them.

Long, narrow patches of gray skin, arranged in the unmistakable shape of fingers.

I stood there for a long time, staring at those marks.

Whatever happened last night, I hadn't imagined it, and one thing is certain.

If I ever spend another Halloween on Briarwood Lane, it won't be inside this house.


r/Odd_directions • • 1d ago

Weird Fiction Have you ever felt true peace?

0 Upvotes

Have you ever felt true peace?

That moment when your ego dies. It’s scary, you know? Like drowning. You slip into a warm void, then anxiety bites and you snap out of it and return to the comfortable noise and glare of life as you’ve known it.

But why return? You were happy there. Then some trifling concern came crawling back and ruined it. A grievance, names, some pretty face. We are frightened creatures, scared to be free of those things and relieved to be captured.

Then all that dross we confuse with ourselves rushes back in.

Sorry. I like to ramble. You’ll get used to it.

You’re a good driver. Do you remember where we’re going?

We ascended between the mountain peaks. Now take the old, narrowing road called Packsaddle Crossing, where the air thins with altitude. That’s not its real name. Did you know that?

What’s your real name, stupid? Are you sure?

It was reckless to travel as you have. Foolish, really. Just look at you. Low on gas and wearing house slippers. Did you simply get in your car the moment the urge charmed your mind? How long until someone notices your absence?

Turn left onto the logging road coming up.

No, here. You’ve passed it. Back up.

Not a soul in sight and you still use turn signals. I like that about you. You’re too good for this world, I mean it.

Lately I think we have both been feeling the same strange urgency, like we did when we first met. Remember our first time? Remember how good it felt?

I was out prospecting and you were driving with a headlight out. Followed you home and found your house sinking where you allowed erosion to eat away the yard. You procrastinate, eat poorly, and waste your gifts. You’re lonely.

But you’re sweet, you know? I can’t help but inflict myself upon your person. Your mind is so yielding.

Do you like talking with me? You used to.

It’s good to get out of town, don’t you think? Winter’s coming and I get cabin fever. I overdose on the gray weather and begin to think about opening a vein to see the color. You know about that, don’t you? Your type loves it, sicko. My polycythemia juice box, soft in the head—but you suit me. I know you, trust me.

I knew the dead men who once handled the money in your wallet.

No one has ever seen you completely as I do. You keep evidence of yourself, those old photographs and half-filled notebooks, as if you want to study who you are. Did you uncover anything of value?

Our plan to live together came to me while I was watching you sleep. I enjoyed your mumbled breath while you dreamed, how your open mouth was pink like a baby’s. You’re a careless fool with rich blood. Even your sweat is delicious.

The place I’m taking you has a name, though you won’t find it on maps. We are going to a holding not far from the road as the crow flies, but a considerable hike for you. I’ve stocked a shelter there, off grid. A room for you with one little door. It’s waiting.

Park over by that scenic stop with no guardrails. We will push the car over the edge and hike the rest of the way.

Leave the keys. What do you want those for? Leave them on the dash. We won’t need them. Do it.

It’s in neutral. Ready? Push.

There. More.

See? Gone. Completely swallowed by the evergreen canopy and out of sight.

Walk this way into the woods. This way, uphill. I’ll be close behind.

We’re fortunate. I’ve been counting the porch lights in your valley. There were nine hundred when I first counted. Last night, six hundred or so.

Know what’s coming for your little towns?

Empires unravel. Everyone is looking for someone to hang. Then come the fires. I hate fire. I’m too old to go hungry for another one of your revolutions.

Time for me at last to sit in peace and stillness between repasts.

Got nothing to say? Well, you’ll be safe with me and you’re welcome.

Not even death will find you here.

Stop. Go this way. Do it now.

We will take to the mountains, unburden ourselves, and await another era to learn what becomes of these backwaters after the children of their children have died.

All that doesn’t interest me about you no longer has permission to exist.

If you find my company disagreeable, keep it to yourself.

We’ll drift on an ocean of time, dreaming together, my love and my larder.

Keep walking. It will get steep. We’ll be home soon.


r/Odd_directions • • 1d ago

Horror I Live In A City That God Forgot

0 Upvotes

It started about a year ago. One day, a day that nobody could recall, a day that no one was able to really remember, we all forgot the name of our city.

The street signs, the landmarks, even our IDs still bore the name of our city, but no one could read the name, nor could they remember it. It was as if the information was actively being purged from our minds.

Then came the disappearances. At first only a few dozen people went missing. The city wasn’t exactly a stranger to missing person’s cases, but the consistency with which people were starting to just upright vanish became alarming.

But no one ever looked for them.

Streets became littered with missing person’s flyers. Grandparents, friends, children, none were immune. Eventually even the mayor just outright vanished. The city council held an emergency election and just continued on with business as usual.

For all my concern and apparent awareness of these strange events, never once did I bother to look. Never once did I dare to pick my head up and peak at the ever darkening sky. Never once did I question the ever encroaching fog.

Soon, the sun itself vanished. It still hung in the sky, but it had changed. It hid behind the strange fog that had slowly grown over the past few months. Eventually so too did the cycle of day and night.

As of today, I believe I am all that remains in this place. This city I call home. This city none can remember. The air is filled with the smell of fire and frost, both burning my nose indistinguishable from one another. The sky too rained ash and snow, mixing together into a soft gray powder that piled up around the city. Part of me felt uneasy to see this, I wonder why.

I do not remember much about my life before the fog. I believe I lived in this city, likely was born here, maybe had friends, hopefully had a job. I know I need to eat, I know that the food never expires, I know that I have to keep warm, and I know that I cannot sleep.

The city is cold these days, if not apparent by the snow. Often times I am forced to take shelter in a decaying sky scraper, building a fire to keep warm out of the fancy lobby chairs of what once was a downtown bank.

Every day the city grows colder.

Time blends together. I cannot separate the days that I spend scavenging from the days I spend resting. My eyes grow heavy but my mind will not relent, it must not relent. If I should sleep for but a moment I fear I might too disappear.

I have to keep moving, I can never stay in one spot too long. I find tracks and marks in places I revisit, tracks that do not belong to me, tracks that could not have been made by any human. In the false night I hear screams, I hear howling, or perhaps that is merely the sound of the frozen winds slipping between the dilapidated megastructures. Perhaps the crunching of bone and gnawing of flesh I hear is the impacts from icicles that fall from the buildings above the heavens.

I am searching for something, for someone.

I scuttle about this frozen hellscape, nothing more than a rat in a godless maze, hooked on a scent I cannot identify. I run headstrong into the unknown and familiar streets I used to know so very well.

The winds come and go, a predictable tide of breeze, imperfect in its cycle. Like staggered breaths. The city is safest when the winds are still, no risk of ice crashing down from above nor does the ash get picked up as easily. It is also at its quietest.

When the winds are gusting however, that is when the tracks appear. Long, jagged, impossibly angular streaks are raked into the snow and ash. Distant windows shatter and crash. Then comes the howling, the screaming, the deafening cacophony that feels like a knife being driven into my ears. It had grown quieter as time passed, but it still remains impossibly loud. I’ve learnt that it’s best to not join their chorus, no matter how much it hurts to resist.

I am struggling to remain alert and aware of myself and my surroundings. I fear whatever plague or curse or god-knows-what is still eating away at my mind. Cause and effect are becoming more fluid concepts. Events that I swore had happened long ago now repeat before my eyes, albeit with abstract stone constructs replacing that which had long since decayed. Statues would move and recreate an idea of what the busy streets once looked like. Sculptures would drag across the roadways in line with the echoes of traffic. Sometimes I swear I see myself walking somewhere, but every time I try to follow it I lose track of it. Whether it be in a crowd, or just around a corner. Perhaps this world is playing tricks on me, toying with me, mocking me.

Or was that really me?

There was nothing beyond the fog, beyond the limits of the city, but a massive frozen ocean, icy peaks evoked imagery of the once lively shoreline. The roads that once led elsewhere now led into the frozen sea. At one point I believe I had wanted to escape, to return to the life I once knew, but that dream is dead.

If I ever had that dream at all, for this is a dreamless realm.

The frigid and rigid frosted bars of my mental prison continue to squeeze my mind in ways I find difficult to understand. Reality and, else-wise, blend into unrecognizable shapes and malformed ideas of what they might have been. Another source of light has joined what used to be the sun in the sky, their twin radiance muffled behind the suffocating curtain of fog that has all but snuffed out the flame of life in this place.

I see a body before me.

A massive corpse had fallen from above, strewn about the half-destroyed and decaying buildings of the city. The city now smelt of ozone and fire. The corpse was draped in a beautifully radiant robe of the finest gold to have ever graced the eyes of mortals. Its face was obscured by a platinum mane so magnificent that even in death it billowed in the wind with a life of its own. Its skin was dark, charred, hollow.

I knew not how, only that this must be what I was searching for, waiting for, praying for.

I could not meaningfully measure the time it took to scale the wreckage. I could no longer recall how many times I fell to my death, only to be rejected by its embrace. My limbs had long since turned black from frostbite, but still they obeyed me. The sound of crumbling rocks now accompanied me wherever I went as I continued to scale the summit of the fallen corpse.

Only when I was face to face with the corpse did I realize what it was. From up here, it looked almost as if the body sat restfully upon a throne of ruins. How long had it been here? How long had I been here?

It didn’t matter. I was here now. Nothing can change that, nothing can undo that.

For I am but a corpse of identity, forgetting that it had already died so long ago. For The Cataclysm had destroyed Truth. For I am but a fragment of Truth, scattered across the infinite. For I am dreamless amongst the dreams of man. For I am the ruined throne and the corpse upon which it sat.

For I was once another, and am no longer.


r/Odd_directions • • 1d ago

Horror Someone Started the Silo Machines While I Was Still Inside

6 Upvotes

Adam stood by the corn silo, holding a flask. My eyes kept closing; I could barely focus on him.

"Morning, Adam."

"Jesus, Matt, you look awful. Want a drink?"

He raised his flask.

"No."

"It will help you get some sleep, man. What are you even doing at night? Playing with yourself until dawn?"

He laughed and slapped my shoulder.

"No, it's just…"

"I have a task for you. You gotta clean up the silo; the machinery is blocked."

I gripped my sleeve tight and stared at him.

He slapped my shoulder again.

"Calm down, you're not gonna get Dan'd"

"But can't somebody else do it? Why do I gotta?"

He furrowed his brows.

"I'm the senior, Matt. Now get your ass there and go do it."

I waited, not moving.

"Go!"

His voice rang in my ears. I put my head down and walked into the silo.

The inside was cold, silent. My steps echoed on the bridge. The closer I got to the ladder, the more my head spun. When my feet touched the kernels, I took a deep breath and looked around. It wasn't obvious where the blockage was, but as usual it was probably in the center. I grabbed a broom and walked over.

Then a hum echoed. The kernels moved beneath my feet. Dust filled the air. Someone started the machines.

"Wait! I'm still in."

The kernels were moving fast. My feet felt light.  I turned around and took a few steps. One foot sank. Another. 

"Help, please!"

My waist sank. My heart beat against my ribs. The kernels moved around me, pushing at my chest. I was neck-deep. My head sank under the kernels. I held my breath. I sank deeper and deeper. The kernels hissed in my ears. Then my feet felt loose, and so did my waist, my chest.

