r/LocationSound • u/Raddyator • 9h ago
Gig / Prep / Workflow Run & Gun Documentary + Booming Practice
I was shooting a very run & gun documentary yesterday, crew was tiny. Literally just me, DP, director & producer. I love shooting this kind of stuff and would love to grow more into it in the future.
We were backstage at an event, lighting was horrible, literally one giant spotlight about 10-20m above us. I couldn't boom overhead as it would just create horrible shadows, so I just boomed from underneath pretty much the entire time for safety. Even when we moved to areas with softer lighting I was a bit nervous to boom overhead as I've mostly worked on narrative / commercial stuff where there's an opportunity to check frame to see whether there's any shadows etc, whereas this is obviously a lot more run & gun. I had the actor wired too, so was obviously relying on that a lot for the mix.
Is this best practice, or do I just need to get better at learning light patterns to predict shadows? Would love to hear some feedback/input from more experienced documentary sound recordists. TIA