City Heat is a 1984 American buddy-crime comedy film starring Clint Eastwood and Burt Reynolds, written by Blake Edwards and directed by Richard Benjamin.

Slick Private Investigator Mike Murphy (Burt Reynolds) and tough Police Lieutenant Speer (Clint Eastwood), once partners, now bitter enemies, reluctantly team up to investigate a murder.

There was something about the trailers for Street Fighter 2026 that got me excited for the film. It seemed pretty irreverent and leaned into the video game vibe that set it apart from the more serious take of the recent Mortal Kombat films. It had a tone that made me want to watch it.

Now, the previous Street Fighter films have been pretty up and down in terms of quality. The 1994 film has something of a cult following (probably more for its "so bad it's good" vibe), with quotable lines and Raul Julia delivering a standout performance. Street Fighter: The Legend of Chun-Li, on the other hand, was pretty forgettable and failed to deliver on any of its promise. So I thought, maybe this time we were finally going to get an adaptation that would elevate Street Fighter in the cinematic realm.

Alas, it was not meant to be. I mean, I'll be honest, I really wanted to like this film, but I came away feeling pretty disappointed.

First, let me talk about the film's good parts. There are animated sequences in the film that pop up here and there that are really well done. So good, in fact, that I found myself wishing the whole film had been done in that style.

However, things that work in animation don't always translate well into live action, and the rest of the movie feels a bit disjointed, with the tone jumping around from outright campiness to complete seriousness.

When the movie works, it's when it fully embraces its video gamey roots. It doesn't bother explaining why people are capable of phenomenal feats. Instead, it just revels in the absurdity of it all and uses it to create spectacle after spectacle.

Where the film falters is in the overwhelming sense of melodrama that pervades a good bulk of its characters, melodrama that feels neither earned nor necessary. This is especially evident with Ryu, whose portrayal by Andrew Koji feels like it belongs in a completely different movie. Don't get me wrong, I actually like Koji's Ryu, but his performance has a totally different serious tone from the rest of the cast, who seem to be having a great time hamming it up.

I also felt like a lot of the characters were underutilised, and I got the distinct impression that quite a few of their scenes had been left on the cutting room floor. Which is a shame, because there were several characters who got a big build-up that ultimately amounted to nothing.

Speaking of which, Jason Momoa as Blanka has to be one of the biggest examples of stunt casting I've seen in a while. Given the CG nature of the role and his story arc, pretty much anyone could have played the role. It felt like a bit of a waste, and yet another character saddled with drama that really didn't need to be.

My last nitpick is that I felt the audio for the dialogue was poorly mastered. There were quite a few moments where I genuinely struggled to make out what was being said. Not that it mattered all that much, as the story is really just an excuse to string a bunch of fights together. There are plenty of plot holes and nonsensical story beats, but I'm pretty sure Street Fighter fans aren't going to see this movie for its story.

The fights themselves were adequate. I do think the editing diminished the impact of some of them, and quite a few seemed to finish just as they were getting going. I guess that's the downside of having such a big ensemble cast and a limited amount of screen time to give everyone their moment.

As things go, this movie certainly has more production value than its 1994 counterpart and is definitely better than The Legend of Chun-Li. Whether you enjoy it or not will probably come down to how big a Street Fighter fan you are and how much you're willing to overlook its shortcomings. Personally, I'd just wait to watch this one at home.

If you do decide to catch it in cinemas, there is a mid-credits scene, and that's it. Don't bother waiting till the end :)

Action is my favorite genre. But Jason Statham is my action idol. Much like how my dad idolized Dolph Lundgren or Arnold Schwarzenegger in his day, I'll watch anything Statham is in. His accent is cool, he's got great filmmakers that really make his scenes pop. Mutiny had some really good stuff, good blood FX especially.

Looking forward to Beekeeper 2 next year!

The Eiger Sanction is a 1975 American action film directed by and starring Clint Eastwood.

Based on the 1972 novel The Eiger Sanction by Trevanian, the film is about Jonathan Hemlock, an art history professor, mountain climber, and former assassin once employed by a secret government agency, who is blackmailed into returning to his deadly profession for one last mission.

Hemlock agrees to join an international climbing team in Switzerland (which is planning an ascent of the Eiger north face) to avenge the murder of an old friend.