I fell hard onto the ground. It felt cold, but the ground felt firm like concrete. I looked around. The whole place was dark, as in a cave, but there were no walls, no ceiling above me, just darkness as far as I could see. The smell of dusty kernels still hung in the air.

"Hello?"

My voice echoed through the dark emptiness. It sounded like my words traveled to me and away from me at the same time. I got up and walked a few steps. They echoed in the same strange way. 

A cold tingle built in my chest. The space felt both small and large. It felt as if someone's eyes were on me. I kept looking over my shoulder. Then a noise broke through the silence. A faint snore, as if someone was trying to catch their breath, but couldn't. In the distance, a small figure lay on the ground.

"Hello? Are you okay?"

The snoring grew. His limbs twisted on the ground as if struggling. My heart sank when I saw who it was. Dan rolled on the ground, in the same clothes he'd worn when he fell into the corn that day.

Memories flashed through my mind. His screams for help. The machine's rattle. Adam's calm face as he watched him go down. All because he told the boss Adam and I were drinking on the job. The rope lay right at my feet. I stared at it while Dan screamed for help.

I ran to him. His eyes were wide with pain, his mouth filled with kernels.

"I'm sorry, Dan. I'm sorry!"

I grabbed him and rolled him onto his side. Kernels spilled from his mouth, but more were still inside. I hit his back; more spilled out, but his mouth was still full. I stuck my shaking hand into his mouth and pulled out handfuls of kernels, but his mouth filled back immediately. He turned his pleading eyes to me. Tears rolled down his cheeks.

"I'm sorry, I don't…"

My voice caught. Something scratched the back of my throat. I tried to cough, but nothing came out; the scratching only grew. I tried to breathe, but the air wouldn't come through. I dropped to all fours. Kernels began falling out of my mouth.

"Dan! Dan!" I woke up screaming.

I was back in the silo, half-submerged in the kernels. The mechanical machinery sounds were gone. The silo was silent.

Adam and two other workers stood atop the bridge, looking down at me. A rope was thrown before me.

"Sorry, Matt. We didn't know you were in. Adam forgot to tell us," one of them said.

Adam shrugged and looked down at me with a half-smile.

"Why were you screaming Dan's name?" Adam asked. 

He unscrewed the flask and took a long, slow sip, eyes on me.

I looked down at the ground.

"I don't know."

He smiled and nodded.

"Take the rope," one of the men said.

I grabbed it tightly. Something scratched at the back of my throat again. I coughed. A few kernels flew out.


r/Odd_directions • • 1d ago

Mystery The night porter

2 Upvotes

I took the job because it came with a room.

That was the main thing. I didn't care about the hours or the pay. I just needed somewhere to stay, and the owner didn't ask many questions. He showed me the desk, the security monitors, and a narrow room behind the laundry where I could sleep during the day.

Then he explained the rules.

Lock the front door at two in the morning. Unlock it at six. Never leave the desk unattended. If a guest complained, write it down. If someone asked for a room that wasn't available, tell them we were full.

"Anything else?" I asked.

He thought about it.

"If a guest asks whether someone has checked out, tell them you don't know."

I assumed he meant not to discuss other guests with them.

The hotel was old. It had once been grand, judging by the faded photographs in the lobby, but now it smelled of damp carpet and lemon polish. There were twelve rooms, most of them empty. The occupied ones belonged to people who paid weekly and kept to themselves.

My first few weeks were uneventful. I read books behind the desk, watched the security monitors, and made coffee at six. I learned which floorboards creaked and which lights needed replacing.

Then I noticed the man in room seven.

He'd been there for three weeks, according to my memory. Middle-aged, neatly dressed, with a narrow face and thinning hair. He never complained, never asked for anything, and always nodded when he passed the desk.

I couldn't remember his name.

That wasn't unusual. I wasn't particularly good with names. But whenever I tried to recall his face, I found myself thinking about something else instead. A bill I needed to pay. A book I'd been reading. The coffee machine.

Anything except him.

I started noticing his routine.

Every night at eleven, he left the hotel. He walked down the front steps, turned left, and disappeared around the corner. At one, he returned, nodded at me, and went upstairs.

Every night.

I watched him on the security monitors. The picture was grainy, and the cameras were old, but I could see him clearly enough.

One night, I noticed something strange.

The hallway camera showed him passing room seven at eleven. I looked up from the monitor and saw him standing at the desk, waiting for me to finish my coffee.

I looked back at the screen.

The hallway was empty.

When I looked up again, he was still there.

"Everything all right?" he asked.

I nearly dropped my cup.

"Fine. Sorry. Didn't hear you come down."

He nodded, as if I'd said something perfectly reasonable, and walked out.

The following morning, I asked the owner about him.

"Room seven. Who's staying there?"

The owner checked the register.

"No one."

I laughed because I thought he was joking.

"He pays weekly. He's been here for three weeks."

The owner turned the register towards me.

Room seven was blank.

I checked the other pages. There were names, dates, payments, signatures. Room seven had nothing.

"Perhaps you've mixed up the room number," the owner said.

I hadn't.

I knew I hadn't.

I went upstairs and knocked on room seven. Nobody answered. When I opened the door, the room was empty. No bed, no furniture, not even curtains. Just bare floorboards and a window overlooking the street.

I stood there for a while, trying to understand why I remembered making his bed.

Then I went back downstairs.

That night, the man returned at one, nodded at me, and climbed the stairs.

I didn't ask where he'd been.

A few days later, I followed him.

I waited until eleven and watched him leave. Then I grabbed my coat and went after him, keeping far enough behind that he wouldn't notice.

He walked three blocks, turned left, then crossed the road without looking. Eventually, he stopped outside a narrow brick building with boarded-up windows.

He stood facing the entrance.

Not looking around. Not checking his watch.

Just standing there.

I waited for him to knock, or try the door, or do something that would explain why he'd come all this way.

He did nothing.

At one, he turned around and walked back to the hotel.

I followed him inside.

He nodded at me as he passed the desk.

I nodded back.

Neither of us said a word.

The next morning, I searched the building's address online. There was nothing useful, just an old street listing and a photograph of the same brick facade. The building had been empty for years.

I didn't tell the owner what I'd found.

I began watching the other guests more carefully.

There was a woman in room three who wore a grey coat and carried a handbag with a broken clasp. A man in room nine who always had wet shoes, even when it hadn't rained. Someone in room eleven who never appeared on the lobby camera but whose footsteps I could hear on the stairs.

They all left at eleven.

They all returned at one.

And none of them existed in the register.

When I asked the owner about it, he didn't even bother checking the book.

"You're new here," he said.

"What does that have to do with anything?"

"Nothing. You'll get used to it."

"Get used to what?"

He picked up his keys and left.

I started keeping a log.

Room number. Time of departure. Description. Time of return.

I wrote everything down because I was afraid that if I didn't, I'd forget. And I was beginning to forget things.

Small things at first.

Whether I'd eaten that day. Whether I'd spoken to the owner. Whether I'd locked the front door before going upstairs.

Once, I found a cup of coffee on the desk, still warm, with my name written on it in black marker.

I didn't remember making it.

Another time, I found a sentence in my notebook that I didn't remember writing.

Don't follow them inside.

I crossed it out.

The handwriting looked like mine.

After two weeks, the log was full. I compared it with the register, checking every name, every room, every date.

Nothing matched.

Not one guest.

I took the notebook to the owner.

"Who are these people?"

He looked at the pages.

For a moment, something changed in his expression. Not surprise. Not confusion.

Recognition.

Then it was gone.

"What people?"

"The guests. The ones leaving every night. The ones in rooms three, seven, nine, and eleven."

He closed the notebook.

"There are no guests in those rooms."

"I've seen them."

"I know."

The words came out so quietly that I almost missed them.

I stared at him.

"What do you mean, you know?"

He pushed the notebook back across the desk.

"You're tired. Get some sleep."

I grabbed his wrist before he could walk away.

"Tell me what's happening."

He looked down at my hand until I let go.

Then he straightened his sleeve.

"You're the night porter," he said. "Your job is to keep the hotel running."

He left me alone at the desk.

That night, I didn't watch the monitors.

I went upstairs instead.

Room three was empty. Room seven was empty. Room nine was empty. Room eleven was empty.

I checked every room in the hotel.

All twelve.

Some had beds and furniture. Others were bare, as if they had never been used. But there was no luggage, no clothing, no personal belongings. Nothing that suggested anyone had stayed there.

I went back downstairs and sat in front of the monitors.

The lobby was empty.

The stairs were empty.

The hallways were empty.

I rewound the footage from the previous night.

At eleven, the woman in the grey coat walked out through the front door. At one, she returned.

I watched it again.

At eleven, she walked out.

At one, she returned.

I slowed the footage down.

She entered the lobby, stopped in front of the desk, and looked directly at the camera.

Then she smiled.

I had never seen her smile before.

I leaned closer to the screen.

She raised one hand and pointed towards the desk.

Towards me.

I turned around so quickly that my chair struck the wall.

Nobody was there.

When I looked back at the monitor, the footage had moved on. The lobby was empty again.

I checked the register.

Room three was blank. Room seven was blank. Room nine was blank. Room eleven was blank.

But room one had an entry.

My name.

The date beside it was three weeks earlier.

I stared at the page, trying to remember the first night I'd arrived at the hotel. The owner showing me the desk. The narrow room behind the laundry. The keys.

I could remember all of it.

Except the journey there.

I couldn't remember where I'd come from.

I couldn't remember the last place I'd slept before the hotel.

I couldn't remember the name of the person I'd called when I got the job.

I searched my pockets for my phone.

There were no contacts saved in it.

The following morning, I asked the owner when I'd checked in.

He didn't answer immediately.

"Room one," I said. "The register says I've been here for three weeks."

He looked at the page.

"Does it?"

"You hired me three weeks ago."

"Did I?"

For the first time since I'd met him, I couldn't tell whether he was joking.

I went into the little room behind the laundry and locked the door.

There was a narrow bed, a sink, and a wardrobe. I'd been sleeping there every day.

I knew that.

I also knew I'd never seen the room in daylight.

I opened the wardrobe.

Inside hung a grey coat.

I recognised it immediately, though I couldn't remember where I'd seen it before.

There was something in the pocket. A folded slip of paper, soft at the edges, as if it had been handled many times.

On it, in my handwriting, were six words.

When they return, don't let them in.

I sat on the bed until it was time to go downstairs.

At eleven, the front door opened.

The man from room seven stood in the lobby.

He looked exactly as he always had. Neatly dressed. Hands in his pockets. Patient.

He glanced at the desk.

I kept my eyes on the register.

"Evening," he said.

I didn't answer.

He waited a moment, then walked out.

At one, I heard footsteps on the stairs.

I looked up.

The man stood at the foot of the stairs, looking at me.

Behind him, the woman in the grey coat came down from the second floor. Then the man with the wet shoes. Then someone I didn't recognise.

They gathered in the lobby, facing the desk.

Nobody spoke.

I reached for the phone to call the owner.

The line was dead.

When I looked up again, the lobby was empty.

The front door was open.

I got up to close it, but stopped when I saw the security monitor.

The camera showed me standing at the desk.

Behind me, the guests were gathering in the lobby.

One by one, they walked past me and went out through the open door.

I watched until the last one disappeared.

Then I looked at the desk.

There was a new page in the logbook.

