One thing that makes Tyler's discography so interesting is how much his production has changed over the years. The rough, chaotic sound of Bastard and Goblin feels completely different from the layered arrangements on Flower Boy and IGOR.
What I like is that even as the sound became more polished, he kept experimenting instead of settling into one formula. You can hear him playing with unusual synths, unexpected transitions, distorted vocals, and little instrumental details that make each album feel like its own world.
Listening to everything in order almost feels like watching someone develop their own musical language. The older albums still have their own charm, but the later projects show just how far his production skills have come.
It's a big reason his albums are worth revisiting with headphones, because there's often something in the background you didn't notice the first time.