This is a painting from Mizoram, India. It was restored in 2021

Mizoram is one of the few regions of India that is 99% christian in terms of demographics. You can see influence of Mizo culture in the painting. Patterns like Sakri Zangzia (inspired by tiger stripes), Siniar (floral variations), and diamond grids mimic the natural world and tribal history, serving as visual markers of identity and honor. disciples are draped in traditional Mizo shawls (puan).

The background wall is made of interwoven split-bamboo panels, characteristic of traditional Mizo village homes (in).

María Josefa Sánchez was a 17th-century Spanish painter. Little is known about her life. Because she used the word Doña in her signature, some scholars suggest that she was a noblewoman, while others believe that she was a nun, because only artworks currently attributed to her are painted cell crosses. She was probably active in Castile, between 1639 and 1652. 

This is the largest known Cell Cross by her and it is in the collection of the Princeton University Art Museum in Princeton, New Jersey, USA.