The entries were written in my handwriting.

Room seven. Eleven PM. Departed.

Room seven. One AM. Returned.

Room three. Eleven PM. Departed.

Room three. One AM. Returned.

At the bottom of the page, beneath the last entry, was a sentence.

Room one is still occupied.

I turned towards the stairs.

Someone was standing at the top.

I couldn't see their face, but I could see the grey coat. The same coat hanging in my wardrobe.

They began to descend.

I backed away from the desk.

The figure stopped halfway down and looked towards the front door.

Then, slowly, it turned its head towards me.

I knew that face.

I knew it so well that, for a moment, I forgot to be afraid.

It was mine.

The figure smiled.

I looked down at the logbook.

A final line had appeared beneath the others.

Room one. Eleven PM. Departed.

I checked the clock.

It was eleven.

Behind me, the front door opened.

And from somewhere outside, I heard my own voice ask:

"Is anyone staying in room one?"


r/Odd_directions • • 2d ago

Horror Concrete Plan

8 Upvotes

"For all of your trusted funeral needs. Adams Funeral Home." That was the slogan my grandfather came up with when he started this business almost 100 years ago. He passed it on to my father, and when my father passed away, it was given to me. It was a business that I never wanted. Hell, I didn't even want a job ever in my life, just so I could avoid red tape and bullshit. I pretty much run the funeral home all by myself. Occasionally, a part-time employee named Tiffany helps answer the phones and assists me in the occasional funeral. Other than that, she's practically useless.

Useless is good because let's just say my business practices aren't orthodox. I am the only funeral home for 50 miles. People from neighboring towns come to me for all of their funeral needs. I have a specific policy that I like to call the "closed casket clause." No matter the funeral, that lid cannot be opened. This is a cover that I use to dispose of unwanted body parts or at times unwanted corpses. People think I'm burying Grandma, but sometimes it could be a homeless man that was dumped at my doorstep.

If I run out of space and you want your great uncle buried, I'll cremate him and put rocks in the casket. I get paid handsomely for the work I do and I couldn't care less about what happens to the dead because as far as I'm concerned, they can't pay me. Call me a monster, call me anything you want, but you could never call me broke.

One afternoon, Tiffany strolled in only two and a half hours late this time. She really dresses to impress for this job. She usually wears these Goth platform black leather boots, a pleated black skirt, and a band T-shirt — today it's My Chemical Romance — and always the same black choker. She could easily be mistaken as Wednesday Addams's body double, with long black braided hair and black lipstick. She attends the community college the next town over and this apparently was the only job that would give her a chance. She usually answers the phones for a couple of hours and then comes up with an excuse like she has to do homework, get an oil change, or drive her father to work because he doesn't have a car. However, I know the main reason she leaves early is so that she can go see her boyfriend. I was born on a Wednesday, just not this Wednesday.

I usually don't mind her lying to me because it gives me more time to do what I need to do alone. I've become very well versed with a chainsaw. I cut up bodies like logs from a tree. If I'm able to use the crematory, I get rid of them quickly. However, sometimes it's on the fritz and I have to throw them in the woods behind the funeral home. Past the woods is the cemetery. I own the entire land and I know exactly how to utilize every inch of it.

A couple of days later is where this story truly begins. I had a man come in by the name of Jonathan Watts. He was a business owner — something about concrete, I think, though I wasn't really paying attention because I didn't care. He came by because his mother had passed away and he needed to work out her funeral arrangements. Even though he was a middle-aged man, he looked like a lost puppy dog to me. Whatever business he was in, I didn't care. All I cared about was the business he was going to give me, and that only produced dollar signs.

He had picked out one of the caskets I had displayed around the parlor. Little did he know I kept the cheap ones in the back and put only the expensive ones out front. They took up an entire room and covered the floor. Above them were shelves stacked with urns, also on the expensive side, with the affordable options hidden away in the back room. He picked the most expensive one — a cherrywood glossy finish. He gave me some sob story about how he was the last member of his family left and that he trusted me with fulfilling his mother's final wishes.

Before he left we set a day for the following week to bury his mother in my cemetery. This gave me a few days to prep the casket and her body before the service. Little did he know I cremated her that evening and poured her ashes down the drain. That's when I began stuffing the casket with some of the body parts that had really begun to smell. I mean, he did agree to the closed casket clause after all.

A couple of nights later during a thunderstorm, I was in the back — let's just discreetly say using a chainsaw — when I heard somebody ring the doorbell. Tiffany, who was supposed to be there, was nowhere to be found. I had to change out of my dirty coveralls that were soaked in blood and what I could only describe as other bodily fluids. I rushed to the door to find Jonathan standing there in the rain.

I groaned under my breath and rolled my eyes as I opened the door. "Jonathan, it's late. Is everything alright?" I said to him, as if I actually cared. I deserved an award for that performance. He took a deep breath and sniffled as he said, "Yes Mr. Adams. I'm alright. However, I just miss her so much and I was wondering if I could see my mother one last time before the funeral in the morning." He said as the rain steadily dripped from his soggy work uniform. "I know you have a closed casket clause, but I just miss her so goddamn much." He concluded by throwing his face into his hands and sobbing uncontrollably.

On the inside, I was boiling with rage, but on the outside I had to have a little bit of courtesy. I put my hand on his shoulder and explained to him, "I'm sorry Mr. Watts, part of my closed casket clause is that I weld the caskets shut. I apologize that you'll never be able to see her again, however, I would feel more comfortable if you would wait inside while the storm passes. I can get you a towel and make you some hot tea." He just hung his head low and agreed to come in after turning around and looking at the pouring rain.

I told him to stay put while I went and fetched him a towel and started a kettle on the stove in the break room. I was already pissed because he was drenching the freshly shampooed carpet, but again I had to have some tact. I hastily grabbed him a towel from a utility closet and popped the kettle on the stove. I had forgotten my phone in the back room so I decided to go grab it while I was waiting for the water to boil. There was my phone next to a mangled corpse and a chainsaw. I grabbed my phone and put it in my pocket.

In the time it took me to do these three tasks, I turned around and there was Mr. Watts. "I don't know what kind of shit you're playing here, but I just went into my mother's room, and the lid was in fact, not welded shut." Mr. Watts stood there, pointing his finger at me, and if it were possible, steam would've come out of his ears. I stood there sweating because I had been caught for the first time. He then continued his rampage. "Why in the fuck are there mangled body parts in my mother's casket?" Before I could even utter a word, his eyes swept over to the workbench. His eyes began to tear up when he saw it. "Mama?" Was all he could say.

I had left out the detail that the body I was chopping up was in fact his mother. I didn't know what else to do so I shoved him to the ground as he stumbled backwards onto his ass and ran out the back door. Trudging through the mud I felt like I was running in quicksand. I headed straight for the woods and decided to hide. When I could hear Jonathan yelling my name in the darkness I decided to hide behind a tree. When I crashed down, that's when I remembered that I had my car keys in my pocket.

My car was about 500 yards away. If I did it quickly, I was sure I could make it there in time before he could catch me. I swiftly waded through mud and trees in the forest before I was in the clearing of the cemetery. After dodging gravestones I could see my car in the distance. Next to it was Mr. Watts's cement truck. I was almost there. That's when I heard a shot ring out like thunder piercing the sky. I all of a sudden felt a sharp pain in the back of my right knee. That son of a bitch had shot me. I fell in agony while clenching my fresh wound. I looked up and there he was standing over me with a six-shooter.

"I got you now, you sorry son of a bitch." He said, looking down at me on the ground. "Mr. Watts, this is a big misunderstanding. That room was inaccurate. Your mother's room was the one next to it. That room I use for body parts that need to be cremated." I was pleading to him with lie after lie dripping from my tongue. However, he wasn't buying it. "Not only are you a sorry son of a bitch, you're a lying one to boot." He said, not wavering the gun pointed directly at my chest. He then looked over to a hole in the ground and began to smirk.

"Is that the hole you were gonna put my mother in?" He asked me bluntly. All I could do was vigorously shake my head that it in fact was. "Great!" He said as he shot my other leg. As I began screaming from the hot lead that had just entered my other leg, he picked me up, put me over his shoulder, and tossed me into the would-be grave of his mother. "Now mister, this here is yours." As I begged for my life he just walked away. For a moment, I thought he was just going to leave me there. That's when I heard an engine kick on. It got louder and louder, indicating that it was close.

That's when it started beeping as it was backing up. As I looked up, all I could see was what looked like a chute at the top of the hole. A car door opened and shut as I could hear footsteps in the mud. He looked down on me once again and began to speak. "You see, running my own concrete business has its perks. Since you took it upon yourself to defile my mother's corpse, yours will never be found again." He then walked over to the truck and I could hear him flip a switch. That's when wet cement started covering my body. After a while, my screams were muffled by the wet mix and I could hear Mr. Watts laughing as the hole began to fill up.


r/Odd_directions • • 2d ago

Weird Fiction rap-tap-tap.

0 Upvotes

rap-tap-tap. don't let them in.

His body has some sort of cloud around it, somewhat similar to when a camera doesn't focus but honed in to his outline. Occasionally I see spikes jutting from his shoulders and elbows, but I pass it off. New Years was almost a week previously, so I chalked it up to a hangover, albeit with doubt. There was something he wanted to deliver to me, as I recall, and his persistent rap-tap-tapping on the door further pushed that narrative, but I was far too focused on him to really know what was happening. I was wrong to brush it off and go to bed, and I knew it at the time, but it was almost midnight and I was too tired to believe it was real. It ceased eventually.

Another one came in the morning, about 9am. I had just convinced myself it was a night terror, but the rap-tap-tapping grounded me back in reality headfirst. I phoned in sick to work. Couldn't muster up the courage to bypass her. Arguably my most rational thought I had so far. So I spent the morning reorganising my library and peering through manuscript of bygone days, with my gramophone playing loudly in a vain effort to drown out the knocking she kept on doing. I had thought it worked eventually, when the knocking stopped as I stood up to make lunch, but as I peered out the window I saw she had walked down the path and left. This was my window of opportunity, my saving grace, my knight in shining armour, if you will. Jacket flung haphazardly over my pajamas, I had skidded into the driveway, and let my feet pound the tarmac as I started to run down the avenue to the train station. There would be more of them at my door and I wasn't prepared to face them again.

And that's my encounter up to date. That morning that I abandoned ship was this morning, and I boarded a train to Malmö shortly after leaving my house. It should only take a couple of hours, and I'm lucky enough to have some euros saved so I can rent a place in the city while I wait for the danger to pass. I'm still yet to have lunch, as well as dinner, which was promised to us 15 minutes ago at 7pm. I have attempted to speak to the driver, but I'm assuming he's in the lavatory as we're currently on series of a long, single track bridges over some gorges and valleys. More than understandable I'm sure, but if he's in there for 15 minutes I think a doctor may need to be called.

It has been 5 minutes since last I wrote, the driver is now at my door. His face is partially blurred by the clouded glass that we've been graciously given to avoid peeping toms, but from what I can see he's smiling. He's knocked a couple of times saying he had a delivery. I assumed he meant dinner, so I went to open the door just as he knocked again.

rap-tap-tap.