The Eiger Sanction was produced by Robert Daley for Eastwood's Malpaso Company, with Richard D. Zanuck and David Brown as executive producers, and co-starred George Kennedy, Vonetta McGee, and Jack Cassidy.

https://www.darkhorizons.com/verhoeven-involved-in-amazons-robocop/

I absolutely love the Raid movies, they both have some of the best fight scenes, especially thanks to the great fight choreography. But, which one do you favor the most out of the two? I always find myself coming back to the first movie because it's so easy to get into. But, the Raid 2 is not far behind it. But my pick is for the first movie.

If you had to pick just one though, which one would you pick as your favorite?

Firefox is a 1982 American action techno-thriller film produced, directed by, and starring Clint Eastwood.

The cast also includes Freddie Jones, Kenneth Colley, Warren Clarke, and Nigel Hawthorne. Based on the 1977 novel of the same name by Craig Thomas, Firefox is the only film appearance of Thomas's character Mitchell Gant.

The film recounts Gant's mission to secretly enter the Soviet Union, hijack a cutting-edge fighter plane, and fly the aircraft back into U.S. and British hands.

So I’m building a built in bookshelf with a hidden pop out 7 feet tall storage. Do any of you have any movie scenes that some to mind for simple but cool hidden compartments this reminds you of?

I really enjoyed the first Matrix movie. The lobby shootout was a favorite scene.

We discussed his career directing Taken 2, Taken 3, Transporter 3, and Colombiana, along with his experiences in Hollywood, creative challenges, and approach to action filmmaking.

I thought the community might enjoy hearing directly from the director behind these films. I grew up watching them, and they remain some of my favorite action movies to this day.

Special thanks to the mods for approving this post!

The most underrated line and action movies: "Okay. Who's next."

They were probably my favourite onscreen couple and Speed is one of my all-time favourite 90s action films. I’ll pretend Cruise Control never happened! Jack and Annie lived happily ever after, kissing forever. ❤️

Reason why it was tearjerking is because Jack and Annie survived everything throughout the entire film with the Bus and Train. They got really close together.

Some movies are so fantastic I genuinely wish I could clip the whole thing and just basically post the movie for people to watch and enjoy, but I'm sure that'd violate all kinds of ToS conditions, so the struggle to find the "right clip" for Last Crusade was as difficult as Indy's lifelong hunt for the Cross of Coronado.

While I have a tendency to hand out 10s based on my mood, nostalgia, or because I just plain old feel like it, Last Crusade genuinely is a perfect movie for me. I remember seeing this in theaters on Friday opening night. The theater was jam-packed because of course it was.

You don't have a movie like this one, with Sean Connery, River Phoenix, and an entire host of phenomenal actors, and just "not see it." I can't even remember what the buzz was like because it's been so long now, but I can guarantee you that the buzz had to have been enormous. Just like this movie.

But this excellent movie is not without it's bittersweetness, at least for me. River Phoenix as Young Indiana Jones was one of those truly perfect casting moments, and the first 10 minutes or so are just So Indiana Jones that it's pure entertainment. River absolutely nailed Indy's bravado, swagger, and self-certainty in a way that I don't think anyone else could have. It's bittersweet to watch that opening because I like to imagine that if River hadn't passed away so soon, he would've picked up the hat and whip again to play a slightly older Indiana Jones.

The movie itself is such a grand mix of action, adventure, comedy, tragedy, plain old excitement, and mystery that 17-year-old me (yes, even as a moody teenager who'd just discovered girls and partying and all of that) was absolutely locked on the silver screen.

Sure, it's less serious overall than Raiders and Temple of Doom, but that's not a flaw, it's a feature. Where the two movies that came before relied less on humor (but not by much), Last Crusade works harder at making the adventure more thrilling. It's really hard to explain it any other way. Where the other two movies were just as exciting, Last Crusade's lighter tone complements the derring-do of Indy and friends in a way that's more Golden Era than the others; in this one, Indy is no mere adventuring archaeologist. He is a legitimate swashbuckling hero, though he uses a whip (and guns, and his fists, and his wits) in equal measure.

One of the secret highlights for me is how the relationship between Indy and his dad changes dramatically from start to finish, and that has a lot to do with how I felt about my dad my whole life. Indy felt like his dad was distant and uncaring. Henry was waiting for Indy to "become interesting." Neither man had the conversation about what was going on between them until it was time for rescues in German-occupied castles, but the moment Indy and Henry latch onto the Grail's trail, you can see here and there that Henry is genuinely thinking, "Holy shit, this is my son. What the hell kind of man is he?" promptly followed by, "Holy shit, that's my fearless son!" and that's just beyond awesome.

Odds are, if you like any kind of movie, you've already seen it and love it as much now as the first time you saw it.

Maybe it's time for a revisit!