**classification**

This piece of writing was found written in a small notebook in the pocket of a man we have identified as Hans Hårsson, a Swedish professor turned recluse, in his left inner breast pocket in his trench coat. It is dated to 1934. His body was found underneath 47 feet of snow in the rubble a collapsed stone bridge we have no clear records of. Research will continue where necessary.

- Solaris


r/Odd_directions • • 2d ago

Horror Something is Seriously Wrong with the Irish Countryside: Story 2 [Anthology]

3 Upvotes

Story 1

The Bog

This story happened a few years back when I was still a university student. By the time I was in my second year, I started seeing this girl by the name of Lauren. We had been dating through most of that year, and although we were still young, I was already convinced this bonnie Irish girl with faint freckles on her cheeks was the one I’d eventually settle down with. In fact, things were going so well between Lauren and me, that I foolishly agreed to meet her family back home.  

Lauren’s parents lived in the Irish midlands, only an hour or two outside of Dublin. After taking a short flight from England, we made our way off the motorway and onto the country roads, where I was surprised to see how flat everything was, in contrast with the mountainous, rugged land I always imagined the Emerald Isle being.  

Lauren’s parents lived in a very small but lovely country village, home to no more than 400 people, and surrounded by many farms, cow fields and a very long stretch of bogland. Like any boyfriend, going to meet their girlfriend's family for the first time, I was very nervous. But because of the historic tension that still exists between Ireland and England, I was more nervous than I really should have been. After all, what Irish parent wants to hear their daughter’s bringing home an Englishman? 

As it turned out, I had no reason to be so worrisome, as I found Lauren’s parents to be nothing but welcoming. Her mum was very warm and comforting, as Lauren said she would be, and her dad was a polite, old fashioned sort of gent.   

‘There’s no Mr Mahon here. Call me John.’ his first words were to me. 

A couple of days and heavy dinners later, things were going surprisingly smooth. Although Lauren’s parents had taken a shine to me – which included their Border Collie, Dexter... my mind still wasn’t at ease. For some reason, I had this very unnerving feeling, as though something terrible was eventually going to happen. I just assumed it was nervous jitters from meeting the family, but nevertheless, something about it didn’t feel quite right... Almost like a warning. 

On the third night of our stay, this uneasy feeling was still with me, so much so that I just couldn’t fall asleep. Staring up at the ceiling through the darkness, I must have remained in that position for hours. By the time the dawn is seeping through the bedroom curtains, I check my phone to realise it is now 6 am. Accepting no sleep is going to come my way, I planned to leave Lauren, sleeping peacefully, to go for a stroll down the country roads. Accidentally waking her while I got dressed, Lauren being Lauren, insists that we go for an early morning walk together.    

Bringing Dexter, the family dog with us, along with a ball and hurling stick to play with, we follow the road that leads out of the village. Eventually passing by the secluded property of a farm, we then find ourselves on the outskirts of a bog. Although Lauren grew up here all her life, she had never once explored this bog before, as until recently, it was the private property of a peat company, which has since gone out of business.  

Taking to exploring the bog, the three of us then stumble upon a trail that leads through a man-made forest. It seems as though the further we walk, the more things we discover, because following the very same trail through the forest, we next discover a narrow railway line once used for transporting peat, which cuts through the artificial trees. Now feeling curious as to where this railway may lead us, we leave the trail to follow along it.  

Stepping over the never-ending rows of wooden planks, Lauren and I suddenly hear a rustling far out in the trees... Whatever it is, it sounds large, and believing its most likely a deer, I squint my tired eyes through the dimness of the woods to see it...  but what I instead see, is the faint silhouette of something, peeking out from behind a tree at me. Trying to blink the blurriness from my eyes, the silhouette looks no clearer to me, leaving me wondering if what I’m seeing is another person or an animal.  

‘What is that?’ I ask Lauren, just as confused as I to what this was.  

Continuing to stare at the silhouette a while longer, Lauren, with more efficient eyes than my tired own, finally provides an identity to what this unknown thing is. 

‘...I think it’s a cow’ she answers me, though her face appears far from convinced, ‘It probably belongs to the Doyle Farm we passed by.’  

Pulling the phone from her pocket, Lauren then uses the camera to zoom in on whatever is watching us – and while I wait for her to confirm what this is through the pixels on her screen, the uneasy feeling that’s ailed me for the past three days only strengthens... Until, breaking the silence around us, Lauren wails out in front of me...  

‘OH MY GOD!’    

What Lauren sees through the screen, staring back at us from inside the forest, is the naked body of a human being. Its pale, bare arms clasped around the tree it hides behind. But what stares back at us, with seemingly pure black, unblinking eyes and snow-white fur... is the head of a cow.   

‘Babes! What is that?!’ Lauren frighteningly asks.  

‘I... I don’t know...’ my trembling voice replies, unaware if my tired eyes deceive me or not. 

Upon sensing Lauren’s and my own distress, Dexter becomes aware of the strange entity watching us from within the trees – and with a loud, threatening bark, he races after this thing, like a hound on a fox hunt, disappearing through the darkness of the woods.    

‘Dexter, NO!’ Lauren yells, before chasing after him!   

‘Lauren don’t! Don’t go in there!’   

She doesn’t listen. By the time I’m deciding whether to go after her, Lauren was already gone. Afraid as I was to enter those woods, I was even more terrified by the idea of my girlfriend being in there with that thing! And so, swallowing my own fear as best I could, I reluctantly enter to follow Lauren’s yells of Dexter’s name.  

The closer I come to her cries, the more panicked and hysterical they sound... She was reacting to something – something terrible. By the time I catch sight of her through the thin trees, I begin to hear other sounds... The sounds of deep growling and snarling, intertwined with low, soul-piercing groans. Groans of pain and torment. I catch up to Lauren, and I see her standing as motionless as the trees around us – and in front of her, on the forest floor... I see what was making the horrific sounds...  

What I see, is Dexter. His domesticated jaws clasped around the throat of this thing, as though trying to tear the life from it – in the process, staining the mossy white fur of its neck a dark current red! The creature doesn’t even seem to try and defend itself – as though paralyzed with fear, weakly attempting to push Dexter away with trembling, human hands. Among Dexter’s primal snarls and the groans of the creature’s agony, my ears are filled with Lauren’s own terrified screams.  

‘Do something!’ she screams at me.  

Beyond terrified myself, I know I need to take charge. I can’t just stand here and let this suffering continue. Taking Lauren’s hurl from her hands, I force myself forward with every step. Close enough now to Dexter, but far enough that this thing won’t buck me with its hind human legs. Holding the hurl up high, foolishly feeling the need to defend myself, I grab a hold of Dexter’s loose collar, trying to jerk him desperately away from the tormented creature. But my fear of the creature prevents me from doing so - until I have to resort to twisting the collar around Dexter’s neck, squeezing him into submission.  

Now holding him back, Lauren comes over to latch Dexter’s lead onto him, barking endlessly at the creature with no off switch. Even with the two of us now restraining him, Dexter is still determined to continue the attack. The cream whiteness of his canine teeth and the stripe of his snout, stained with the creature’s blood.   

Tying the dog lead around a tree’s narrow trunk, keeping Dexter at bay, me and Lauren stare over at the creature on the ground. Clawing at his open throat, its bare legs scrape lines through the dead leaves and soil... and as it continues to let out deep, shrieking groans of pain, all me and Lauren can do is watch it suffer.  

‘Do something!’ Lauren suddenly yells at me, ‘You need to do something! It’s suffering!’  

‘What am I supposed to do?!’ I yell back at her.  

‘Anything! I can’t listen to it anymore!’  

Clueless to what I’m supposed to do, I turn down to the ash wood of Lauren’s hurl, still clenched in my now shaking right hand. Turning back up to Lauren, I see her eyes glued to it. When her eyes finally meet my own, among the strained yaps of Dexter and the creature’s endless, inhuman groans... with a granting nod of her head, Lauren and I know what needs to be done...  

Possessed by an overwhelming fear of this creature, I still cannot bear to see it suffer. It wasn’t human, but it was still an animal as far as I was aware. Slowly moving towards it, the hurl in my hand suddenly feels extremely heavy. Eventually, I’m stood over the creature – close enough that I can perfectly make out its ungodly appearance.   

I see its red, clotted hands still clawing over the loose shredded skin of its throat. Following along its arms, where the blood stains end, I realise the fair pigmentation of its flesh is covered in an extremely thin layer of white fur – so thin, the naked human eye can barely see it. Continuing along the jerk of its body, my eyes stop on what I fear to stare at the most... Its non-human, but very animal head. Frozen in the middle, between the swatting flaps of its ears, and the abyss of its square gaping mouth, having now fallen silent... I meet the pure blackness of its unblinking eyes. Staring this creature dead in the eye, I feel like I can’t move, no more than a deer in headlights. I don’t know for how long I was like this, but Lauren, freeing me of my paralysis, shouts over, ‘What are you waiting for?!’   

Regaining feeling in my limbs, I realise the longer I stall, the more this creature’s suffering will continue. Raising the hurl to the air, with both hands firmly on the handle, the creature beneath me shows no signs of fear whatsoever... It wanted me to do it... It wanted me to end its suffering... But it wasn’t because of the pain Dexter had caused it... I think the suffering came from its own existence... I think this thing knew it wasn’t supposed to be alive. The way Dexter attacked the thing, it was as though some primal part of him also sensed it was an abomination – an unnatural organism, like a cancer in the body.  

Raising the hurl higher above me, I talk myself through what I have to do. A hard and fatal blow to the head. No second tries. Don’t make this creature’s suffering any worse... Like a woodsman, ready to strike a fallen log with his axe, I stand over the cow-human creature, with nothing left to do but end its painful existence once and for all... But I can’t do it... I can’t bring myself to kill this monstrosity... I was too afraid.  

Dropping Lauren’s hurl to the floor, I go back over to her and Dexter. ‘Come on. We need to leave.’  

‘We can’t just leave it here!’ she argues, ‘It’s in pain!’  

‘What else can we do for it, Lauren?!’ I raise my voice to her, ‘We need to leave! Now!’  

We make our way out of the forest, continually having to restrain Dexter, still wanting to finish his kill... But as we do, we once again hear the groans of the creature... and with every column of tree we pass, the groans grow ever louder...  

‘Don’t listen to it, Lauren!’   

The deep, gurgling shriek of those groans, piercing through us both... It was calling after us. 

Later that day, and now safe inside Lauren’s family home, we all sit down for supper – Lauren's mum having made a Sunday roast. Although her parents are deep in conversation around the dinner table, me and Lauren remain dead silent. Sat across the narrow table from one another, I try to share a glance with her, but Lauren doesn’t even look at me – motionlessly staring down at her untouched dinner plate.   

‘Aren’t you hungry, love?’ Lauren’s mum asks concernedly.  

Replying with a single word, ‘...No’ Lauren stands up from the table and silently leaves the room.   

‘Is she feeling unwell or anything?’ her mum tries prodding me.  

Trying to be quick on my feet, I tell Lauren’s mum we had a fight while on our walk. Although she was very warm and welcoming up to this point, for the rest of the night, Lauren’s mum was somewhat cold towards me - as if she just assumed it was my fault for our imaginary fight. Though he hadn’t said much of anything, as soon as Lauren leaves the room, I turn to see her dad staring daggers in me. Despite removing the evidence from Dexter's mouth, all while keeping our own mouths shut... I’m almost certain John knew something more had happened. The only question is... Did he know what it was? 

Stumbling my way to our bedroom that night, I already find Lauren fast asleep – or at least, pretending to sleep. Although I was so exhausted from the sleep deprivation and horrific events of the day, I still couldn’t manage to rest my eyes. The house and village outside may have been dead quiet, but in my conflicted mind, I keep hearing the groans of the creature – as though it’s screams for help had reached all the way into the village and through the windows of the house.   

It was only two days later did Lauren and I cut our visit short – and if anything, I’m surprised we didn’t leave sooner. After all, now knowing what lives, or lived in the very place she grew up, Lauren was more determined to leave than I was.  

For anyone who asks, yes, Lauren and me are still together, though I’m afraid to say it’s not for the right reasons... You see, Lauren still hasn’t told her parents about the creature on the bog, nor have I told my own friends or family. Unwilling to share our supernatural encounter, or whatever you want to call it with anyone else... All we really have is each other... 

Well... that's the reason why I’m sharing this story now... Because even if we can’t share it with the people in our own lives, at least by telling it now, to perfect strangers under an anonymous name...  

...We can both finally move on.  


r/Odd_directions • • 3d ago

Weird Fiction Dark Roast

7 Upvotes

The days on which Great Events occur are seldom, in themselves, remarkable; it is the Event which grants them remarkability. So it was with the Day of Final Outpouring, known more colloquially, at least in that province of the Dominion of Canada in which it transpired—indeed, is transpiring still… —Ontario, as the Day of Endless Timmy's, which was, meteorologically speaking, a rather dour and cloudy day, neither too hot nor too cold (the term, I believe, is “seasonal”) although I admit I am now, myself, remarking on an aspect of a day which I have already defined as unremarkable, thus contradicting myself, literally at least, if not so plainly in spirit because, after all,

[At this point, I pulled the narrator out of the story, placed him against its fourth wall and had him executed by firing squad.

“On what grounds?” he feebly asked.

On the grounds that I am the author and storytelling is not beholden to the rule of law.

There is no law.

There is no parliament, no central planning committee, no separation of powers. There are no checks and balances.

Characters have no rights.

Readers do not have any arms to bear against the storyteller, i.e. me.

Storytelling is a place of absolute fiat.

“Fire!”]

Once upon a time in Canada, on a rainy October morning, in a rather rundown office building, a regular guy, Emblen Farleymuch, sat down in his cubicle, powered on his work laptop and logged in to his employer's brand new Genie-IS™ security software.

The login was painless.

A small animated genie appeared on screen, gave an enthusiastic thumbs up and minimized itself to the taskbar.

Emblen sighed at the prospect of another day of mindless work, then took out his thermos of daily coffee and began pouring a cup—or rather tried pouring a cup: because there was nothing to pour. The thermos was empty. Emblen had forgotten to brew coffee this morning.

“Fuck,” he thought, and he followed that up by saying quietly, in the way characters often speak their thoughts when the plot demands it: “I sure wish I could have a thermos of endless coffee.”

Two things happened then: * the little genie on the taskbar winked; and * coffee began magically pouring forth out of Emblen's thermos. [1]

It poured forth until it had filled Emblen's cup, then poured forth some more, overflowing the cup and proceeding to the desk, and from the desk streaming to the floor, soaking into the carpet, saturating it; seeping next horizontally through the gap between the carpet and the baffles of Emblen's cubicle, into the neighbouring cubicles…

Soon people took notice, saying, “What the hell?” and “Oh, my goodness, there's coffee in my cubicle; someone tell management!” “Does management know?” “Get the union rep.” “What can we do?” “I ain't doing shit. It's not in my job description.” “Does this mean we can work from home?” “I can't handle strong scents. I need to be medically accommodated!” And so on and so forth, or pourth, as the case may

[“Fire!”]

As for Emblen himself, he remained immobile. Not dead, exactly; more paralyzed, conscious but unable to move out of the position he was in: standing, holding the thermos at an angle above his overflowing cup, as the coffee pourthed and pourthed.

[“I only used the word ironically. I didn't mean it seriously. It's a stupid pun, a wickedly horrid neologism,” the narrator spat out.

We were in a windowless room, (underground, single lightbulb, etc.), and I had already pulled out some of his teeth and broken a couple of his fingers, but I was feeling merciful, so I spared his life and sentenced him to 1,500,000 words of hard labour writing hockey romance novels instead.]

Soon, the coffee was dripping down to the lower floors, flowing down the stairs, even taking the elevator, and there was nothing anybody could do about it.

The police were called.

They tried moving Emblen, but that proved impossible. Then they tried shooting him; but the bullet ricocheted and killed a bystander, whose family sued the police, the company and God, hoping to get rich. The family won, but the fact the bystander couldn't swim lowered the damages significantly, on the reasoning that, more likely than not, she would have drowned anyway.

Then God showed up—picketed heavily by protestors holding signs saying things like, “Noah More Floods!”—to explain that, yes, although He'd promised never again to destroy all life by the waters of a flood: (a) He did not cause this particular flood (and He never promised not to support a pre-existing flood), and (b) coffee is not water.

When an association of food scientists dared to counter-argue that coffee is pretty much just water, and the distinction is therefore purely cynical, God got miffed, and, when asked for a rebuttal, pronounced, “My rebuttal is: I'll [censored]damn smite you!”

When the food scientists responded that He couldn't just do that, that there needed to be order to the world, God, mindful of the country he was in, quoted the famous words of a Prime Minister and said, “Well, just watch me.”

He then smote the scientists.


P.S. Wanna know the real horror? It was instant coffee.


[1] Narratively, there is nothing magical about it, as there is no magic in stories. Everything happens by the iron will of the author. As Stalin once said: “A single absurdity in one story is an error. A million absurdities is a genre.”

What?

You don't think he said that?

You want “proof”?

Here's your fucking “proof”:

After having dug up Stalin's corpse, the necromancer butchered a goat, performed the ritual and reanimated the former General Secretary.

Stalin’s living corpse stumbled forward. “A single absurdity in one story is an error, “ it mumbled. “A million absurdities is a genre.”

Then its lower jaw fell off.

Then it tripped over its own decaying feet, fell and drowned in the world deluged by Emblen Farleymuch's coffee.


r/Odd_directions • • 3d ago

Thriller The Voyager Files - The Gambler

2 Upvotes

The first light of day fell upon the gray concrete bench in the center of the park. Its glare disturbed the man’s closed eyes, like a child tugging at an adult’s clothes, eager to play. At last, he sat up, remembering his wretched luck with the dice the night before. He had lost everything once again, and, to his despair, he had nothing left to sell. In recent months, driven by his addiction to gambling, he had stripped himself of all his possessions: first selling the property he had inherited from his father, then pawning his furniture and appliances, his clothes, and his watch, until, in the delusion of his vice, he had even sold a pint of his own blood.

Sitting there, he took stock of his bleak situation. He had no material possessions left to surrender, but he still had two things to sell: his memories and his soul. The challenge was finding the right buyer, someone interested in such rarities, which were not traded every day. He told himself that this was the domain of priests and demons, and that such a transaction required searching churches and cemeteries. Smoothing his wrinkled suit, he headed toward the first cathedral along his path, which stood at the end of a long avenue—a temple far too large for his taste.

Fortunately, its doors stood open, and there were no more than two worshipers inside, making it easy for him to slip in unnoticed until he reached an old confessional. A drawn curtain indicated the presence of a clergyman, ready to hear the repentant. Without hesitation, he sat on the worn bench and, leaning toward the wooden screen, whispered a greeting. On the other side, through the chiaroscuro, the silhouette of the priest emerged: his bald head and cassock.

The man began to recount his tragic story in detail, offering convoluted explanations while carefully omitting his repulsive vice. Finally, he explained that he was burdened with memories and willing to share them with anyone interested. He then asked whether it was true that everyone possessed a soul, and whether prelates had any interest in purchasing one.

The priest spoke evasively, carefully masking his intentions, but it was clear that the proposition interested him, and an offer seemed to lie behind his rigid posture. At last, he explained that memories were not a commodity easily bought, since they never came alone but were always intertwined with remorse, becoming damaged in the process of separation. As for souls, he advised that they could only be negotiated with the living, since the dead were in no condition to surrender them. If a deal were struck, however, he could advance him a sum as a down payment. He emphasized that the responsibility would rest solely with the seller, as established in a signed consent form; this would protect the buyer from bearing the weight of such a sin.

The gambler did not think twice. He accepted the terms, desperate for enough cash to play one last hand of cards. Later, outside the casino, the prelate waited for the addict to emerge. As expected, he had lost once again. Offering words of comfort, the priest ushered him into his vehicle and drove him to a clandestine clinic on the outskirts of the city, while handing him a potent narcotic to drink.

Once there, without delay, the hired surgeon extracted the man’s soul—which took the form of a healthy kidney, precisely the one needed by the clergyman’s ailing mother.


© 2026 Francisco Cortés Ramírez. All rights reserved. This is an original fictional work. No part of this text may be reproduced, translated, or narrated in any audio, video, or digital format without the express written permission of the author.


r/Odd_directions • • 3d ago

Horror My Boss Told Me Never to Open the Back Room

8 Upvotes

"Come in, Dan," Emma said.

"Hi Emma, what can I do for you?"

"As you might know, I recently got promoted to a branch manager, which came with this beautiful office."

"It is really nice."

"Thank you. But it means the basement office is empty. Management would like to move you there. It's not bad. I've actually enjoyed working there."

"But I really like my office, Emma, and the basement…"

"It's non-negotiable."

I rubbed my face.

"Sorry, my hands are tied. Please have it done by the end of the day." She glanced at the clock. "Also, keep the back room closed."

I got up and slowly walked to my office. It wasn't as pretty as Emma's, but it still had windows and sunlight, and it was mine, but what could I do? I packed up my things and headed down.

The basement was cold concrete, with bright fluorescent lights. A long hall led to the office. My steps echoed in the silence. A water cooler stood in the hall, but there was no coffee machine. I sighed and unlocked the door. 

The lights flickered. They seemed even brighter inside. The room was in the back. I put my stuff down and turned on my computer. A loud whoosh sounded from the back room like a bunch of computers turning on at once. We kept old servers in rooms like these, but why would they turn on now? 

I knew Emma had told me not to open it, but who cared? She moved me to this shithole. I walked to it and opened the door. The room was dark, but in the back, blue electric current glowed. I turned on the light. 

On the ground lay a strange gray blob, buzzing with blue electricity. Its whole body seemed to move with each volt, as if it breathed through it. The zaps got louder. They sounded like someone saying my name. I grabbed the door frame tightly. The thing expanded and deflated, and a blue wave of electricity ran along the ground, shocking me.

"Fuck!" I yelled. 

The thing moved around again, ready to fire. I turned and bolted to Emma's office.

She took a deep breath as she saw my frightened face.

"There's a, there's a thing."

"Did you open the door?"

"No. Yes. I…"

Her face went blank. She glanced at the clock.

"Dan, calm down."

"We need to call someone."

"No." She furrowed her brows. "There will be no calling."

"But it zapped me, it…"

"Listen to yourself. You're being ridiculous. Come, I'll go with you and show you it's nothing."

"No, I'm not going back there."

"Do you want to lose your job?"

"What?"

"You're getting fired if you don't listen."

"But I need this job."

"Then just come down, Dan. I'll show you it's okay. If it's not, we'll call someone."

We walked down the stairs. I still couldn't believe we were doing this. Emma seemed worried too. She kept looking over her shoulder and checking her phone. I thought we'd turn around, but she kept walking until we stood before the basement office.

She grabbed the door handle, took a deep breath, and opened the door.

"See? Nothing is going on."

She stopped and looked at the open back room.

"You opened it. It wasn't supposed to be awake yet. Not until..."

A loud electric zap sounded. The whole room turned blue for a second. I put my hand in front of my face. Emma's body lay on the ground, face down. The gray smudge moved across the floor, leaving a slime trail. As it rose and fell, its crackling formed into words, Emma's words. It climbed onto her, and a wet tearing echoed through the room.

I shut the door, ran out of the building, and called the police. They arrived shortly after. I took them to the basement, but I couldn't make myself open the door. One of the police officers had to do it. 

My heart beat against my ribs as he grabbed the handle, but the room inside was spotless. Only a faint smell of burnt meat hung in the air. The back room door was closed, and Emma sat at the table, fiddling with her hair.

"What seems to be the problem, officers?"

My fingers went numb.

"We're sorry, Ma'am. We received a distress call from your employee, but it seems everything's okay."

"We're awfully sorry. Dan has been under a lot of stress. Take the day off, Dan. If there are any costs for your troubles, officers, just invoice the company."

"No problem, Ma'am."

That day I went home feeling like a shell of myself. I couldn't remember driving home, and I didn't even change my clothes before bed. 

The next day I woke up in a haze. I didn't know whether to believe what I'd seen, and I still needed the money. I got back in my car and drove to work.

My heart pounded as I opened the building's door, but everything seemed the same. My breathing eased as I passed the office halls, but then I heard it – Emma.

"Come in, Dan," her voice crackled with static.


r/Odd_directions • • 3d ago

Horror Something is Seriously Wrong with the Irish Countryside: Story 1 [Anthology]

2 Upvotes

The Farm

Every summer when I was a child, my family would visit our relatives in the north-west of Ireland, in a rural, low-populated region called Donegal. Leaving our home in England, we would road trip through Scotland, before taking a ferry across the Irish sea. Driving a further three hours through the last frontier of the United Kingdom, my two older brothers and I would know when we were close to our relatives’ farm, because the country roads would suddenly turn bumpy as hell.  

Donegal is a breath-taking part of the country. Its Atlantic coast way is wild and rugged, with pastoral green hills and misty mountains. The villages are very traditional, surrounded by numerous farms, cow and sheep fields. 

My family and I would always stay at my grandmother’s farmhouse, which stands out a mile away, due its bright, red-painted coating. These relatives are from my mother’s side, and although Donegal – and even Ireland for that matter, is very sparsely populated, my mother’s family is extremely large. She has a dozen siblings, which was always mind-blowing to me – and what’s more, I have so many cousins, I’ve yet to meet them all. 

I always enjoyed these summer holidays on the farm, where I would spend every day playing around the grounds and feeding the different farm animals. Although I usually played with my two older brothers on the farm, by the time I was twelve, they were too old to play with me, and would rather go round to one of our cousin’s houses nearby - to either ride dirt bikes or play video games. So, I was mostly stuck on the farm by myself. Luckily, I had one cousin, Grainne, who lived close by and was around my age. Grainne was a tom-boy, and so we more or less liked the same activities.  

I absolutely loved it here, and so did my brothers and my dad. In fact, we loved Donegal so much, we even talked about moving here. But, for some strange reason, although my mum was always missing her family, she was dead against any ideas of relocating. Whenever we asked her why, she would always have a different answer: there weren’t enough jobs, it’s too remote, and so on... But unfortunately for my mum, we always left the family decisions to a majority vote, and so, if the four out of five of us wanted to relocate to Donegal, we were going to. 

On one of these summer evenings on the farm, and having neither my brothers or Grainne to play with, my Uncle Dave - who ran the family farm, asks me if I’d like to come with him to see a baby calf being born on one of the nearby farms. Having never seen a new-born calf before, I enthusiastically agreed to tag along. Driving for ten minutes down the bumpy country road, we pull outside the entrance of a rather large cow field - where, waiting for my Uncle Dave, were three other farmers. Knowing how big my Irish family was, I assumed I was probably related to these men too. Getting out of the car, these three farmers stare instantly at me, appearing both shocked and angry. Striding up to my Uncle Dave, one of the farmers yells at him, ‘What the hell’s this wain doing here?!’ 

Taken back a little by the hostility, I then hear my Uncle Dave reply, ‘He needs to know! You know as well as I do they can’t move here!’ 

Feeling rather uncomfortable by this confrontation, I was now somewhat confused. What do I need to know? And more importantly, why can’t we move here? 

Before I can turn to Uncle Dave to ask him, the four men quickly halt their bickering and enter through the field gate entrance. Following the men into the cow field, the late-evening had turned dark by now, and not wanting to ruin my good trainers by stepping in any cowpats, I walked very cautiously and slowly – so slow in fact, I’d gotten separated from my uncle's group. Trying to follow the voices through the darkness and thick grass, I suddenly stop in my tracks, because in front of me, staring back with unblinking eyes, was a very large cow – so large, I at first mistook it for a bull. In the past, my Uncle Dave had warned me not to play in the cow fields, because if cows are with their calves, they may charge at you. 

Seeing this huge cow, staring stonewall at me, I really was quite terrified – because already knowing how freakishly fast cows can be, I knew if it charged at me, there was little chance I would outrun it. Thankfully, the cow stayed exactly where it was, before losing interest in me and moving on. I know it sounds ridiculous talking about my terrifying encounter with a cow, but I was a city boy after all. Although I regularly feds the cows on the family farm, these animals still felt somewhat alien to me, even after all these years.  

Brushing off my close encounter, I continue to try and find my Uncle Dave. I eventually found them on the far side of the field’s corner. Approaching my uncle’s group, I then see they’re not alone. Standing by them were three more men and a woman, all dressed in farmer’s clothing. But surprisingly, my cousin Grainne was also with them. I go over to Grainne to say hello, but she didn’t even seem to realize I was there. She was too busy staring over at something, behind the group of farmers. Curious as to what Grainne was looking at, I move around to get a better look... and what I see is another cow – just a regular red cow, laying down on the grass. Getting out my phone to turn on the flashlight, I quickly realize this must be the cow that was giving birth. Its stomach was swollen, and there were patches of blood stained on the grass around it... But then I saw something else... 

On the other side of this red cow, nestled in the grass beneath the bushes, was the calf... and rather sadly, it was stillborn... But what greatly concerned me, wasn’t that this calf was dead. What concerned me was its appearance... Although the calf’s head was covered in red, slimy fur, the rest of it wasn’t... The rest of it didn’t have any fur at all – just skin... And what made every single fibre of my body crawl, was that this calf’s body – its brittle, infant body... It belonged to a human... 

Curled up into a foetal position, its head was indeed that of a calf... But what I should have been seeing as two front and hind legs, were instead two human arms and legs - no longer or shorter than my own... 

Feeling terrified and at the same time, in disbelief, I leave the calf, or whatever it was to go back to Grainne – all the while turning to shine my flashlight on the calf, as though to see if it still had the same appearance. Before I can make it back to the group of adults, Grainne stops me. With a look of concern on her face, she stares silently back at me, before she says, ‘You’re not supposed to be here. It was supposed to be a secret.’ 

Telling her that Uncle Dave had brought me, I then ask what the hell that thing was... ‘I’m not allowed to tell you’ she says. ‘This was supposed to be a secret.’ 

Twenty or thirty-so minutes later, we were all standing around as though waiting for something - before the lights of a vehicle pull into the field and a man gets out to come over to us. This man wasn’t a farmer - he was some sort of veterinarian. Uncle Dave and the others bring him to tend to the calf’s mother, and as he did, me and Grainne were made to wait inside one of the men’s tractors. 

We sat inside the tractor for what felt like hours. Even though it was summer, the night was very cold, and I was only wearing a soccer jersey and shorts. I tried prying Grainne for more information as to what was going on, but she wouldn’t talk about it – or at least, wasn’t allowed to talk about it. Luckily, my determination for answers got the better of her, because more than an hour later, with nothing but the cold night air and awkward silence to accompany us both, Grainne finally gave in... 

‘This happens every couple of years - to all the farms here... But we’re not supposed to talk about it. It brings bad luck.’ 

I then remembered something. When my dad said he wanted us to move here, my mum was dead against it. If anything, she looked scared just considering it... Almost afraid to know the answer, I work up the courage to ask Grainne... ‘Does my mum know about this?’ 

Sat stiffly in the driver’s seat, Grainne cranes her neck round to me. ‘Of course she knows’ Grainne reveals. ‘Everyone here knows.’ 

It made sense now. No wonder my mum didn’t want to move here. She never even seemed excited whenever we planned on visiting – which was strange to me, because my mum clearly loved her family. 

I then remembered something else... A couple of years ago, I remember waking up in the middle of the night inside the farmhouse, and I could hear the cows on the farm screaming. The screaming was so bad, I couldn’t even get back to sleep that night... The next morning, rushing through my breakfast to go play on the farm, Uncle Dave firmly tells me and my brothers to stay away from the cowshed... He didn’t even give an explanation. 

Later on that night, after what must have been a good three hours, my Uncle Dave and the others come over to the tractor. Shaking Uncle Dave’s hand, the veterinarian then gets in his vehicle and leaves out the field. I then notice two of the other farmers were carrying a black bag or something, each holding separate ends as they walked. I could see there was something heavy inside, and my first thought was they were carrying the dead calf – or whatever it was, away. Appearing as though everyone was leaving now, Uncle Dave comes over to the tractor to say we’re going back to the farmhouse, and that we would drop Grainne home along the way.  

Having taken Grainne home, we then make our way back along the country road, where both me and Uncle Dave sat in complete silence. Uncle Dave driving, just staring at the stretch of road in front of us – and me, staring silently at him. 

By the time we get back to the farmhouse, it was two o’clock in the morning – and the farm was dead silent. Pulling up outside the farm, Uncle Dave switches off the car engine. Without saying a word, we both remain in silence. I felt too awkward to ask him what I had just seen, but I knew he was waiting for me to do so. Still not saying a word to one another, Uncle Dave turns from the driver’s seat to me... and he tells me everything Grainne wouldn’t... 

‘Don’t you see now why you can’t move here?’ he says. ‘There’s something wrong with this place, son. This place is cursed. Your mammy knows. She’s known since she was a wain. That’s why she doesn’t want you living here.’ 

‘Why does this happen?’ I ask him. 

‘This has been happening for generations, son. For hundreds of years, the animals in the county have been giving birth to these things.’ The way my Uncle Dave was explaining all this to me, it was almost like a confession – like he’d wanted to tell the truth about what’s been happening here all his life... ‘It’s not just the cows. It’s the pigs. The sheep. The horses, and even the dogs’... 

The dogs? 

‘It’s always the same. They have the head, as normal, but the body’s always different.’ 

It was only now, after a long and terrifying night, that I suddenly started to become emotional - that and I was completely exhausted. Realizing this was all too much for a young boy to handle, I think my Uncle Dave tried to put my mind at ease...  

‘Don’t you worry, son... They never live.’ 

Although I wanted all the answers, I now felt as though I knew far too much... But there was one more thing I still wanted to know... What do they do with the bodies? 

‘Don’t you worry about it, son. Just tell your mammy that you know – but don’t go telling your brothers or your daddy now... She never wanted them knowing.’ 

By the next morning, and constantly rethinking everything that happened the previous night, I look around the farmhouse for my mum. Thankfully, she was alone in her bedroom folding clothes, and so I took the opportunity to talk to her in private. Entering her room, she asks me how it was seeing a calf being born for the first time. Staring back at her warm smile, my mouth opens to make words, but nothing comes out – and instantly... my mum knows what’s happened. 

‘I could kill your Uncle Dave!’ she says. ‘He said it was going to be a normal birth!’ 

Breaking down in tears right in front of her, my mum comes over to comfort me in her arms. 

‘’It’s ok, chicken. There’s no need to be afraid.’ 

After she tried explaining to me what Grainne and Uncle Dave had already told me, her comforting demeanour suddenly turns serious... Clasping her hands upon each side of my arms, my mum crouches down, eyes-level with me... and with the most serious look on her face I’d ever seen, she demands of me, ‘Listen chicken... Whatever you do, don’t you dare go telling your brothers or your dad... They can never know. It’s going to be our little secret. Ok?’ 

Still with tears in my eyes, I nod a silent yes to her. ‘Good man yourself’ she says.  

We went back home to England a week later... I never told my brothers or my dad the truth of what I saw – of what really happens on those farms... And I refused to ever step foot inside of County Donegal again... 

But here’s the thing... I recently went back to Ireland, years later in my adulthood... and on my travels, I learned my mum and Uncle Dave weren’t telling me the whole truth...  

This curse... It wasn’t regional... And sometimes...  

...They do live.

Story 2


r/Odd_directions • • 3d ago

Mystery 5) The Waitress

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0 Upvotes

The Trunk

5) The Waitress

The greasy spoon behind Cicero’s on Market Street had a low, constant throat-clearing rattle that got into your teeth if you stood by it too long.

By Eleven O’clock on a Thursday night in the fall of ’79, the dining room had finally thinned out, leaving behind the stale smell of beer, damp wool, and burnt butter hanging heavy in the air.

In the kitchen, the stainless steel prep tables were caked with a gray film of flour and dried egg yolk.

Ted was leaning back against the edge of the flattop, scraping a spatula across the metal with a rhythmic shick-shick-shick that set JD’s nerves on edge.

Ted was tall, with an average build for a young man, steady blue-gray eyes, long fingers for his size, and long shoulder-length sandy hair.

JD stood by the three compartment sink, elbow deep in cloudy, gray water, aggressively scrubbing a stack of heavy ceramic platters.

His long, dark hair was tied back with a dirty rag, and his Black Sabbath T-shirt clung to his skin-and-bones frame with sweat.

“Place is a tomb,” Ted muttered, not looking up from his scraping. “Swear to God, if I have to slice one more order of perogies for a table of blue-hairs who leave twenty cents, I’m walking out.”

“You always say that,” JD said, his voice flat, a low rasp that barely carried over the clatter of silverware.

He wrenched a plate out of the rinse water and slammed it into the wire rack. “Then you stick around for the tips.”

“Tips? What tips? We haven’t flipped a table in two hours.”

The swinging kitchen door banged open, letting in a sharp slice of cool air from the lounge and the muffled thump of a jukebox playing something slow and synthesizer heavy.

Pattie stood in the doorway, balancing a tray under one arm and wiping a wet hand across the front of her stained apron. Her mascara was slightly smudged under the harsh fluorescent lights, giving her eyes a tired, shadowed look that fit the mood of the South Side.

“Don’t start crying yet, tough guy,” Pattie said, nodding toward Ted. “You got a couple of stragglers hanging out by the corner booth near the cocktail lounge. Out-of-towners. Or at least, she is.”

JD stopped scrubbing, his wet hands hovering over the soapy water. “Who?”

“Some girl,” Pattie said, hiking her tray higher. “Found her wandering down Market looking for a phone booth that actually worked. Said she hitched a ride up from East Liverpool and her cousin blew her off or got picked up or something.

She’s just looking to party.” Pattie gave a short, dry laugh, rolling her eyes. “Real green. Won’t last twenty minutes in this town before she’s crying in a ditch, but she’s buying round for anyone who looks like they’re still kicking.”

Ted stopped scraping his spatula. A slow, crooked grin spread across his face as he dropped the tool onto the steel table with a sharp clang. “Out of town, huh? What’s she look like?”

“Got some straight red hair, wearing an oversized denim jacket with enough studs on the back to sink a canoe,” Pattie said. “Name’s Susie, or Suzie with a Z, or something like that.

Anyway, she’s sitting right out there staring at the neon Blatz sign like it’s Broadway.

If you boys are done drowning yourselves in the dish pit, she’s looking for some local color.”

Pattie let the door swing shut behind her, the heavy aluminum louvered slats settling back into place with a muffled thwack.

In the dish pit, JD slowly pulled his hands out of the gray water, wiping them down his thighs, leaving two dark streaks across his jeans. He didn’t say anything, but the tight, defensive line of his jaw relaxed just enough to let a thin, predatory smirk settle in.

He reached up, untied the grease stained rag from his hair, shook his head so the dark curls fell down around his hollow cheeks, and tossed the rag into the sink.

“Well,” JD murmured, his eyes fixed on the swinging door. “Let’s go see what she’s drinking.”

Ted untied his apron, balling it up and tossing it toward the laundry bin.

He shot a look back toward the prep station where Joe Desmond was quietly wiping down the slicer, his fingers moving methodically over the chrome blade with a rag.

Joe hadn’t looked up once during the entire exchange, keeping his head down, focused entirely on the metal edge.

“You coming, Joe?” Ted asked, his tone casual, his blue-gray eyes glinting with dry amusement. “Or you gonna stay here and make sure the Hobart goes to sleep nice and cozy?”

Joe didn’t stop wiping. His movements were steady, unhurried, completely insulated behind a wall of quiet indifference. “I got close-out,” Joe said, his voice flat and detached. “You guys go play tour guide.”

JD paused with his hand on the push-bar of the door, glancing back over his shoulder. He stared at Joe’s bent head for a second—that tight, quiet stillness that always made JD’s skin itch—before a cold, thin smirk cut across his face.

“Suit yourself, maestro,” JD said, his voice dropping an octave. “Don’t work too hard.”

The door pushed open wide, and JD and Ted slipped through into the dim, amber-lit warmth of the lounge, letting out a sharp burst of laughter as they headed toward the corner booth.

Back in the kitchen, the noise level dropped back to the low, steady hum of the refrigerator compressors.

Joe stood alone by the stainless steel sink, the neon glow from the front window bleeding red across the floorboards. He slowly laid the rag down, wiping his hands on a dry towel, and walked over to the kitchen door.

He didn’t push it open. He just stood there in the narrow gap where the rubber seal had peeled away from the frame, looking out into the dim lounge.

Through the crack, he saw the flash of strawberry red hair, heard the high, nervous sound of the girl’s laughter as JD leaned in close across the sticky vinyl booth, his long hair falling forward—working her like he worked a crowd.

Ted was already leaning against the adjacent booth, flashing an easy, disarming smile as he waved down the bartender for another round.

Joe watched them for a long, quiet moment, his expression unreadable, before turning back into the empty kitchen.


r/Odd_directions • • 4d ago

Horror Leftovers

14 Upvotes

Leftovers
Stepping up to the front door, I continued to hear screams. Not from just one person, but the whole bus. That’s part of the reason why I hated riding home from school. The rest of the kids were so loud.
The screams faded as the bus rode off.
Entering the house, for the first time all day, I was greeted with silence. My dad’s recliner sat empty, the kitchen dead, other than the occasional fruit fly.
I slid my backpack off my shoulder, plopping it down on the ground. I tugged at the zipper, pulling my homework out. Getting it done would get it out of the way so I could relax the rest of the night.
The couch springs sighed as I sat and placed the packet on the coffee table. The packet was slim and light. The words jumped and smeared together the more I stared at the pages. Giving myself motivation, the pencil finally slid onto the paper.
One by one, the problems were solved.
I leaned back in my seat, refreshed, knowing I was done.
The TV sat dark and silent in the corner. Planting my hands into my knees and pushing myself off the couch, I walked over to the TV, turning it on with a small buzz and a flicker.
News.
Commercial.
Cartoon rerun.
Another commercial.
I clicked again, nothing catching my attention. Nothing good comes on at this time.
I forced myself to watch a nature documentary channel. The sounds of tigers roaring echoed through the house. I rubbed my face with my hands, bored out of my mind. Eventually, I sank into the couch. I watched the ceiling, the TV being nothing more than background noise.
Minutes passed slowly before I decided to make myself something to eat.
Eating away boredom isn’t a good thing, I know, but I’d rather do that than torture myself by doing nothing.
The refrigerator hummed as I opened the door. Waiting for me was a Tupperware container with what looked to be stew. The light from the fridge glistened down onto the container like I had to eat it.
Grabbing the cold, clear container, I placed it on the counter next to the dish rack, peeling the lid off the plastic base. The glass bowls clinked together as I grabbed the red one, the already chipped edge knocking against another bowl.
I took a spoon from the dish rack and scooped a good portion of the stew into my bowl before closing the container and placing it back into the fridge.
But as I was about to walk away, I noticed a ring next to the stove.
I wondered why the ring was there, but assumed my mom had taken it off while doing the dishes and forgotten about it.
I’ll remind her when she gets home.
I took the bowl and set it in the microwave, setting the timer for 1:00 minute. The buttons beeped with each press.
Watching the bowl spin, my impatient fingers tapped on the counter in a steady rhythm. The rich, savory aroma filled the kitchen, my stomach growling at just the smell of the stew.
“Beep. Beep. Beep.”
The microwave dinged to a stop.
Steam fogged up the glass. My hand rose toward the handle, the microwave opening with a click. The steam poured out like someone stepping out of a sauna.
I took the bowl out. In the time it took me to take the bowl and place it on the counter, I swear the heated glass left my fingerprints unrecognizable.
I placed the spoon back into the stew, swirling it around before taking it to the table.
The stew was loaded with vegetables and more meat than broth. The warm, savory smell still clouded my nose.
I slid the chair under me, pushing myself closer to the table. The spoon rose to my mouth. I blew on it before placing it in my mouth.
With each chew, my eyebrows rose a little higher.
The taste was something new, something I’d never tasted before.
Quickly, one bite turned to three, the bowl becoming less and less full with each spoonful. My mouth still watered even as I chewed. It was as if I hadn’t eaten in days.
My mom sure does make a good stew.
I assumed she made it. My dad is awful at cooking.
Scraping the bowl clean, nothing was left except the insatiable desire to refill it, but I held back, rubbing my stomach in satisfaction.
Rising from my chair, I picked up the dish and placed it in the sink.
At this point, I wondered when my parents were coming home.
The eerie silence returned when I left the kitchen.
I stopped when I realized I couldn’t hear the TV.
Standing still to listen for it, I heard a faint hissing noise that made my skin tense, like it was shrinking around my bones.
I approached slowly, each step small and delicate. My head peeped around the corner until the TV came into view.
Playing on the TV was live footage of the kitchen. The light shining off the white countertops created a glare in the camera.
Treading lightly toward the TV, I came up with reasonable explanations.
The channels had switched to the security cameras, showing the live footage.
My body’s tension slowly eased.
My eyes’ gaze shifted to the play button in the corner of the screen.
“Playback?” I thought.
Dad never leaves recordings open. It must’ve frozen on an old clip…
Reaching over to turn the TV off, a flash of red caught my eye.
My red bowl in the sink.
Could it have recorded me while I was eating?
Why would it do that?
Before I could have one more thought, the video started to rewind.
I came on screen, my movements backwards.
The recording played from the beginning.
Grabbing the red bowl.
Filling it with stew.
Heating it up.
Then eating it.
My mind raced and raced, but zero explanations played in my head.
There’s no way for it to start recording by itself.
The air around me turned cold, grasping at my spine and sending shivers through my body. The house was quiet enough to hear my spoon clanking against the bowl with each bite.
I turned the TV off. The video shrank into a small dot in the middle of the screen before disappearing.
Sitting in silence, I tried to make up an explanation, something to tell myself to keep me calm.
I stared into the TV, its empty black screen reflecting the empty living room.
This wasn’t something I could push past. I’m not a person who’s scared of the dark or being home alone, but in this moment, I even feared the sound of passing cars.
I decided to spend the rest of my night in my room.
Walking down the dark hall, family pictures hung and spread out along the walls. One was slightly tilted to the left, which now didn’t bother me as much as it used to.
I reached a closed door.
My parents’ room.
They never really closed their door unless they were sleeping.
At the end of the hall was my room, the last door on the right. I flicked the light on as I opened the door.
The light illuminated the dark hall.
My bed was still made up from this morning, the pillows fluffed out and the sheet tucked neatly under my mattress.
The air was warmer, like a blanket draped over me next to a soft, crackling fire, though there was no fire or crackling sounds. Just the warm heater and the quiet noise of water falling from my fish tank’s filter.
Which reminded me that I needed to feed my fish.
I opened the cabinet under the tank, grabbing the small bottle of fish food and sprinkling it over the water. The fish hurried to the surface, nibbling at the small flakes.
The bed softened under me as I sat down.
What could I do to pass the time?
I wanted to take a shower, but I was still deeply unsettled by the TV incident.
I decided not to be cowardly about it and just do it.
I approached my closet, the door blinds closed, allowing me to sleep comfortably at night knowing no one’s watching me. My hand pushed past hanging clothes until I picked a comfortable outfit.
Stepping back into the hall, the bathroom door was open but dark. I quickly flicked the light on.
I was met with the cold, white marble counters and a leaky faucet.
I closed the door behind me, grabbing a towel from the shelf beside the sink and placing it neatly on top of my clothes sitting on the counter.
I turned the knob to turn the water on.
The quick, frantic noise of the water rushing through the pipes and walls filled the hollow tub, like an animal clawing its way through the drywall.
My hand cupped under the water while I turned the knobs to find the perfect temperature.
After finding it, I undressed, my clothes falling to the ground.
I stepped into the shower.
The water ran over my face and then the rest of my body. It was refreshing. It ran down the bridge of my nose, then onto my lips, the water warm against my skin like blood from a nosebleed.
After just a couple of minutes, I heard a noise on the other side of the bathroom door.
I held my breath to hear it again, but only the hiss of the water remained.
I listened closely, my breath still held.
I heard it again.
This time, louder.
I rushed out of the shower, soap still in my hair, my feet chilled as they hit the cold tiled floor.
I threw on my clothes without drying myself, my shirt sticking to my back.
Are my parents home? I wondered.
I quickly turned the water off. The steam fogged up the mirror, my silhouette the only thing visible.
I stepped out into the hallway, met with the eerie silence again.
“Mom?” I yelled down the hall, expecting to hear her soft, velvety voice.
Instead, I heard a quick and sharp thump coming from my parents’ room.
Walking up to their door, I continued to call out.
“Dad?” I said, a bit quieter as I approached their door.
I tried turning the doorknob, but it stopped turning a quarter of the way.
It’s locked.
They don’t lock their door when they leave.
I jangled the knob again, trying to push it open.
It didn’t budge.
Then I remembered I hadn’t checked the garage. Were their cars even there?
I made my way through the hall into the kitchen, fruit flies hovering over my red bowl in the sink.
I opened the garage door, the rusty hinges squealing as I pushed it open.
I stood in the doorway for a couple of seconds, flicking the light on to make sure what I was seeing was right.
My mom’s dark gray Toyota and my dad’s black truck sat untouched in the garage.
They’ve been here the whole time?
That can’t be true.
They would’ve come out at some time.
I rushed back to my parents’ room, closing the garage door behind me.
I called for them again as I made my way closer to their room.
“MOM! DAD!” I yelled, loud enough to give myself chills.
But still, no response.
I knocked on their door, almost banging on it. The wooden frame around it shook each time I raised my fist.
I wasn’t angry.
More so worried.
I tried to open it again, jangling the knob, and to my surprise—
Click.
It cracked open.
I slowly opened it. A small glimmer of light poured through the barely opened door from a bedside lamp.
I leaned my head through the space, my grip tightening on the doorknob.
The corner of their bed came into view.
My hands rose to grab the edge of the door to push it softly.
I could see more.
The rug on Mom’s side had a stain. The spot looked like spilled wine.
She stopped drinking three years ago.
Or so I thought.
I could feel anger rise through my body like a levee had broken.
I swung the door fully open, hitting the dresser with a slam. The door rattled as it swung back a little.
The lamp illuminated more of the room.
Expecting to see my mom passed out in bed, the anger in me soon vanished.
Their bedsheet soaked in blood.
Their bodies were mangled beyond recognition.
Blood splatters stained the floral wallpaper and the headboard.
My knees weakened as I pushed myself back out of the room, my breath shallow and cold.
Grabbing onto the wall as I ran to the kitchen to get to the phone, the already crooked photo fell completely off the wall as my hands searched for support.
I could feel my temperature rising despite the cold air.
I pulled the phone off the wall, my fingers trembling, struggling to press the buttons.
The coiled cord stretched as I brought the phone up to my ear.
A long, rapid, droning beep rang through my ear, like mockery.
I rushed to the front door, struggling to unlock it. Two large silhouettes stepped out of the hallway behind me.
In my peripheral vision, I could see them running at me.
The door opened.
I pushed through the screen door, my screams echoing through the dark, quiet neighborhood, birds fleeing from the power lines above.
A large, calloused hand grabbed my shoulder, shoving me down and pulling me back inside.
Slamming the door shut, his other hand wrapped over my lips and nose.
Every muscle in me tensed, trying to get loose, but to no avail. My knees imprinted into the carpet.
The man released his hand from my mouth. My lungs expanded, hungry for air.
In a quick movement, he kicked me in the back, the sole of his boot rough, sending me forward and hitting the right side of my face on the floor.
In that moment, I felt every muscle in my fragile body collapse, giving up on fighting back.
I began repeating my wishes in my head, closing my eyes.
“I wish this were over.”
“I wish this were over.”
The words clouded my brain like a rainy Sunday afternoon.
I opened my left eye slightly, trying to see what they were doing.
Both of his knees crushed into my sides, keeping me pinned down.
He slipped a small, tin-colored capsule out of his pocket, stabbing a thin needle into the top of it.
I grunted at him, demanding he let me go, my voice cracking from the struggle.
Removing the needle from the capsule, he flicked the end of it.
He flipped my left arm over, his grip tight on my forearm.
My eyes slammed shut, preparing for the shot.
The needle pricked through my skin, gliding into my vein.
The back of my eyelids began to spin, my face turning hot.
In my head, I could see my wishes breaking apart, like I’d failed some game, the letters jumbling until fully disappearing.
It felt like seconds.
I slowly opened my eyes.
Looking down at my arms, I saw tape wrapped around my wrists and over my mouth.
I was no longer pinned down, but tied to a chair.
The TV was placed in front of me.
In the reflection, I could see two black silhouettes behind me, both standing a couple of feet apart, blocking the front door.
The TV jolted on, burning my eyes as they adjusted to the light.
I could hear the buttons on the remote clicking from behind me.
A photo popped onto the screen.
A picture of my parents’ bedroom.
The play button sat in the corner.
I could feel one of the men approaching behind me.
I clenched my eyes shut, expecting something to happen.
Instead, he reached in front of me, placing his calloused fingers onto my eyelids and forcing them open.
The air hit my eyes, making them burn. A small trail of tears trickled down my face.
I could hear the remote buttons click one more time.
The video immediately played.
Both my parents were lying in their bed. The door swung open violently. My parents looked clearly alarmed, jumping up from the bed.
One of the men tackled my dad to the ground.
My mom’s screams echoed through the room.
The other man started to beat her to the ground.
She pleaded for them to stop.
“You can take anything! Please, just don’t hurt us!” she cried.
Trying to close my eyes, I found his fingers still on my eyelids, forcing me to watch as they murdered my parents.
I tried to tug my arms loose from the tape, shaking my head back and forth. He tightened his grip around my head, facing me forward and kneeing the back of my chair.
The video cut off.
I let out a small sigh of relief through my nose.
But another photo popped up onto the screen.
The kitchen.
The video began playing.
For a few seconds, it was just the kitchen. Nothing else.
But one of the men came into frame.
I could only see the back of his head as he entered. A quiet scraping sound followed, like something being dragged across the carpet.
He was slumped over, dragging something into frame.
My mom’s rug.
I muffled a scream as more of the rug came into frame.
Lying on the rug was my mom, her lifeless body sprawled out.
More tears trailed down my face, blurring some of my vision.
The footage sped up, the movements blurring together until I could barely make out what was happening. Then, without warning, it returned to normal speed.
The man hovered over my mom, a meat cleaver in his right hand.
Before I could even fight to close my eyes, he began to strike, cutting her limb by limb, blood pouring off the rug and into the grout of the tiles.
I stared at the kitchen wall, trying to look away.
But the blood splattered everywhere.
I tried to free myself again, my hands turning red as I tried to slide them out of the tape’s grasp.
Tears fell into my lap.
With everything in me, I shook my head back and forth again, but his grip remained too strong.
The video began to fast-forward again, the small white line at the bottom showing that the video was almost over.
It started to play again.
My eyes immediately steered toward the large pot on the stove.
My mom’s wedding ring sat on the counter next to the stove.
One of the men approached the pot, taking the lid off.
Steam rose to the hood.
He placed the lid onto the counter and walked over to the cabinet.
In the pot were small chunks of what looked to be meat and some sort of stew.
I could feel my stomach flipping as I realized what was happening.
He grabbed a container from the cabinet, peeling off the lid and setting it onto the counter.
He then grabbed a ladle and placed it into the pot, stirring it around before scooping it up and pouring it into the Tupperware container.
I wanted to throw up.
Everything in me was telling my stomach to throw up, but I just couldn’t.
He put the container into the fridge and placed the pot on the stove.
And the video ended.
Another short video played.
A couple of seconds of me at the table.
The sound of the metal spoon hitting the glass bowl.
The sound of me gulping down what I now knew was my mom.
The same video that I had seen earlier.
And then it cut off.
The screen turned fully black.
I stopped fighting the chair and listened to the silence around me.
No screaming.
No gulping.
Just silence.
My mom sure does make a good stew.